Blu-Ray Review: Harper (1966).

Directed by Jack Smight
Director: Jack Smight
Producer: Jerry Gershwin, Elliott Kastner
Screenplay by William Goldman,
based on the novel The Moving Target by Ross McDonald
Cinematography: Conrad Hall
Film Editor: Stefan Arnsten
Music by Johnny Mandel

Cast: Paul Newman (Lew Harper), Lauren Bacall (Elaine Sampson), Julie Harris (Betty Fraley), Arthur Hill (Albert Graves), Janet Leigh (Susan Harper), Shelley Winters, Robert Wagner

__________

For my money, Harper (1966) is the ultimate Paul Newman movie. He’s cool, funny and tough — and like all of his best films, his character’s got a little loser in him. He’s also got a cool car — a Porsche Speedster with the driver’s door sprayed in brown primer and the hubcaps missing. (Bet Newman had a lot of fun with that thing between takes.)

Harper is also a near-perfect 60s movie, touching on the mounting weirdness of the latter half of the decade, especially in Los Angeles, without going overboard in trying to be hip. Harper (Newman) is hired by a Lauren Bacall to locate her wealthy husband, who disappeared the night before. Harper’s investigation drags him through all sorts of stuff — kidnapping, smuggling illegal immigrants, heroin addiction, torture and crackpot religion. Along the way, he gets beaten up time and time again.

Elaine Sampson (Lauren Bacall): Los Angeles is the big leagues for religious nuts.
Lew Harper (Paul Newman): That’s because there’s nothing to do at night.

And it does all this while carrying on the tradition set by earlier private detective pictures like The Big Sleep (1946). You could say that this vibe was taken to the next level, a logical progression, by Robert Altman’s The Long Goodbye (1971).

Strother Martin is terrific as the weirded out holy man. Shelley Winters is a hoot as the washed up actress involved in the whole mess. Arthur Hill is perfect as Harper’s nerdy lawyer friend. And as I’ve already stated, cool just oozes out of Newman in every frame.

I am deeply indebted to this movie for two things. First, it introduced me to Ross MacDonald’s Lew Archer books. I’ve read them all, they’re great. Next, the shot underneath director Jack Smight’s credit — looking over Harper’s shoulder as he approaches Lauren Bacall’s house in his Porsche, it (and The Love Bug) helped kick off my fascination with Ferdinand Porsche and his vehicles.

Director Jack Smight and Paul Newman between takes.

Harper was shot in Technicolor and Panavision by the great Conrad Hall. The Blu-Ray from Warner Archive is near perfect, as good a presentation of original Technicolor as I’ve ever seen. Of course, it’s not the eye candy of something like Singing In The Rain (1950), but it shows us all exactly what the color process looked like in the 60s. Watch those reds — the cars, the waiters’ uniforms, etc. That’s dye transfer Tech — and it’s beautiful. Harper looks better than I’ve ever seen it look (and I’ve seen a 16mm IB Tech Scope print, the letterboxed laserdisc and the DVD). Essential.

At the same time, Warner Archive has brought the second Newman/Harper film, The Drowning Pool (1975), to Blu-Ray. It’s not as good — for one thing, the plot is really complex, but any movie featuring Murray Hamilton, Paul Koslo, Andy Robinson, Linda Haynes and Richard Jaeckel is worth seeing. This time, Harper winds up in Louisiana (the book kept Archer in California) to help out an old flame (Joanne Woodward) and people start winding up dead.

The scene with Newman and Gail Strickland trapped in a flooded hydrotherapy room, where the title comes from, is really cool.

The great Gordon Willis (The Godfather) shot this one, and it’s beautiful — and presently flawlessly on Blu-Ray by Warner Archive. Newman and all those character actors make The Drowning Pool worthwhile. Recommended.

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9 Comments

Filed under 1966, 1975, DVD/Blu-ray Reviews, Janet Leigh, Lauren Bacall, Murray Hamilton, Paul Newman, Robert Wagner, Strother Martin, Warner Archive, Warner Bros.

9 responses to “Blu-Ray Review: Harper (1966).

  1. I’m a big fan of Harper, too. I share your feeling it is the child of hard-boiled/noir pics. I love it’s humor, and my favorite bit is Newman’s Harper chewing gum as a witty echo of cigarette-smoking private dicks.

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  2. It’s a fine Paul Newman movie, but doesn’t begin to capture the tone of the novels. Black and white might have helped. Or at least toned-down colors and some low-key lighting.

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    • The novels are something else entirely. I try not to compare them too much. I don’t know if the real flavor of the MacDonald books could ever be put into a movie.

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    • I think it was Roger Ebert who said these were B movies made too pretty because Paul Newman was in them. He might’ve been onto something.

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  3. Nick Beal

    There’s an intriguing 1974 TV Movie adaptation of Ross MacDonald’s THE UNDERGROUND MAN that features Peter Graves as the correctly titled Lew Archer. While this much more modestly budgeted effort can in no way be compared to the two outstanding Paul Newman pictures, it features IMO a much more accurate depiction of MacDonald’s caring ‘tec. Newman’s Harper is slick and dynamic, whereas Graves’ Archer has the gravitas and moral resonance that illuminates MacDonald’s novels. Sometimes a lesser picture can still pack a punch and I was blown away recently when re-acquainting myself with the CHINATOWN sequel THE TWO JAKES. For those that know where to look there is, incidentally, a beautiful 1080p rip of this neglected gem out there in the ether.

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    • Thanks for chiming in here, Nick. I’m DYING to see The Underground Man. I’ll have to track it down soon. Never saw the Brian Keith series, either.

      I have a soft spot for The Two Jakes. It’s got such a great cast: Frederic Forrest, Eli Wallach, Tracey Walter, James Hong, Richard Farnsworth, Jeff Morris, Perry Lopez and the great Luana Anders. Even Van Dyke Parks. Been a long time since I saw it, time to dig it out again.

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  4. Nick Beal

    THE TWO JAKES, whilst being at it’s core a kind of meditation on lost-love and the process of ageing, also has some stupendous hard-boiled dialogue.One prime example: When questioned on the slightly dubious nature of his trade, Nicholson’s J.J. Gittes replies “In a town like LA, I’m the leper with the most fingers”.

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  5. Part of the pleasure of The Two Jakes was getting my mind around the labyrinthine plot. Owing to my limited IQ, that required two viewings. But it was worth it.

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