
Directed by Kinji Fukasaku
Written by William Finger, Tom Rowe, Charles Sinclair
Cast: Robert Horton (Commander Jack Rankin), Richard Jaeckel (Commander Vince Elliott), Luciana Paluzzi (Dr. Lisa Benson), Bud Widom (Gen. Jonathan B. Thompson)
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A group of intrepid astronauts, lead by Robert Horton and Richard Jaeckel, visit an asteroid (and destroy it before it collides with Earth). One of them returns to space station Gamma 3 with some kinda green goo on his spacesuit. The goo soon transforms into dozens of nasty-looking green monsters with tentacles and a single red eye.
Commander Jack Rankin (Robert Horton): “Wait a minute — are you telling me that this thing reproduced itself inside the decontamination chamber? And, as we stepped up the current, it just… it just grew?”

The men and women (including Luciana Paluzzi of Thunderball and Muscle Beach Party) stationed on Gamma 3 soon find themselves in a battle to the death with these wretched things — all in Panavision and Metrocolor. (It’s a little embarrassing to admit that, as a kid, I was genuinely frightened by the scenes on the asteroid, as the titular green slime attached itself to the astronauts and their equipment.)
Filmed in Japan, with a Japanese crew and American cast, The Green Slime is slightly related to the four sci-fi pictures from Italian director Antonio Margheriti about space station Gamma 1 — Wild, Wild Planet, War Of The Planets, War Between The Planets (all 1966) and Snow Devils (1967). Those films, which share some of the same screenwriters as The Green Slime, were produced by MGM as TV movies but sent to theaters instead. Margheriti made all four in just three months! (Maybe it’s time to cover the entire Gamma 1 saga. Three of the four are available from Warner Archive.)

Thanks to 2001: a space odyssey (1968), The Green Slime oozed into theaters woefully behind in the special effects race. That’s not a complaint, as I’m a big fan of spotty practical effects, rubber monsters and cheesy miniatures. Fact is, everything in this movie is absolutely perfect for what it is. Writing, acting, sets, effects, music — they all suit each other. I love that the lighting rig is clearly reflected in the space helmets as our heroes explore the surface of the asteroid. I would’ve been disappointed if a wire wasn’t visible on a spaceship somewhere along the way. If the monsters were something other than Japanese guys in rubber suits, well, that would’ve ruined it for me. And the terrific theme song — from Richard Delvy of the surf band The Challengers — is the cherry on top of the whole gooey mess.

The green slime doesn’t show up green in this faded old 35mm publicity slide.
Believe it or not, I was a little concerned that the improved detail, contrast, color, etc. of the Warner Archive Blu-Ray would take away from the cheesy enjoyment packed into every frame of The Green Slime. But I was wrong. The silver-painted plywood grain of the space station is clearer than ever. The wires on the space ships are easier to spot. And the colors really pop, though I think the tint was a little truer on the old DVD. The audio’s clean and crisp — and there’s an original trailer to marvel at.
The movie’s a gas, and the Blu-Ray’s a real beauty. Essential to those who dig this kinda stuff.
One last thing. Given the perils of Gamma 3 and considering the giant slug hiding in the asteroid in The Empire Strikes Back (1980), there’s an important lesson to be learned: stay the hell away from asteroids.