What better way to commemorate Halloween than with the Collegeville Creature From The Black Lagoon mask (from the early 80s)?
Maybe with the Ben Cooper one! Ether way, here’s hoping you have a safe, fun holiday — and get all the candy you like.
For their 1000th release (or spine number), The Criterion Collection has gone very big with a great big giant box of Godzilla movies. Not those new things — no thank you — but the real ones.
Of course, this being a Criterion release, you can count on each of these the films — all 15 Godzilla movies released from 1954 to 1975 — shining like a jewel. And naturally, there will be tons of extras, from alternate versions to commentaries to documentaries and trailers and so on. Does my heart good to know the work of Mr. Honda and Mr. Tsuburaya will get the level of respect these folks will give it.
The films are:
Godzilla Raids Again (1955)
King Kong Vs. Godzilla (1963, 2.35 AR)
Mothra Vs. Godzilla (1964, 2.35 AR)
Ghidorah, The Three-Headed Monster (1964 2.35 AR)
Invasion Of Astro-Monster (1965, 2.35 AR)
Son Of Godzilla (1967, 2.35 AR)
Destroy All Monsters (1968, 2.35 AR)
All Monsters Attack (1969, 2.35 AR)
Godzilla Ss. Hedorah (1971, AKA Godzilla Vs. The Smog Monster, 2.35 AR)
Godzilla Vs. Gigan (1972, 2.35 AR)
Godzilla Vs. Megalon (1973, 2.35 AR)
Godzilla Vs. Mechagodzilla (1974, 2.35 AR)
Terror Of Mechagodzilla (1975, 2.35 AR)
I absolutely love some of these movies. One of them I hate with a passion. Son Of Godzilla is criminally lame, and at 10, I considered it the worst movie I’d ever seen (that was before The Witches Of Eastwick). The very thought of making my way through this thing (yes, even Son Of Godzilla) makes me happy.
Stomping its way to TVs everywhere in October. Make sure yours is one of them.
Directed by Edward Bernds
Produced by Ben Schwalb
Written by Edward Bernds and Elwood Ullman
Music by Marlin Skiles
Cinematography: Harry Neumann
Film Editor: William Austin
Cast: Leo Gorcey (Terrance Aloysius ‘Slip’ Mahoney), Huntz Hall (Horace Debussy ‘Sach’ Jones), David Gorcey (Chuck Anderson), Bennie Bartlett (Butch Williams), Bernard Gorcey (Louie Dumbrowski), Lloyd Corrigan (Anton Gravesend), Ellen Corby (Amelia Gravesend), John Dehner (Dr. Derek Gravesend), Laura Mason (Francine Gravesend), Paul Wexler (Grissom), Steve Calvert (Gorilla)
This post is dedicated to my friend Dan Conway. A while back, he and I got to talking about The Bowery Boys, which prompted me to task myself with a series of posts on the Boys and their movies. This is the first.
The basic plot point of Abbott & Costello Meet Frankenstein (1948) — that Dracula needs a simple, pliable brain to put in the head of the Frankenstein monster, so naturally he’s after Costello — is pure genius. Wish I’d come up with it. Evidently, so did the folks behind The Bowery Boys Meet The Monsters (1954), because they took that idea and ran with it. If one monster after a brain was funny, how about a bunch of monsters after a couple of brains?
The Bowery Boys Meet The Monsters goes like this. Slip and Sach wind up at the creepy old mansion of the Gravesend family. Turns out each Gravesend is in need of a brain or body. A brain that’ll fit inside a gorilla’s head. Another brain for a robot. Some meat for a carnivorous tree. And, of course, somebody always needs some fresh blood. The boys are encouraged to stay at Chez Gravesend, and the chase begins — with the rest of the Boys coming to the rescue.
