The Abbott & Costello Show, Season 1 Blu-Ray set from The 3-D Film Archive and ClassicFlix was really something to see. It blew everybody away. Well, now they’re getting started with Season 2. The Kickstarter campaign has begun, and I encourage you to get in on it. The restorations/transfers (from the camera negatives) and extras will be incredible, as we’ve come to expect from these folks. Highly, highly recommended.
Category Archives: Abbott & Costello
In a recent update on the Jack And The Beanstalk (1952) restoration, The 3-D Film Archive shared this great old ad for Jack And The Beanstalk brand carrots.
The 3-D Film Archive’s previous A&C titles, Africa Screams (1949) and the first season of The Abbott & Costello Show, are really something. Jack And The Beanstalk and its Super Cinecolor are really in need of some TLC. Can’t wait to see this thing!
I’m hesitant to actually review a DVD or Blu-Ray title that I have something to do with. But I have to say something about this one.
It was a real honor to provide a commentary for an episode (“The Western”) of new The Abbott & Costello Show, Season 1 Blu-Ray set from The 3-D Film Archive and ClassicFlix. The restorations/transfers (from the camera negatives) are incredible and the package is first-class.
Of course, the series itself is terrific, one of my all-time favorite TV shows. So if you’re a fan of it, this set is an absolute must.
This week, I’ve been polishing up my commentary notes for “The Western Story,” an episode of The Abbott & Costello Show. It’s reminded me how much I love Hillary Brooke. She appeared in about half the show’s episodes.
From Sherlock Holmes Faces Death (1943) to Fritz Lang’s Ministry Of Fear (1944, above) to Road To Utopia (1945) to Africa Screams (1949) to Invaders From Mars (1953) to The Man Who Knew Too Much (1956), she’s one of my favorites.
From one role to the next, she could be funny or sinister or sympathetic — but always lovely and always worth watching.
Bob Furmanek of The 3-D Film Archive has announced their most ambitious and labor-intensive effort yet — working with TCA Television Corp. and the Lou Costello Estate to restore and preserve The Abbott & Costello Show from its original 35mm camera negatives! This mammoth project is being propelled by a Kickstarter campaign. Click the title card above to participate.
What we see today comes from standard-definition transfers done back in the 80s, that have been “sharpened” and monkeyed with over the years for DVD release. (My old 16mm prints were better-looking!)
For this new release, the 26 Season One episodes will be scanned from 35mm master elements in 4K resolution — and each episode will be digitally cleaned, frame by frame.
These shows are terrific — it’s still considered one of the greatest TV shows ever, and I’m so stoked The 3-D Film Archive is giving them the four-star treatment they did for Africa Screams (1949) and Jack And The Beanstalk (1952). Can’t wait to see Stinky, Mike The Cop and Hillary Brooke in all their 4K glory. Essential.
I’ve been thinking about a classic Universal monster movie for Halloween night, but there are a lot of them — and they’re all so great? (They’re represented by this wonderful ad for the Aurora monster model. Click on it and it gets, well, monstrous!)
What are your thoughts? Mummy? Frankenstein? Dracula? The Wolf Man? The Creature? Or a one-off like The Invisible Ray (1936)? Or, maybe a different direction, like something from AIP or Hammer?
Robert Furmanek restored one of Abbott & Costello’s funniest films, Africa Screams (1949), for its stunning Blu-Ray release, and he and his team have set their sights on Bud and Lou’s Jack And The Beanstalk (1952).
Working with the only surviving 35mm color camera negative footage, this should be incredible. The Kickstarter campaign has already, well, kicked off, so let’s make this happen!
Robert Furmanek restored one of Abbott & Costello’s funniest films, Africa Screams (1949), for its stunning Blu-Ray release, and he and his are are back with Jack And The Beanstalk (1952).
Working with the only surviving 35mm color camera negative footage, this should be incredible. As before, there will a Kickstarter campaign to help cover the restoration costs — and to let you help make it happen. More details to come!
