Here’s a cool comic-style ad for It Came From Beneath The Sea (1955). This one has it all: Kenneth Tobey, Faith Domergue, Ray Harryhausen and Sam Katzman. Click on the ad and you can see it much bigger.
Category Archives: 1955
Directed by Charles Lamont
Starring Bud Abbott, Lou Costello, Marie Windsor, Michael Ansara
Another day, another Abbott & Costello movie on Blu-Ray. This time, it’s Abbott & Costello Meet The Mummy (1955), their last picture for Universal (and their last monster meeting). It’s already available in hi-def as part of Universal’s The Mummy Complete Legacy Collection.
Meet The Mummy features Marie Windsor, my all-time favorite actress. Eddie Parker, Lon Chaney’s double on the three previous Mummy movies, plays Klaris throughout this one. The scene where Costello eats a hamburger with an ancient medallion hidden in it had me in hysterics as a kid.
The 1.85 transfer, which I’m sure will be the same one in the Legacy set, splendidly shows off the picture’s backlot and soundstage version of Egypt. Nowhere near the team’s best, but highly recommended anyway.
Two mid-50s John Wayne pictures are making their way to Blu-Ray from Warner Archive. Both were shot in early CinemaScope by William H. Clothier, so an upgrade to high-definition is certainly worthwhile.
The Sea Chase
Directed by John Farrow
Starring John Wayne, Lana Turner, David Farrar, Lyle Bettger, Tab Hunter, James Arness, Paul Fix, John Qualen, Alan Hale, Claude Akins
Wayne’s a German freighter captain trying to make it home from Australia in the early days of World War II. Production in Hawaii was cursed with all sorts of problems: Wayne had a terrible ear infection, Lana Turner hated John Farrow, etc. But it’s hard to beat that cast.
Directed by William A. Wellman
Starring John Wayne, Lauren Bacall, Paul Fix, Mike Mazurki, Anita Ekberg
This was to have starred Robert Mitchum, but he and director William Wellman had a falling out. Mitchum was fired and Wayne took his place — it was produced by his Batjac company.
Wayne is an American sailer who’s broken out of a Red Chinese prison by a group of villagers who want him to help them sail away to freedom in Hong Kong. Wellman’s great at this kind of stuff, and Blood Alley is a solid adventure picture with a great cast and terrific Scope photography from William Clothier.
This is the movie Wayne was plugging on I Love Lucy, when Lucy and Ethel stole his footprints from outside Grauman’s Chinese Theater.
Universal’s next Complete Legacy Collection — each Blu-Ray set covers everything featuring a particular Universal monster — concerns The Mummy. Providing Universal can come up with the proper number of tana leaves, this edition will be available in May. It spreads six movies over four discs.
The Mummy (1932) is one of the most visually-splendid movies I can think of. Karl Freund packs one incredible shot after another in this thing — and Karloff is at his brilliant best.
The first sequel (or maybe it’s more of a remake), The Mummy’s Hand (1940), has Tom Tyler doing a great job filling in for Boris Karloff — and Wallace Ford is a welcome addition to anything.
The next three Mummy movies — The Mummy’s Tomb (1942), The Mummy’s Ghost (1944), and The Mummy’s Curse (1944) — with Lon Chaney, Jr. as a rather portly mummy making his way through Massachusetts and Louisiana, are a real hoot in that 1940s Universal Monsters kinda way. I love these things.
Then there’s Abbott & Costello Meet The Mummy (1955), which throws in Marie Windsor, my all-time favorite actress, for good measure. It was A&C’s last picture for Universal, a studio they pretty much saved in the 40s. Eddie Parker, Chaney’s double on the three previous Mummy movies, plays Klaris throughout this one.
All six Mummy movies are black and white, with Meet The Mummy in 1.85 widescreen — and they’re all sure to look marvelous on Blu-Ray.
Directed by Franklin Adreon
Starring Phyllis Coates, Myron Healey, Arthur Space, John Day
The next-to-last Republic serial, Panther Girl Of The Kongo (1955), is coming to DVD and Blu-Ray from Olive Films.
Stock footage was the order of the day in the final years of Republic serials, and this one lifts liberally from Jungle Girl (1941) starring Frances Gifford. What really sets Panther Girl Of The Kongo apart are the always-terrific Phyllis Coates and the really cool giant crayfish (here in North Carolina, we call them crawdads). I guess Hollywood’s big bug trend (Them!, Tarantula, The Deadly Mantis, The Black Scorpion) infested the Republic lot — and it’s all brought to life by the genius of Howard and Theodore Lydecker. They built scale jungle “sets” and turned real crayfish loose on them.
