Category Archives: Ava Gardner

Blu-Ray News #365: Johnny Stool Pigeon (1949).

Directed by William Castle
Starring Howard Duff, Shelley Winters, Dan Duryea, Tony Curtis, John McIntire, Gar Moore, Leif Erickson

Kino Lorber is continuing their terrific noir Blu-Ray series Film Noir: The Dark Side Of Cinema with Volumes VI and VII.

Volume VI contains John Brahm’s Singapore (1947), with Fred MacMurray, Ava Gardner and Roland Culver; George Sherman’s The Raging Tide (1951) with Shelley Winters, Richard Conte, Stephen McNally, Charles Bickford, Alex Nicol and John McIntire; and William Castle’s Johnny Stool Pigeon (1949).

In Castle’s picture, Federal agents need Johnny Evans (Dan Duryea), who’s doing time in Alcatraz, to rat on some drug dealers and hit men. Johnny’s not to hip to the idea. It’s a solid effort from Castle. Recommended.

Volume VII will contain Byron Haskin’s The Boss (1956) starring John Payne; Sidney Salkow’s Chicago Confidential (1957) with Brian Keith, Beverly Garland and Dick Foran; and Dana Andrews, Dick Foran and Marilee Earle in Jacques Tourneur’s The Fearmakers (1958).

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Filed under 1956, 1957, 1958, Ava Gardner, Beverly Garland, Dan Duryea, Dana Andrews, DVD/Blu-ray News, Film Noir, Fred MacMurray, George Sherman, Jacques Tourneur, John Payne, Kino Lorber, Richard Conte, Tony Curtis, Universal (-International), William Castle

Blu-Ray News #126: Seven Days In May (1964).

Directed by John Frankenheimer
Starring Burt Lancaster, Kirk Douglas, Fredric March, Ava Gardner, Edmond O’Brien, Martin Balsam

Warner Archive has announced a summer Blu-Ray release of the John Frankenheimer suspense/paranoia classic Seven Days In May (1964) — with Burt Lancaster as a general leading a plot to overthrow the President (whose talks of disarmament has some in the military fearing a Russian attack). The cast is outstanding — Fredric March (as the President), Kirk Douglas (as a general who uncovers the plot), Ava Gardner, Edmond O’Brien, Martin Balsam, Andrew Duggan and on and on. Rod Serling’s script is a masterpiece — this is an idea that remains topical and will probably never be handled better.

Black and white really looks terrific in high definition, and director of photography Ellsworth Fredricks’ work here certainly deserves the boost in clarity. Good stuff.

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Filed under 1964, Ava Gardner, Burt Lancaster, Edmond O'Brien, Hugh Marlowe, John Frankenheimer, Paramount, Rod Serling, Warner Archive, Whit Bissell