Blu-Ray News #309: He Came From The Swamp – The William Grefé Collection.

Arrow’s He Came From The Swamp: The William Grefé Collection offers up seven films produced and/or directed (and often written) by William Grefé, all newly restored from the best film elements around:

Sting Of Death (1966)
Starring Joe Morrison, Valerie Hawkins, John Vella, Jack Nagle

Death Curse Of Tartu (1966)
Starring Fred Pinero, Babette Sherrill

The Hooked Generation (1968)
Starring Jeremy Slate, Steve Alaimo

The Psychedelic Priest (1971)
Starring John Darrell, James Coleman, Joe Crane

The Naked Zoo (1971)
Starring Rita Hayworth, Steve Oliver, Fay Spain

The Jaws Of Death (no Mako) played the Forest Drive-In here in Raleigh, NC.

Mako: The Jaws Of Death (1976)
Starring Richard Jaeckel, Jennifer Bishop, Harold Sakata

Whiskey Mountain (1977)
Starring Christopher George, Preston Pierce, Roberta Collins

Mr. Grefé participated in this from one end to the other. Each picture is packed with extras, from commentaries and trailers to director’s cuts and behind-the-scenes footage to photo galleries and a collector’s booklet. Also included is the documentary They Came From The Swamp: The Films Of William Grefé.

Should be a real hoot, and an exhaustive one at that. Coming in November. Recommended.

Blu-Ray News #308: Hammer Films – The Ultimate Collection (1958-1971).

I’ve been really impressed with Mill Creek’s Hammer releases. They don’t have the extras we get from someone like Scream Factory, but they look good, they’re often in double bills or sets (with us DVD/Blu-Ray collectors, shelf space is always a concern), and the price is certainly right. 

Mill Creek’s newest Hammer project is the 20-picture Hammer Films – The Ultimate Collection. It’s got some great stuff — some are repeats from previous MC releases, some not. It focuses on Hammer films that were distributed by Columbia in the States. Here’s the lineup:

The Revenge Of Frankenstein (1958)
The Snorkel (1958)
The Camp On Blood Island (1958)
Yesterday’s Enemy (1959)
The Two Faces Of Dr. Jekyll (1960)
Never Take Candy From A Stranger (1960)

The Stranglers Of Bombay (1960)
Cash On Demand (1961)
Scream Of Fear (1961)
Stop Me Before I Kill! (1961)

The Terror Of The Tongs (1961)
The Pirates Of Blood River (1962)
These Are The Damned (1962)
The Old Dark House (1963)
The Curse Of The Mummy’s Tomb (1963)
Maniac (1963)
The Devil-Ship Pirates (1964)

The Gorgon (1964)
Die! Die! My Darling (1965)
Creatures The World Forgot (1971)

I can’t wait to get my hands on this thing. These films are essential stuff. A few of these I haven’t seen in quite a while — and never on Blu-Ray. It’s coming in November.

RIP, Reni Santoni.

Reni Santoni
(April 21, 1939 – August 1, 2020)

Reni Santoni was a good actor, and it was always a pleasure to bump into him in some picture or TV show. He’s terrific in one of my favorite movies, Don Siegel’s Dirty Harry (1971), and he’s the only good thing about Cobra (1986). He has passed away at 81.

Mr. Santoni did a blue million TV shows, including a later episode of The Rockford Files, which I’ll probably dig out tonight.

DVD Review: Dan August – The Complete Collection (1970-71).

Before getting this set, I don’t think I’d ever seen an episode of Dan August all the way through. I thought of it pretty much the way most folks do: either it was this TV thing Burt Reynolds did before Deliverance (1972) made him a big deal, or it was just another 70s cop show — take your pick. Either way you look at it, you’re selling it short.

The set Dan August – The Complete Collection kicks off with the 1970 TV movie House On Greenapple Road that introduces the Dan August character, played by Christopher George. Like the series that would come after it, it’s got a terrific cast — Janet Leigh (who’s really good), Keenan Wynn, Julie Harris, Walter Pigeon, Ed Asner, Paul Fix and Barry Sullivan. Whether they saw it as a pilot or just a TV movie at the time, it’s really good.

Dan August is a homicide detective in the fictional Southern California town of Santa Luisa. It doesn’t seem to be a very big place, but people sure do turn up dead a lot. And that’s were August comes in. Christopher George played him as the typical late 60s TV detective, and he’s very good. But when the series came along, George turned it down and recommended his friend Burt Reynolds for the part. It took some time to sell Quinn Martin (and Burt) on the idea, but it all came together.

