Category Archives: 1961

4K/Blu-Ray News #393: The Trial (1962).

Directed by Orson Welles
Starring Anthony Perkins, Orson Welles, Jeanne Moreau, Romy Schneider, Akim Tamiroff

StudioCanal is working on a 4K Blu-ray and Blu-ray release of Orson Welles’ The Trial (1962), based in the book by Franz Kafka. A 4K restoration is being done from the original 35mm negative. The cinematography
by Edmond Richard deserves the best treatment we can give it — he and Welles put together some incredible visuals in this thing. Highly recommended.

 

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Filed under 1961, Anthony Perkins, DVD/Blu-ray News, Orson Welles

Cash On Demand (1961).

Directed by Quentin Lawrence
Screenplay by David T. Chantler & Lewis Greifer
Based on the teleplay The Gold Inside by Jacques Gillies
Director Of Photography: Arthur Grant
Film Editor: Eric Boyd-Perkins
Music by Wilfred Josephs

Cast: Peter Cushing (Harry Fordyce), André Morell (Colonel Gore Hepburn), Richard Vernon (Pearson), Norman Bird (Arthur Sanderson), Kevin Stoney (Detective Inspector Bill Mason), Barry Lowe (Peter Harvill), Edith Sharpe (Miss Pringle), Lois Daine (Sally), Alan Haywood (Kane)



What’s better than a heist movie? A heist movie starring Peter Cushing, from Hammer Films. Cash On Demand (1961) is another Hammer picture that’s eluded me over the years, and I’m so glad I finally caught up with it.

It’s a couple days before Christmas, and Harry Fordyce (Peter Cushing) is running the Haversham branch of City And Colonial Bank as coldly and efficiently as ever. Then Colonel Gore Hepburn (André Morell) comes in, announcing that he’s an insurance investigator. But once he’s in Fordyce’s office, Hepburn reveals that he’s actually a bank robber, he has Fordyce’s family hostage and that he fully expects the branch manager to help him clean out the vault.

From there, it gets very tense. Cash On Demand proves that when you have a good script to work with, along with a strong cast and crew, you don’t need much money. (They say Hammer spent just £37,000 on this thing.) The entire picture takes place in the bank or in front of it (Morell’s Maserati parked out front is nice to see).

The performances here are top-notch, and I think that’s the key to the film’s success. André Morell is charming as the robber, but we completely believe him when he threatens Fordyce’s family. Peter Cushing is incredible here. We don’t care much for the bank manager, he’s the ultimate cold fish, but Cushing makes us sympathize with him over the course of the film. For his sake (and his family’s), we want the heist to succeed. Cushing plays his rather Scrooge-ish redemption at the end just perfectly.

The US prints run 80 minutes, while the UK theatrical cut is just 67. As tight as the longer version is, I’d love to see how the shorter version plays. The Indicator Blu-Ray gives you both, by the way.

Richard Vernon has a good part in this. I’ve been aware of him for ages, thanks to movies I watched constantly as a kid: A Hard Days Night, Goldfinger, The Tomb Of Ligeia (all 1964) and The Satanic Rites Of Dracula (1973). Both Morell and Richard Vernon were in the television play this was based on, The Gold Inside, and Morell played Watson to Cushing’s Holmes in Hammer’s The Hound Of The Baskervilles (1959). Norman Bird was in The League Of Gentlemen (1960), Maniac (1963) and The Wrong Box (1966).

Director Quentin Lawrence worked largely in television, but he also did The Crawling Eye (1957). And, of course, cinematographer Arthur Grant’s work is as masterful as ever. Editor Eric Boyd-Perkins excels here, putting the pieces together to really ramp up the suspense.

How’d that vault get backstage at the London Opera House?

Another familiar “face” is Bray Studios. I recognized some of the bank sets from other Hammer films, namely The Phantom Of The Opera (1962).

My Peter Cushing bias is splattered all over this blog — he’s one of my absolute favorites, and I’d list him as one of the greatest, and most under-appreciated, screen actors of them all. Cash On Demand is yet another picture that supports my lofty claims. But from one end to another, this is an excellent film, one where everything — script, cast, direction, etc. — comes together perfectly. Highly, high recommended.