Directed by Charles Barton
Original Story and Screenplay by Earl Baldwin
Music by Walter Schumann
Cinematography: Charles Van Enger
Film Editor: Frank Gross
Music by Walter Schumann
Cast: Bud Abbott (Buzz Johnson), Lou Costello (Stanley Livington), Clyde Beatty (himself), Frank Buck (himself), Max Baer (Grappler McCoy), Buddy Baer (Boots Wilson), Hillary Brooke (Diana Emerson), Shemp Howard (Gunner), Joe Besser (Harry), Burton Wenland (Bobo), Charles Gemora (The Ape)
Back in December, we were given the opportunity to help The 3-D Film Archive restore Africa Screams (1949) for Blu-Ray. If you were one of those that did, you’re probably feeling pretty good about yourself right now. And you should, because the results of that Kickstarter campaign, and the painstaking work it funded, are really something to see.
The new Africa Screams Blu-Ray, available from ClassicFlix, shows what a little money — coupled with a whole lot of love, dedication and technical knowhow — can accomplish. One of Abbott & Costello’s funnier movies, an independent production, Africa Screams has been rescued from the PD slag heap and allowed to shine every bit as bright as its richer cousins from Universal. And that’s quite a feat indeed.
Robert Furmanek of The 3-D Film Archive is the author (with Ron Palumbo) of one of my all-time favorite film books, Abbott & Costello In Hollywood. This is not Bob’s first time working with this movie — he put together a terrific, extras-packed laserdisc back in the pre-HD late 80s. (That’s it on the left.) My love of Africa Screams came from watching that disc many, many times. For Blu-Ray, Bob had to start all over. The 35mm camera negative and a fine grain positive, both on nitrate stock, were scanned in 4K, and those scans were given a painstaking clean-up. The results are staggering at times.
Africa Screams (1949) was an independent production from Nassour Studios. It offered a chance for more dough for Bud & Lou, so they were pretty stoked for this one. The team was riding high — they’d just done Abbott & Costello Meet Frankenstein (1948), both one of their best pictures and one of their biggest hits.
Charles Barton, who directed A&C Meet Frankenstein, was hired on, along with Charles Van Enger, who shot it, and Frank Gross, who cut it. Bud & Lou also brought in friends like Hillary Brooke, Shemp Howard, Joe Besser and Max and Buddy Baer. So they both stacked the deck and made sure they’d have a good time doing it.
Africa Screams is a spoof of jungle pictures, complete with appearances by Clyde Beatty and Frank Buck. Costello works in the adventure books section of a department store (he even wears a safari outfit). He and Abbott end up joining an expedition to search for a giant ape. It’s really a bunch of crooks after a secret diamond mine. A map to the mine was printed in an old book, which Costello claims to remember. They end up not only battling the bad guys, but being captured by cannibals and coming face to face with Charles Gemora in one of his great gorilla costumes.
The picture has plenty of opportunities for Costello’s classic scared routine (the gorilla, a crocodile, etc.) and Abbott’s abuse of his chubby friend. Shemp Howard is terrific as a near-sighted big game hunter and Hillary Brooke is as perfect as she ever is when dealing with Bud & Lou. Of course, it’s all very silly — and at times, extremely funny.
Now back to the Blu-Ray. Black and white movies really benefit from high definition, and Africa Screams is a sterling example. The sharpness, the deep, rich shadows and the expanded contrast levels help create a sense of depth that can be really effective at times. You see it in film noir quite a bit, and in this picture, it makes the scenes shot on the jungle set really come alive (though you never, ever think it’s an actual jungle). This restoration was probably an uphill battle, but you’d never know if from looking at the results. Every frame is perfection.
It’s loaded with special features, too — trailers, outtakes, stills, a TV appearance, some old interviews, a 3-D comic book (with glasses even!) and a wonderful commentary from Ron Palumbo, Furmanek’s co-author on Abbott & Costello In Hollywood.
Africa Screams is one of Abbott & Costello’s best pictures (I’d put it at #2). This is certainly the best presentation any of their films has received on Blu-Ray — and if you’ve seen the Shout Factory box, you know just how high the bar is. Highly, highly recommend.