It all makes for a really fun serial that comes highly recommended.
UPDATE 2/10/17: Amazon has this available for pre-order at just $12.99!
Written and Directed by Daniel B. Ullman
Produced by Vincent M. Fennelly
Director of Photography: Ellsworth Fredricks, ASC
Music by Marlin Skiles
Jazz Sequences by Shorty Rogers And His Giants
Supervising Film Editor: Lester A. Sansom
Film Editor: William Austin, ACE
Dialogue Supervisor: Sam Peckinpah
CAST: Bill Elliott (Lt. Andy Flynn), Keith Larsen (Ralph Wyatt), Helene Stanley (Connie Wyatt), Paul Picerni (Norman Roper), Jack Kruschen (Lloyd Lavalle), Elaine Riley (Gloria), Robert Bice (Sgt. Colombo), Rick Vallin (Deputy Clark), George Eldredge (Major), Regina Gleason (Mrs. Roper), Rankin Mansfield (Doctor), Mort Mills (Photographer).
I am delighted to be able to take part in The Allied Artists Pictures Blogathon and would like to thank our host, Toby, for making it possible.
Formed by Monogram Pictures in 1946, Allied Artists Pictures Corp. set about building a catalogue of entertaining films, perhaps mostly westerns and crime melos. They tend to stand up today very well for those of us who read these blogs and some of my favourite or even just ‘comfort’ pictures were produced by AA. They even tried their hand at some pretty big-scale films in the mid-50s like Friendly Persuasion.
Their No.1 cowboy star in the 50s had been Wild Bill Elliott and when he rode his last trail for them in 1954, due to changing tastes, or more likely changing fortunes in series western film-making, they put him in a series of five detective pics through 1957. Now Bill Elliott has been a big favourite of mine for decades as a Western star and I know I have to make no apology for this on these blogs (Wild Bill Rules!!!). He actually made the leap to being a detective surprisingly well really and, whilst these five films are not works of art they are good, well-made and solid entertainment.
The film was directed by Daniel B. Ullman who also wrote the screenplay. This is the story of a WW2 and Korean War veteran who has been suffering (maybe) from what we might today term PTSD. He escapes from veterans’ hospital in Los Angeles because that day he has been served with final divorce papers and wants to confront his wife and perhaps persuade her to change her mind. She is what might be described as a bit of a ‘tramp’ (is it permitted to say that today? – well, there we are – I’ve said it) and has been having an affair with a married real estate agent and wants to marry him. But he (naughty boy) has been merely using her for sex and has no intention of any commitment to her. Furious row ensues in which she is killed by judo chops. Meanwhile hubbie is having no luck tracking her down and only finds out she is dead when he is arrested by the sheriff’s dept. (led by Bill Elliott). He works out that his ‘friend’ from WW2 (who also had been trained in judo) has been lying to him and sets out after him. It is a race against time as to who gets to him first – hubbie or the police.
It is very noticeable how styles have changed in these ‘B’ ‘tec dramas from a decade and more earlier where the tone would be light, the cops a bit dumb and love would prevail in the last reel. Here the tone is quite dark and to-the-point. I enjoy both styles in their different ways but it is all part of a new reality after the horrors of WW2.
Nice lensing of L.A. locations by Ellsworth Fredericks, some tasty jazz by Shorty Rogers And The Giants in the score and a host of familiar faces, apart from Elliott, in the cast. Many of these would have been seen regularly in the studio’s westerns, such as Mort Mills, Keith Larsen, Bill Tannen, John Hart, Mike Ragan etc. Even Elaine Riley has a good role as an undercover cop. She was married to Richard ‘Chito’ Martin and only died recently, aged 98.
For folks who like a good 50s police procedural with a good cast, this film and the other four would get my recommendation. It is readily available on DVD thanks to Warner Archive putting them all together in one great set.
(November 30, 1928 – November 19, 2015)
Rex Reason has passed away at 86. He’s best known for the great sci-fi picture This Island Earth (1955, above with Faith Domergue), but he’s also in The Creature Walks Among Us (1956), the third Creature From The Black Lagoon picture. He left the movie business in the 60s and got into real estate.