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Filed under 1961, 1964, Arthur Grant, Columbia, Hammer Films, Indicator/Powerhouse, Peter Cushing

Blu-Ray News #387: Battle Of The Worlds (Il Pianeta Degli Uomini Spenti, 1961).

Directed by Antonio Margheriti (Anthony Dawson)
Starring Claude Rains, Bill Carter, Maya Brent, Umberto Orsini

Antonio Margheriti directed quite a few science fiction and horror movies, spy films, spaghetti westerns and peplum pictures in the 60s and 70s. He rarely had much money to work with, and some of the scripts were lousy, but he had a visual flair that makes his films worthwhile. His whacked-out Wild, Wild Planet (1966) is incredible.

The Film Detective is bringing Margheriti’s second film, Battle Of The Worlds (1961) starring Claude Rains, to Blu-Ray this summer. Distributed in the States by Topaz Film Corp. in 1963, it was often paired with Atom Age Vampire (1960). Battle Of The Worlds is one of those movies that looks pretty terrible whenever it turns up, a situation I’m sure the folks at The Film Detective will rectify. Looking forward to seeing it look like something!

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Filed under 1961, Antonio Margheriti, DVD/Blu-ray News, The Film Detective

San Francisco, May, 1964.

You couldn’t pay me to go to San Francisco today, but I would love to have been there in May of 1964. Look at this great twin bill — Mario Bava’s Erik The Conqueror (1961) and Hercules And The Captive Women (1963).

All that, and Jimmy Payne, a former Mr. America, was dropping by!

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Filed under 1961, 1963, AIP, Mario Bava, Peplum, Reg Park, Woolner Brothers

4K News: The Guns Of Navarone (1961).

The guns built for the movie. Navarone is not a real island, by the way.

Directed by J. Lee Thompson
Starring Gregory Peck, David Niven, Anthony Quinn, Stanley Baker, Anthony Quayle, Irene Papas, Gia Scala, James Darren, Richard Harris

Sony has announced a 60th anniversary 4K edition of J. Lee Thompson’s The Guns Of Navarone (1961) — in both the US and the UK. The Blu-Ray from 2011 was a huge upgrade from the DVD, and I’m eager to find out how much more resolution can be gotten out of this thing. (It’s never been a super-sharp-looking film, as far as I can tell.) Sony has listed a lot of extras, some carried over from the Blu-Ray. I’m excited about the restoration of the picture’s original four-track stereo.

The Marx Navarone playset is a really cool thing.

Of course, no matter how you see it, The Guns Of Navarone is terrific. Alistair MacLean’s “impossible mission” novel made a great movie — and everyone from director J. Lee Thompson to that stellar cast to composer Dimitri Tiomkin brought their A game. What always strikes me about it is how quickly its 158 minutes go by. (The same can be said for another MacLean picture, 1969’s Where Eagles Dare.)

I haven’t taken the 4K plunge yet, and it’s terrific to see these older pictures getting this UHD treatment. The movie itself, of course, is highly, highly recommended.

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Filed under 1961, 4K, Anthony Quinn, Columbia, David Niven, DVD/Blu-ray News, Gregory Peck, J. Lee Thompson, Stanley Baker

Happy Birthday, Vincent Price.

Vincent Price
(May 27, 1911 – October 25, 1993)

Here’s the great Vincent Price having a drink during the shooting of Roger Corman’s Pit And The Pendulum (1961). You get so thirsty in those crypts!

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Filed under 1961, AIP, Roger Corman, Vincent Price

DVD/Blu-Ray News #338: Hercules And The Captive Women (1963, AKA 1961’s Hercules Conquers Atlantis).

Directed by Vittorio Cottafavi
Starring Reg Park, Fay Spain, Ettore Manni, Luciano Marin

Next month, The Film Detective is unleashing Hercules And The Captive Women (1963), the Woolner Brothers’ US version of 1961’s Italian peplum picture Ercole Alla Conquista Ai Atlantide. Coming on both DVD and Blu-Ray, it’s been given a 4K Restoration from the original 35mm camera negative. Being that this one was shot in Technicolor and Technirama, it should be quite a treat.