The Bowery Boys Meet The Monsters comes from the back end of the Boys’ filmography, when everyone was getting a little tired. But if you find this stuff funny, you’ll find something to laugh at here. Everything you expect is in place: Slip’s butchering of the English language, Louie’s Sweet Shop, some kind of chase, and so on. The addition of monsters and the typical old-dark-house stuff — and yet another guy (Steve Calvert ) in a gorilla suit — add a certain something. You’ve got the usual folks behind the camera — Edward Bernds directed from a script he wrote with Elwood Ullman. Harry Neumann shot it, obviously in a hurry, but he was always dependable. Great character actors like Lloyd Corrigan, Ellen Corby and John Dehner do a lot for this movie, and it looks like they were having fun.
Let’s talk about the gorilla. Steve Calvert, a bartender at Ciro’s, bought Ray “Crash” Corrigan’s ape suits and turned monkeying around into a career. He was in several of the Jungle Jim pictures with Johnny Weissmuller, starting with the first one, along with Road To Bali (1952), Bela Lugosi Meets A Brooklyn Gorilla (1952) and the late-in-the-game Republic serial Panther Girl Of The Congo (1955). I love these gorilla suit guys. Luckily, someone interviewed Calvert before he passed away.
Of course, every frame of this movie is stupid. Which is a good thing. The Bowery Boys Meet The Monsters is included in Warner Archive’s The Bowery Boys, Volume Two. This terrific four-volume series packs 12 movies on four discs in each set. They look terrific — Meet The Monsters is even presented widescreen! — and if you’re a fan of this stuff, they’re absolutely essential.
The second volume of Kit Parker’s Noir Archive series showed up yesterday. In a year filled with really great stuff coming out on Blu-Ray, this might be my favorite so far.
Four of my favorite B directors are here: William Castle, Nathan Juran, Phil Karlson and Fred F. Sears. Some of my favorite actors, too — John Agar, Robert Blake, Mari Blanchard, Timothy Carey, Richard Denning, Faith Domergue, Vince Edwards, Beverly Garland, Brian Keith, Guy Madison, Kim Novack and more.
All nine pictures look terrific — the Columbia transfers are almost flawless. Proper reviews will follow, but I can’t recommend Noir Archives Volume 2: 1954-1956 highly enough.
Directed by Fred F. Sears
Produced by Sam Katzman
Story and Screenplay by Robert E. Kent
Director Of Photography: Henry Freulich
Film Editor: Viola Lawrence
Cast: Barry Sullivan (Mick Flagg AKA Mike Pierce), Luther Adler (Tony Brill), John Baer (Ted Delacorte), Adele Jergens (Gwen Abbott), Beverly Garland (Holly Abbott), Dan Riss (Frank Alton), Damian O’Flynn (Police Chief Martin Belman), Chris Alcaide (Robert Bishop), Gene Darcy (Johnny Loker)
Here’s looking at a solid little noir/crime picture from producer Sam Katzman and director Fred F. Sears — The Miami Story (1954). It’s featured in Noir Archive, Volume 1 (1944-1954), a nine-movie, three-disc Blue-Ray set Kit Parker Films.
The Miami Story has ex-mobster Mick Flagg (Barry Sullivan) lured out of retirement (he’s now a farmer) to help snag some of his old “co-workers” in Miami. Flagg’s approach to his task isn’t hampered by the kinds of things cops or the Feds have to contend with, and he turns out to be very effective at stirring up the hoods. Along the way, he gets to threaten, beat up or at least talk smack to about everybody else in the cast. A couple of examples —
Teddy (John Baer): How much of this am I supposed to swallow?
Mick Flagg (Barry Sullivan): You better take a full dose of it, kid, if you wanna stay alive.
Gwen (Adele Jergens): Don’t give me that holier-than-thou stuff, Holly. You could hoof. All I could do was shake on top and wiggle on the bottom in crummy burlesque joints.
Mick Flagg (Barry Sullivan): Big sister just told you there’s no Santa Claus and you’re all beat up about it. Relax, things’ll look a lot worse tomorrow.
The picture is filled with dialogue like this. And Sullivan is terrific at delivering it, as is Adele Jergens. Jergens gives any movie a boost, and this one is no exception. Tired of playing these kinds of tawdry parts, she’d leave the picture business a few after The Miami Story. What a shame. She’s in one of my favorites, Armored Car Robbery (1950), along with Sugarfoot (1951), Abbott & Costello Meet The Invisible Man (1951) and a couple of the Blondie movies.
