DVD News #72: Hollywood Legends Of Horror Collection.

Mask Of FM

If you like Weird, then you need to spend some time with the Horror films of the 1930s. And with this six-picture set, Warner Archive gives you a chance to jump right into the deep end.

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Doctor X (1932)
Directed by Michael Curtiz
Starring Lionel Atwill, Fay Wray, Lee Tracy

The Return of Doctor X (1939)
Directed by Vincent Sherman
Starring Wayne Morris, Rosemary Lane, Humphrey Bogart

Let’s get this straight right off the bat: The Return Of Doctor X is not a sequel to Doctor X. The first one was shot in the early two-color Technicolor process. The Return Of Doctor X is one of the films Bogart didn’t like to talk about.

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Tod Browning directs Caroll Borland and Bela Lugosi

Mark Of The Vampire (1935)
Directed by Tod Browning
Starring Lionel Barrymore, Elizabeth Allan, Bela Lugosi, Lionel Atwill

Tod Browning directs a talkie remake of one the great lost Silents, his own London After Midnight (1927) starring Lon Chaney.

Mask of Fu Manchu LC

The Mask Of Fu Manchu (1932)
Directed by Charles Brabin
Starring Boris Karloff, Myrna Loy, Lewis Stone

Karloff is the insidious Dr. Fu Manchu, wearing what appear to be his Frankenstein boots. Myrna Loy is his equally-evil daughter. This thing has to be seen to be believed.

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Basil Gogos’ painting of Peter Lorre for Famous Monsters #63

Mad Love (AKA The Hands Of Orlac, 1935)
Directed by Karl Freund
Starring Peter Lorre, Frances Drake, Colin Clive

The great cinematographer Karl Freund’s last film as director — he also directed The Mummy (1932). And of course, he was the director of photography for Fritz Lang’s Metropolis (1927) and I Love Lucy (he developed the flat-light system, and perfected the three-camera setup, that are still used in TV today).

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Tod Browning and Lionel Barrymore

The Devil-Doll (1936)
Directed by Tod Browning
Starring Lionel Barrymore, Maureen O’Sullivan

For this creepy crime picture, Tod Browning revisits some of the ideas of his The Unholy Three (1930), Lon Chaney’s only sound film — which they’d already made as a Silent in 1925.

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Filed under Bela Lugosi, Boris Karloff, Lon Chaney, MGM, Pre-Code, Tod Browning, Warner Archive

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