Gerald Isaac Stiller
(June 8, 1927 – May 11, 2020)
Jerry Stiller, surely one of the funniest men ever, has passed away at 92. Of course, he’s known for his incredible work on Seinfeld and King Of Queens, but I’ve always loved his part in one of my favorite 70s films, The Taking Of Pelham 123 (1974).
What a gift to the world this guy was!
Filed under 1974, Walter Matthau
Allen Garfield
(born Allen Goorwitz; November 22, 1939 – April 7, 2020)
COVID-19 has claimed a great character actor, Mr. Allen Garfield.
He’s in some key 70s films, like Coppola’s The Conversation (1974) and Altman’s Nashville (1975), along with The Candidate (1972), Friedkin’s The Brinks Job (1978) and The Stunt Man (1980). And he’s got a great part in one of my all-time favorites, Slither (1973, above).
Filed under 1972, 1973, 1974, 1975, Francis Ford Coppola, James Caan, Richard Rush, Robert Altman, William Friedkin
Directed by Terence Fisher
Starring Peter Cushing, Shane Briant, David Prowse, Madeline Smith, John Stratton
The last of Hammer’s Frankenstein series, Frankenstein And The Monster From Hell (1974) was also the final picture from Hammer’s terrific director, Mr. Terence Fisher.
Cut quite a bit, sitting on the shelf for a year or so and given a lame release in the States by Paramount, Frankenstein And The Monster From Hell has always gotten a bad rap, though it’s enjoyed a bit of a reappraisal in recent years. When Shout Factory kicked off their Hammer series, I was hoping they’d end up with this one — it deserves their level of attention.
Peter Cushing is as terrific as ever as the obsessively obsessed Dr. Frankenstein, his experiments hampered by all the physical damage he underwent in the previous films, namely burns from Frankenstein Must Be Destroyed (1969). David Prowse is a much better monster here than in the unfortunate Horror Of Frankenstein (1970, not part of the Cushing Frankenstein saga). Of course, these two would be reunited a few years later in Star Wars (1977) — Cushing as Grand Moff Tarkin and Prowse as Darth Vader. As the innocents pulled into Frankenstein’s madness, Shane Briant is quite good, while Madeline Smith isn’t given enough to do. Why make her a mute?
Terence Fisher doesn’t disappoint. His direction is as assured as ever, though the tone of Frankenstein And The Monster From Hell is certainly darker than the previous ones — which were plenty dark already. The cinematography this time comes from Brian Probyn and its color is more muted than Arthur Grant’s work on the two previous Frankenstein films. It certainly matches the tone of the film.
I’m curious to see what Shout Factory will be able to bring to this one in May. Highly recommended.
Directed by Kevin Connor
Starring Ian Bannen, Ian Carmichael, Peter Cushing, Diana Dors, Margaret Leighton, Nyree Dawn Porter, David Warner, Ian Ogilvym Lesley-Anne Down
Amicus Productions specialized in anthology horror pictures like Dr. Terror’s House Of Horrors (1965) and Tales From The Crypt (1972) — and From Beyond The Grave (1974) was the last one. It gave Kevin Connor his first directing assignment, and he’d go on to do pictures like The Land That Time Forgot (1975) and At The Earth’s Core (1976), both with Peter Cushing and Doug McClure.
Warner Archive has announced From Beyond The Grave for an October Blu-Ray release. The great Peter Cushing in high definition is always a good thing. Recommended.
If I had a nickel for every minute I stared at this FM cover as kid…
For their 1000th release (or spine number), The Criterion Collection has gone very big with a great big giant box of Godzilla movies. Not those new things — no thank you — but the real ones.
Of course, this being a Criterion release, you can count on each of these the films — all 15 Godzilla movies released from 1954 to 1975 — shining like a jewel. And naturally, there will be tons of extras, from alternate versions to commentaries to documentaries and trailers and so on. Does my heart good to know the work of Mr. Honda and Mr. Tsuburaya will get the level of respect these folks will give it.
The films are:
Godzilla (1954)
Godzilla Raids Again (1955)
King Kong Vs. Godzilla (1963, 2.35 AR)
Mothra Vs. Godzilla (1964, 2.35 AR)
Ghidorah, The Three-Headed Monster (1964 2.35 AR)
Invasion Of Astro-Monster (1965, 2.35 AR)
Son Of Godzilla (1967, 2.35 AR)
Destroy All Monsters (1968, 2.35 AR)
All Monsters Attack (1969, 2.35 AR)
Godzilla Ss. Hedorah (1971, AKA Godzilla Vs. The Smog Monster, 2.35 AR)
Godzilla Vs. Gigan (1972, 2.35 AR)
Godzilla Vs. Megalon (1973, 2.35 AR)
Godzilla Vs. Mechagodzilla (1974, 2.35 AR)
Terror Of Mechagodzilla (1975, 2.35 AR)
I absolutely love some of these movies. One of them I hate with a passion. Son Of Godzilla is criminally lame, and at 10, I considered it the worst movie I’d ever seen (that was before The Witches Of Eastwick). The very thought of making my way through this thing (yes, even Son Of Godzilla) makes me happy.
Stomping its way to TVs everywhere in October. Make sure yours is one of them.