Reynold’s Dan August is younger and more physical, which brings in more topical subject matter (drugs, hippies, homosexuals, protests, etc.) and a lot more action. Burt does all his owns stunts — leaping over fences and cars, fighting one crook after another, and always running. He must’ve been a bruised-up, exhausted mess when he got home each day. Of course, it adds a lot of authenticity to the show. His self-deprecating sense of humor isn’t on display here, and the series is better off without it. 

The principal cast was reimagined with Burt in the lead. His partner’s Norman Fell (taking over from the movie’s Keenan Wynn), and Richard Anderson replaced Barry Sullivan as the Chief Of Police. Ned Romero and Ena Hartman were kept from the TV movie.

The shows are well-written and sharply, stylishly directed. And the casting from episode to episode is fabulous, bringing in folks like Ricardo Montalban, Vera Miles (above), Harrison Ford, Dabney Coleman, Larry Hagman, Diana Muldaur, Julie Adams, Carolyn Jones, Bradford Dillman, Donna Mills, Victor French, Richard Basehart, Lee Meriweather, Don Stroud, Sal Mineo, Ellen Corby, Billy Dee Williams and Mickey Rooney. It’s a lot of fun watching for who’ll pop up in the next one.

Even though Burt was nominated for a Golden Globe, Dan August only lasted one season (on ABC). It was an expensive show to make, and it was up against some heavy competition. Burt would quickly move on, and after he was a major star, Dan August would be rerun by CBS both late at night and in primetime.

Now, thanks to the DVD set Dan August – The Complete Collection from VEI, it runs whenever you want it to run. The shows are complete and look really good. The pilot movie, House On Greenapple Road, looks terrific, bright with rich color. The set is highly recommended.

Making Movies: Godzilla Vs. The Smog Monster (1971).

I love behind-the-scenes photos from Toho’s kaiju movies, so here’s the latest batch — all from Godzilla Vs. The Smog Monster (1971, AKA Godzilla Vs. Hedorah).

Toho’s masters, director Ishirō Honda and special effects man Eiji Tsuburaya, weren’t on board this time around. Yoshimitsu Banno directed and worked on the script.

There’s an environmental message to Godzilla Vs. The Smog Monster, but as a kid I didn’t hold it against it.

It has Godzilla taking on a pretty cool monster, and plenty of stuff got stomped, so us kids were pretty happy with it.

There was even a pop song tie-in in Japan, which was totally lost on us here in the States.

Blu-Ray Review: The Return Of Ultraman (1971-72).

When the Japanese special effects master Eiji Tsuburaya passed away in 1970, his son Hajime took over the family business, Tsuburaya Productions. In what would prove to be a very smart move, he resurrected the Ultra Series with The Return Of Ultraman. (Sadly, Hajime Tsuburaya passed away in 1973.)

The Return Of Ultraman was the fourth entry in the Ultra Series, and what’s cool about this batch is that Ishirō Honda, the principal director of Toho’s Godzilla movies and other kaiju pictures, was on hand for a few episodes, including the first one, “All Monsters Attack.” Honda is the John Ford of Japanese monster movies — everyone copies what he did, but no one could come close to the master’s work. (Years later, Akira Kurosawa would coax Honda our of retirement to work on his later films, sometimes as a second unit director.)

You could probably say The Return Of Ultraman is more of the same. Which, if you like the earlier stuff, sounds like a pretty good deal. (Today, Hollywood pretty much lives on the “more of the same” approach to filmmaking.) There are some subtle differences in how our new Ultraman, a race-car driver named Hideki Go, works — and there are some alterations to the Ultraman outfit, but when it comes to Ultraman battling monsters, the Tsuburayas knew they were onto a good thing.

The Monster Attack Team (MAT) and their gorgeous 1971 Mazda Cosmo Sport.

What I found interesting about The Return Of Ultraman is that the Ishirō Honda episodes have a slightly different look and feel to them. Honda’s style, while maybe hard to describe, seems to be impossible to duplicate (whether it’s Godzilla or Ultraman, features or TV).

Mill Creek has released The Return Of Ultraman as part of their ongoing Ultraman DVD/Blu-Ray program, and like its predecessors, it looks and sounds terrific. They’re presented in Japanese with nice English subtitles (even the theme song),  they look like a million bucks, and they’re packaged with obvious care. The monster “roster” included in the booklet is a lot of fun. It’s always nice to see something like this, as goofy or juvenile as it may seem, receive stellar treatment like this. For fans of this sort of thing, this is highly, highly recommended.

Blu-Ray News #254: Blood From The Mummy’s Tomb (1971).