Hercules And The Captive Women one was one of my favorite peplum things as a kid, thanks largely to the lizard monster Hercules (Reg Park) takes on (see above). It was Park’s first film. His next one was Mario Bava’s Hercules In The Haunted World (1961).

The Film Detective has promised a mighty batch of extras, including a commentary by Tim Lucas, a documentary and MST3K’s take on the film. But the biggest bonus, for me at least, will be seeing it in its proper aspect ratio and high definition. Can’t wait. Highly recommended.

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Filed under 1961, 1963, DVD/Blu-ray News, Peplum, Reg Park, The Film Detective

RIP, Pamela Tiffin.

Pamela Tiffin
(October 13, 1942 – December 2, 2020)

Pamela Tiffin had a pretty short career in movies and on the stage. She was wonderful in a couple of my favorite films of the 60s — One Two Three (1961) and Harper (1966). She passed away last week at 78.

Not long after Harper, she headed to Italy and did a few films. By the mid-70s, she’d retired. It’s a shame she didn’t stick with it a bit longer, she was terrific.

The top image is from the Harper trailer; the bottom for Harper itself.

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Filed under 1961, 1966, Billy Wilder, Paul Newman

Blu-Ray News #317: Duel Of The Titans (1961).

Directed by Sergio Corbucci
Starring Steve Reeves, Gordon Scott, Virna Lisi

Germany’s Explosive Media, through Koch, has announced a January release date for Duel Of The Titans (1961, AKA Romulus And Remus). Bringing Steve Reeves (Hercules) and Gordon Scott (Tarzan) together as Romulus and Remus, with Sergio Corbucci directing, and with Virna Lisi — not to mention “primitive passions,” “volcanic thrills” and “pagan worship,” how could it go wrong?

Paramount cut the picture to less than 90 minutes for the States. Koch seems to be offering up the fill 109-minute version. These peplum movies have really suffered over the years, with wretched pan-and-scan transfers and faded Eastman Color. The few that have made it to Blu-Ray have looked splendid. So while the pictures themselves are a matter of taste, it’s hard to knock ’em on Blu-Ray. For fans of this stuff, this one comes recommended.

Thanks to the mighty John Knight for the tip!

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Filed under 1961, DVD/Blu-ray News, Explosive Media, Gordon Scott, Paramount, Peplum, Sergio Corbucci, Steve Reeves

Blu-Ray News #308: Hammer Films – The Ultimate Collection (1958-1971).

I’ve been really impressed with Mill Creek’s Hammer releases. They don’t have the extras we get from someone like Scream Factory, but they look good, they’re often in double bills or sets (with us DVD/Blu-Ray collectors, shelf space is always a concern), and the price is certainly right. 

Mill Creek’s newest Hammer project is the 20-picture Hammer Films – The Ultimate Collection. It’s got some great stuff — some are repeats from previous MC releases, some not. It focuses on Hammer films that were distributed by Columbia in the States. Here’s the lineup:

The Revenge Of Frankenstein (1958)
The Snorkel (1958)
The Camp On Blood Island (1958)
Yesterday’s Enemy (1959)
The Two Faces Of Dr. Jekyll (1960)
Never Take Candy From A Stranger (1960)

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The Stranglers Of Bombay (1960)
Cash On Demand (1961)
Scream Of Fear (1961)
Stop Me Before I Kill! (1961)

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The Terror Of The Tongs (1961)
The Pirates Of Blood River (1962)
These Are The Damned (1962)
The Old Dark House (1963)
The Curse Of The Mummy’s Tomb (1963)
Maniac (1963)
The Devil-Ship Pirates (1964)

The Gorgon (1964)
Die! Die! My Darling (1965)
Creatures The World Forgot (1971)

I can’t wait to get my hands on this thing. These films are essential stuff. A few of these I haven’t seen in quite a while — and never on Blu-Ray. It’s coming in November.

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Filed under 1958, 1959, 1960, 1961, 1962, 1963, 1964, 1965, 1971, Arthur Grant, Christopher Lee, Columbia, Don Sharp, DVD/Blu-ray News, Freddie Francis, Hammer Films, John Gilling, Kerwin Matthews, Mill Creek, Oliver Reed, Peter Cushing, Stanley Baker, Terence Fisher, Val Guest, William Castle