The performances are solid, to be sure, but I give a lot of credit for The Miami Story‘s success to Fred F. Sears and screenwriter Robert E. Kent. Sears proved himself to be a master craftsman, churning out a string of Katzman pictures like this that are far better than they probably have any right to be. Like Sears, Robert Kent worked a lot for Katzman’s unit at Columbia, churning out scripts for stuff like Fort Ti (1953), Jesse James Vs. The Daltons (1954) and The Werewolf (1956). He also came up with the story for Dick Tracy Meets Gruesome (1947). They made so many pictures, they can’t all be great, but when their best are well worth seeking out.
The Miami Story looks like a million bucks on Blu-Ray. DP Henry Freulich, another craftsman, is well-served here. It’s sharp, with nice-looking grain and solid blacks. As the only picture in the set from 1954, The Miami Story is the only title in 1.85. This movie, and the Blu-Ray collection, come highly recommended. If this becomes your gateway to the joys of Columbia B movies, you’re in for a real treat.
The first nine-film, three-disc volume in Kit Parker’s awesome assemblage of hi-def Film Noir hasn’t hit the street yet, and now the second’s been announced. These are coming in July, and it’s another great lineup.
Directed by Hugo Haas
Starring Cleo Moore, Hugo Haas, John Agar
Hugo Haas directs himself, Cleo Moore and John Agar in a love triangle involving a lost gold mine.
The Crooked Web (1955)
Directed by Nathan Juran
Starring Frank Lovejoy, Mari Blanchard, Richard Denning
Nathan Juran directed lots of cool stuff, but this is the only one with Mari Blanchard as a waitress. This one involves gold, too, but it’s a stash of Nazi gold. Nathan Juran did some cool stuff — from The 7th Voyage Of Sinbad (1957) to Good Day For A Hanging (1958).
The Night Holds Terror (1955)
Directed by Andrew Stone
Starring Jack Kelly, Hildy Parks, Vince Edwards, John Cassavetes, David Cross, Jonathan Hale
Sort of a combination of The Hitch-Hiker and The Desperate Hours, with John Cassavetes one of the crooks.
Footsteps In The Fog (1955)
Directed by Arthur Lubin
Starring Stewart Granger, Jean Simmons, Bill Travers, Ronald Squire
The only picture in the set in color, this one has Stewart Granger as a killer who chooses the wrong victim, literally.
Cell 2455, Death Row (1955)
Directed by Fred F. Sears
Starring William Campbell, Marian Carr, Kathryn Grant, Harvey Stephens, Vince Edwards
Based on the true story by Caryl Chessman. Director Fred F. Sears is a real favorite of mine.
5 Against The House (1955)
Directed by Phil Karlson
Starring Kim Novack, Alvy Moore, William Conrad, Kerwin Mathews
A team of Army buddies snag a camper trailer and head to Reno to rob the casinos. Phil Karlson keeps things tough and tight. Terrific movie.
New Orleans Uncensored (1955)
Directed by William Castle
Starring Arthur Franz, Beverly Garland, Helene Stanton, Mike Mazurki
William Castle working for Sam Katzman. Beverly Garland. Black and white widescreen. Why haven’t you pre-ordered one already?
Spin A Dark Web (1955)
Directed by Vernon Sewell
Starring Faith Domergue, Lee Patterson, Rona Anderson, Martin Benson
A boxer gets sucked into the London mob, with a little help from Faith Domergue. Vernon Sewell directed lots of B movies in the UK, and this is a cool one.
Rumble On The Docks (1956)
Directed by Fred F. Sears
Starring James Darren, Laurie Carrol, Michael Granger, Robert Blake, Timothy Carey
Fred F. Sears, Robert Blake and Timothy Carey all working on a Sam Katzman movie — and the results are every bit as wonderful as you might be imagining.
To have these nine pictures, in their original aspect ration and high definition, is a real treat. I can’t wait.