It’s a different kind of film preservation, and a very cool one at that.
The second of two 1968 Mustangs specially outfitted for Bullitt (1968) — and gloriously abused by Steve McQueen and the stunt team in the film’s chase scene, has been discovered in a junkyard in Mexico. (The other one’s locked away at some rich dude’s house, evidently.)
A restoration is underway — and I’m sure a lot of guys with deep pockets are making outlandish bids. I’d love to know how it got from Point A (San Francisco or the Warner Bros. lot) to Point B (painted white in Baja California Sur, Mexico) — and if any of McQueen’s Juicy Fruit gum wrappers are under the seat.
My iPod’s got Lalo Schifrin’s score going as I type this. And thanks to Jim Briggs for the tip.
Directed by Jess Franco
Starring Christopher Lee, Richard Greene
The Blood Of Fu Manchu (1968, AKA Kiss And Kill) and The Castle Of Fu Manchu (1969) — the last two pictures in producer Harry Alan Towers’ series based on Sax Rohmer’s Fu Manchu, star Christopher Lee, Richard Greene and the Law Of Diminishing Returns.
Directed by the Spanish cult director Jess Franco, they have their fans — and they’ll be happy to know that Blue Underground is bringing them to Blu-Ray some time this year. The previous DVD release had a lot of extras, which will make their way to the Blu-Ray set.
The first and third Lee/Fu Manchu pictures, The Face Of Fu Manchu (1965, directed by Don Sharp) and The Vengeance Of Fu Manchu (1967) are available from Warner Archive. (I really like Face.) The second, The Brides Of Fu Manchu (1966), was released several years ago from Warners, paired with Chamber Of Horrors (also 1966). How deep you want to go in this series is a personal thing, but Lee makes a terrific Fu Manchu — and let’s not forget him as Chung King in Hammer’s Terror Of The Tongs (1961).
(November 22, 1932 – November 11, 2016)
Robert Vaughan has passed away at 83.
Everybody’s gonna be all about The Man From U.N.C.L.E., which is fine. But he always impressed me in character roles, like the punk kid in the Western Good Day For A Hanging (1959) or as a slimy politician in Bullitt (1968). The scene above, about midway through the picture, has Vaughan being a real creep and Steve McQueen being cool as he eats a peanut butter sandwich. It’s a really great scene, just two good actors doing their thing.
Shout Factory has announced a twin-bill Blu-Ray of two of the greatest concert films ever made: The T.A.M.I. Show (1964) and The Big T.N.T. Show (1966). Both were shot on videotape and transferred to 35mm for theatrical release by American International. In the 50s and 60s, AIP really had the teenager scene locked down, didn’t they?
The T.A.M.I. Show features The Beach Boys (whose performance was edited out for years), Chuck Berry, James Brown, The Rolling Stones, The Supremes and Jan And Dean (who emcee the event). It was directed by Steve Binder, who also gave us Elvis’ ’68 Comeback Special.
1966’s The Big T.N.T. Show follows the same basic format as The T.A.M.I. Show. Some say the lineup of acts isn’t as good as the first film, but with The Byrds, Roger Miller, Ray Charles and Bo Diddley on hand, I ain’t complaining. Oh, and Frank Zappa can be spotted in the audience!
I’ve always been impressed by how good these look, given they began as 1960s videotape, and am looking forward to the Blu-Ray. Essential stuff.
The great Gene Wilder has passed away. For those of us who grew up in the 70s, he was in so much good stuff — Bonnie And Clyde (1967), The Producers (1968), Willie Wonka And The Chocolate Factory (1971, above), Blazing Saddles (1974), Young Frankenstein (1974) and many more.
Wilder with Zero Mostel and Kenneth Mars in Mel Brooks’ The Producers. When you have Mostel, Mars and Wilder in the same frame, how can it not be funny?
(January 25, 1931 – September 1, 2015)
Dean Jones, star of one of my favorite films growing up, The Love Bug (1968), has passed away at 84. How much joy did this guy usher into the world?
Boy, what a great night this will be for those fortunate enough to be there. A tribute to director Don Siegel, at a drive-in, featuring three of his finest films: Coogan’s Bluff (1967), Charley Varrick (1973) and The Killers (1964).
Don Siegel Triple Feature
Friday, July 17, beginning at dusk
General Admission: $10.00
Children’s Admission: $7.00
The Mahoning Drive-In Theater
635 Seneca Road, just of Rte. 443
Lehighton, PA 18235
One of my favorite filmmakers. Three of his best pictures. All in 35mm on “the largest CinemaScope screen in Pennsylvania.” Sounds like heaven.
Filed under 1964, 1968, 1973, Andy Robinson, Angie Dickinson, Clint Eastwood, Don Siegel, Lalo Schifrin, Lee Marvin, Screenings, Walter Matthau