Filed under 1954, 1955, 1963, 1964, 1965, 1966, 1967, 1968, 1969, 1971, 1972, 1973, 1974, 1975, AIP, Criterion Collection, DVD/Blu-ray News, Eiji Tsuburaya, Famous Monsters Of Filmland, Ishirō Honda, Kaiju Movies, Toho
Paul Koslo
(June 27, 1944 – January 9, 2019)
I just learned that one of my favorite character actors of the 70s, Paul Koslo, passed away back in January. He’s in so much great stuff: The Omega Man (1971), Joe Kidd (1972), Mr. Majestyk (1974, above), Freebie And The Bean (1974), The Drowning Pool (1975) and Rooster Cogburn (1975), to name just a few. How many actors could say they locked horns with John Wayne, Clint Eastwood, Charles Bronson, Paul Newman and James Caan?
Every movie he was in was better for his presence.
Filed under 1971, 1972, 1974, 1975, Alan Arkin, Charles Bronson, Charlton Heston, Clint Eastwood, James Caan, Paul Newman
Mill Creek has announced an upcoming Blu-Ray that pairs a couple of 70s Blaxsploitation pictures — The Take (1974) and Black Gunn (1972). Both were directed by Robert Hartford-Davis — who also did a few British horror pictures like Corruption (1968) and Incense For The Damned (1971). His Nobody Ordered Love (1971) is a lost film since he pulled it from circulation and ordered it destroyed.
The Take (1974)
Directed by Robert Hartford-Davis
Starring Billy Dee Williams, Eddie Albert, Frankie Avalon, Sorrell Booke, Albert Salmi, Vic Morrow, Tracy Reed
By this time, Billy Dee Williams had already appeared in Brian’s Song (1971), Lady Sings The Blues (1972) and Hit! (1973), but he was still six years away from The Empire Strikes Back (1980). He’s supported by a good cast, as if they didn’t think he could carry the picture on his own.
The cinematographer was Duke Callaghan, whose previous film was Jeremiah Johnson (1972). Mr. Callaghan shot a lot of Adam-12 episodes, so I’m a fan.
Black Gunn (1972)
Directed by Robert Hartford-Davis
Starring Jim Brown, Martin Landau, Brenda Sykes, Herbert Jefferson, Jr., Luciana Paluzzi, Stephen McNally, Bernie Casey, Bruce Glover
Football great Jim Brown made some terrific movies — stuff like Rio Conchos (1964), The Dirty Dozen (1967), Dark Of The Sun (1968) and The Split (1968). This time, the mob is after Brown’s brother (Herbert Jefferson, Jr.). Black Gunn‘s got a great cast, and you can always count on Bruce Glover to be a superb psycho.
The picture was shot by Richard H. Kline, who also gave us Hang ‘Em High (1968), The Boston Strangler (1968), Mr. Majestyk (1974) and Star Trek: The Motion Picture (1980).
Two cool movies in high definition at a great price. The more of these things Mill Creek pulls from the Columbia vaults, the more I like ’em.
Filed under 1972, 1974, Columbia, Jim Brown, Mill Creek
Charles Bronson (Charles Dennis Buchinsky)
(November 3, 1921 – August 30, 2003)
Charles Bronson was born on this day back in 1921. He was born in Pennsylvania to Lithuanian parents, worked in the coal mines until he served in the Air Force in World War II, and eventually made his way to Hollywood.
Bronson made a lot of movies, some of them great, many good, a few pretty terrible — House Of Wax (1953), Crime Wave (1954), Big House USA (1955), Showdown At Boot Hill (1958), The Magnificent Seven (1960), The Great Escape (1963), The Dirty Dozen (1967), Once Upon A Time In The West (1968), The Mechanic (1972), Mr. Majestyk (1974, above), Death Wish (1974) and its four sequels, Hard Times (1975), The White Buffalo (1977), Telefon (1978) and many more.
Filed under 1974, Charles Bronson
Directed by Don Siegel
Starring Michael Caine, Donald Pleasence, Delphine Seyrig, Clive Revill, Janet Suzman, John Vernon
Kino Lorber has announced an upcoming DVD and Blu-Ray release of Don Siegel’s The Black Windmill (1974). Often called a misfire, this Michael Caine spy picture has been on my Wanna See list for a very, very long time.
Not sure when this is coming out, but I can’t wait. And while I can’t give it a real recommendation, there’s the simple fact that Don Siegel directed it (coming between 1973’s Charley Varrick and The Shootist from 1976). That should be recommendation enough. (If Don Siegel directed an instructional film about dental hygiene, I’d want to see it.)
Thanks to (fellow Siegel nut) John Knight for the tip.
Filed under 1974, Don Siegel, DVD/Blu-ray News, Kino Lorber, Michael Caine, Universal (-International)
Mel Brooks (born Melvin Kaminsky)
June 28, 1926
Here’s a cool photo to mark the 92nd birthday of the great Mel Brooks. It’s the director (Brooks) and cast of Young Frankenstein (1974). L-R: Madeline Kahn, Gene Wilder, Mel Brooks, Teri Garr, Kenneth Mars and Marty Feldman. That’s a lot of funny people right there.
Happy birthday, Mr. Brooks. Thanks for all the laughs.
Filed under 1974, Gene Wilder, Mel Brooks