Directed by Seth Holt
Starring Andrew Kier, Valerie Leon, James Villiers

Scream Factory’s trip through the Hammer vaults continues with Blood From The Mummy’s Tomb (1971), a later-period highlight for Hammer. This picture certainly had its troubles. Peter Cushing shot one day’s worth of scenes before his wife became ill. He was replaced by Andrew Kier. Near the end of the shoot, director Seth Holt had a heart attack and died on the set.

It’s based on a story by Bram Stoker, has really terrific cinematography by Arthur Grant and gives the lovely Valerie Leon a lead role for a change. Can’t wait to see what Scream Factory does with this. Their Hammer series has been really incredible so far. Coming in September.

Blu-Ray News #248: Godzilla – The Showa-Era Films (1954-1975).

If I had a nickel for every minute I stared at this FM cover as kid…

For their 1000th release (or spine number), The Criterion Collection has gone very big with a great big giant box of Godzilla movies. Not those new things — no thank you — but the real ones.

Of course, this being a Criterion release, you can count on each of these the films — all 15 Godzilla movies released from 1954 to 1975 — shining like a jewel. And naturally, there will be tons of extras, from alternate versions to commentaries to documentaries and trailers and so on. Does my heart good to know the work of Mr. Honda and Mr. Tsuburaya will get the level of respect these folks will give it.

The films are:
Godzilla (1954)
Godzilla Raids Again (1955)
King Kong Vs. Godzilla (1963, 2.35 AR)
Mothra Vs. Godzilla (1964, 2.35 AR)
Ghidorah, The Three-Headed Monster (1964 2.35 AR)
Invasion Of Astro-Monster (1965, 2.35 AR)
Son Of Godzilla (1967, 2.35 AR)

Destroy All Monsters (1968, 2.35 AR)
All Monsters Attack (1969, 2.35 AR)
Godzilla Ss. Hedorah (1971, AKA Godzilla Vs. The Smog Monster, 2.35 AR)

Godzilla Vs. Gigan (1972, 2.35 AR)
Godzilla Vs. Megalon (1973, 2.35 AR)
Godzilla Vs. Mechagodzilla (1974, 2.35 AR)
Terror Of Mechagodzilla (1975, 2.35 AR)

I absolutely love some of these movies. One of them I hate with a passion. Son Of Godzilla is criminally lame, and at 10, I considered it the worst movie I’d ever seen (that was before The Witches Of Eastwick). The very thought of making my way through this thing (yes, even Son Of Godzilla)  makes me happy.

Stomping its way to TVs everywhere in October. Make sure yours is one of them.

RIP, Paul Koslo.

Paul Koslo
(June 27, 1944 – January 9, 2019)

I just learned that one of my favorite character actors of the 70s, Paul Koslo, passed away back in January. He’s in so much great stuff: The Omega Man (1971), Joe Kidd (1972), Mr. Majestyk (1974, above), Freebie And The Bean (1974), The Drowning Pool (1975) and Rooster Cogburn (1975), to name just a few. How many actors could say they locked horns with John Wayne, Clint Eastwood, Charles Bronson, Paul Newman and James Caan?

Every movie he was in was better for his presence.

Making Movies: Diamonds Are Forever (1971).

It had been a while since I’d seen Diamonds Are Forever (1971), Sean Connery’s last entry in the “official” Bond series, and the followup to my favorite 007 movie, On Her Majesty’s Secret Service (1969), which starred the one-Bond-only George Lazenby.

Much of the picture was shot in and around Las Vegas, so for us in the States, it doesn’t have the exotic, globe-hopping angle the series tends to have. However, it offers a terrific Panavision and Technicolor look at Sin City in the early 70s. Many of the casinos you see in it are now gone.

Another slight disappointment is the absence of Bond’s Aston Martin (either the DB5 from Goldfinger or the DBS seen in OHMSS). He drives a red 1971 Ford Mustang Mach 1 instead.

Another vehicle is the prototype moon buggy Bond swipes from Willard Whyte’s place.

Connery practiced his golf swing on the moon simulation set. (Actually, judging from behind-the-scenes photos, it looks like he practiced everywhere.)

Connery’s co-star was the lovely Jill St. John. Here they are with an ice cream bar.

And between takes on the offshore oil rig.

Here are Bruce Glover (as Mr. Wint) and Putter Smith (as Mr. Kidd) on location in Amsterdam.

Lastly, dig this preliminary poster design from the great Robert McGinnis.

Diamonds Are Forever, in a way, hints at the tone of the Roger Moore Bonds that were to follow. Guy Hamilton, who directed this and Goldfiinger (1964), would do the first two Moore pictures, Live And Let Die (1973) and The Man With The Golden Gun (1974).