Blu-Ray Review: From Hell It Came (1957).

Directed by Dan Milner
Cinematography: Brydon Baker
Film Editor: Jack Milner
Original Music: Darrell Calker
Written by Richard Bernstein and Dan Milner
Produced by Jack Milner

Cast: Tod Andrews (Dr. William Arnold), Tina Carver (Dr. Terry Mason), John McNamara (Professor Clark), Linda Watkins (Mae Kilgore), Gregg Palmer (Kimo), Grace Mathews (Orchid), Chester Haynes (Tabonga)

__________

When it comes to 50s sci-fi movies, I find that Quality and Entertainment have an often inverse correlation. (I’m tossing the concept of inverse correlation in here to prove I actually paid attention in those economics classes decades ago.) In other words, the more production values you pack in there, the bigger the budget, the less fun they seem to be. With that in mind, I’m happy to report that the super-cheap From Hell It Came (1957) is largely quality-free.

On some South Seas island, a prince is (unjustly) convicted of murder, and he’s executed with a knife in the heart — all orchestrated by the witch doctor. They bury the prince upright in an old tree trunk. Turns out the place is lousy with nuclear fallout, which reanimates the prince as a walking tree with the ceremonial dagger still sticking out of its chest. Called Tabonga, it quickly sprouts and starts killing people.

Some American scientists are on the island studying radiation levels or something. They get to the bottom of it all after spouting page after page of B-movie scientific nonsense — and putting away an awful lot of booze. And if all that isn’t enough, there’s some quicksand in the Big Finish.

If you haven’t figured it out yet, this thing is great. It’s a whacked-out mix of the usual 50s science fiction monster trappings, the goofy pseudo-Polynesian aesthetic of the period, and concern about the perils of the Atom Age.

If it all sounds ridiculous, and it does, imagine seeing it on screen — somebody shuffling around in a cheap rubber tree costume. The Tabonga is the work of the great Paul Blaisdell, AIP’s favorite (cheap) monster maker, but constructed by Don Post Studios: “I designed the Tabonga the way I thought it should look in terms of the script, and the people that built it did a damn good job of reproducing a prop that was a nice concept and certainly an original one, but one that was very awkward. My hat goes off to the guy who had to act the part of the walking tree (Chester Haynes). I think he did a helluva good job under the circumstances.”

What’s interesting about From Hell It Came is that in some ways, it looks and plays like a fairly-decent movie. The acting is passable, most of the time. The cinematography, from Brydon Baker, certainly seems professional. The editing’s not bad. It’s the premise itself — a revengeful, walking tree — and the godawful dialogue that sink this one, and make it the hoot that it is.

Back in ’57, From Hell It Came played twin bills with The Disembodied. It’s not any good, either, but it features the always-wonderful Allison Hayes as a “killer-witch of the jungle.”

Quicksand is a terrific cheesy movie thing, and I love it. (Do you know someone who perished by sinking into quicksand? Or someone who’s even seen quicksand?) As a kid, I was always on the lookout for it — after all, South Georgia isn’t all that far from Louisiana, where Kharis (Lon Chaney Jr.) had reposed in quicksand in The Mummy’s Curse (1944). Later, Christopher Lee’s Hammer The Mummy (1959) took the Scroll Of Life with him into the quicksand. Movies with a quicksand scene get extra credit from me.

Speaking of extra credit, Warner Archive gets high marks from bringing something like From Hell It Came to Blu-Ray period. Then factor in that it’s a stellar presentation, with its incredible clarity and perfect contrast giving us a chance to really study the rubbery goodness of that Tabonga outfit. You also get a trailer. Highly recommended.

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3 Comments

Filed under 1957, Allison Hayes, Christopher Lee, DVD/Blu-ray Reviews, Hammer Films, Lon Chaney Jr., Monogram/Allied Artists, Paul Blaisdell, Warner Archive

3 responses to “Blu-Ray Review: From Hell It Came (1957).

  1. Richard Oravitz

    As I type this from my computer I’m looking up at my framed lobby card of Tabonga getting ready to heft cheating Korey into that dreaded quicksand pool. When FROM HELL IT CAME hit local TV all us kids in the neighborhood loved it. No one complained about how cheezy the monster looked, and everyone went around for days/weeks muttering, “Tabonga. Tabonga!!!”
    And back in the woods where we all played there were several 6′ diameter scummy ponds of greenish stagnant watery muck that I was sure were quicksand (in Ohio), so I stayed far away from them not wishing to perish beneath, leaving my family wondering why I hadn’t come home for supper…Houses have now been sitting on top of those ponds for nearly 40 years, and I keep waiting for them to sink any day now.

    Like

  2. I couldn’t get enough of movies like this as a kid, and my love of them today still isn’t tainted by tiny budgets, crummy monsters or bad acting.

    Sounds like we had similar childhoods.

    That’s a terrific lobby card — glad it’s hanging proudly somewhere.

    Like

  3. john k

    Both Richard and Toby should be very happy that Bert I Gordon’s
    wonderfully tacky ATTACK OF THE PUPPET PEOPLE is due from
    Shout Factory. The 1.37 ratio seems odd for a 1958 film but that’s
    what it says on imdb.
    These cats who run these boutique imprints have just gotta turn
    Toby loose on one of these things.

    Like

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