This is a good one. First, this would’ve been a great night in Vineland, New Jersey — Vincent Price, twice!, and a cool Gordon Scott peplum. I’m going to assume the Laurence Harvey picture is actually The Ceremony (1963); not sure where “OF DEATH” came from.
Second, I’m so happy to report that the Delsea Drive-In is still in business!
Hope y’all are enjoying these old Halloween movie ads. They’ve been a lot of fun to track down.
Directed by William Castle
Starring Howard Duff, Shelley Winters, Dan Duryea, Tony Curtis, John McIntire, Gar Moore, Leif Erickson
Kino Lorber is continuing their terrific noir Blu-Ray series Film Noir: The Dark Side Of Cinema with Volumes VI and VII.
Volume VI contains John Brahm’s Singapore (1947), with Fred MacMurray, Ava Gardner and Roland Culver; George Sherman’s The Raging Tide (1951) with Shelley Winters, Richard Conte, Stephen McNally, Charles Bickford, Alex Nicol and John McIntire; and William Castle’s Johnny Stool Pigeon (1949).
In Castle’s picture, Federal agents need Johnny Evans (Dan Duryea), who’s doing time in Alcatraz, to rat on some drug dealers and hit men. Johnny’s not to hip to the idea. It’s a solid effort from Castle. Recommended.
Volume VII will contain Byron Haskin’s The Boss (1956) starring John Payne; Sidney Salkow’s Chicago Confidential (1957) with Brian Keith, Beverly Garland and Dick Foran; and Dana Andrews, Dick Foran and Marilee Earle in Jacques Tourneur’s The Fearmakers (1958).
Mill Creek has another William Castle hi-def double bill on the way. This one’s got a couple of his noir pictures. If you’re like me, anything Mr. Castle touched is worthwhile.
Hollywood Story (1951)
Directed by William Castle
Starring Richard Conte, Julia Adams, Henry Hull, Fred Clark, Francis X. Bushman, William Farnum
William Castle spent a few years working as a contract director at Universal-International, directing cool pictures like Johnny Stool Pigeon (1949), Cave Of Outlaws (1951) and this one, Hollywood Story (1951). It’s based on the murder of the silent director William Desmond Taylor and features a handful of silent stars in tiny parts (probably done as a promo stunt more than anything else). It was shot by the underrated cinematographer Carl E. Guthrie.
Hollywood Story was often paired with Huge Fregonse’s Apache Drums (1951).
New Orleans Uncensored (1955)
Directed by William Castle
Produced by Sam Katzman
Starring Arthur Franz, Beverly Garland, Helene Stanton, Michael Ansara, Stacy Harris, Mike Mazurki
After those years at U-I, Castle moved to Columbia and made a slew of movies in Sam Katzman’s unit. This one has a dream cast — Beverly Garland, Stacy Harris, Mike Mazurki, it’s in widescreen B&W, and it runs a brisk 76 minutes. My kind of movie!
This single-disc set comes highly, highly recommended. Let’s hope Mill Creek has more like this on the way!
The second volume of Kit Parker’s Noir Archive series showed up yesterday. In a year filled with really great stuff coming out on Blu-Ray, this might be my favorite so far.
Four of my favorite B directors are here: William Castle, Nathan Juran, Phil Karlson and Fred F. Sears. Some of my favorite actors, too — John Agar, Robert Blake, Mari Blanchard, Timothy Carey, Richard Denning, Faith Domergue, Vince Edwards, Beverly Garland, Brian Keith, Guy Madison, Kim Novack and more.
All nine pictures look terrific — the Columbia transfers are almost flawless. Proper reviews will follow, but I can’t recommend Noir Archives Volume 2: 1954-1956 highly enough.
Directed by Fred F. Sears
Produced by Sam Katzman
Story and Screenplay by Robert E. Kent
Director Of Photography: Henry Freulich
Film Editor: Viola Lawrence
Cast: Barry Sullivan (Mick Flagg AKA Mike Pierce), Luther Adler (Tony Brill), John Baer (Ted Delacorte), Adele Jergens (Gwen Abbott), Beverly Garland (Holly Abbott), Dan Riss (Frank Alton), Damian O’Flynn (Police Chief Martin Belman), Chris Alcaide (Robert Bishop), Gene Darcy (Johnny Loker)
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Here’s looking at a solid little noir/crime picture from producer Sam Katzman and director Fred F. Sears — The Miami Story (1954). It’s featured in Noir Archive, Volume 1 (1944-1954), a nine-movie, three-disc Blue-Ray set Kit Parker Films.
The Miami Story has ex-mobster Mick Flagg (Barry Sullivan) lured out of retirement (he’s now a farmer) to help snag some of his old “co-workers” in Miami. Flagg’s approach to his task isn’t hampered by the kinds of things cops or the Feds have to contend with, and he turns out to be very effective at stirring up the hoods. Along the way, he gets to threaten, beat up or at least talk smack to about everybody else in the cast. A couple of examples —
Teddy (John Baer): How much of this am I supposed to swallow?
Mick Flagg (Barry Sullivan): You better take a full dose of it, kid, if you wanna stay alive.
Gwen (Adele Jergens): Don’t give me that holier-than-thou stuff, Holly. You could hoof. All I could do was shake on top and wiggle on the bottom in crummy burlesque joints.
Mick Flagg (Barry Sullivan): Big sister just told you there’s no Santa Claus and you’re all beat up about it. Relax, things’ll look a lot worse tomorrow.
The picture is filled with dialogue like this. And Sullivan is terrific at delivering it, as is Adele Jergens. Jergens gives any movie a boost, and this one is no exception. Tired of playing these kinds of tawdry parts, she’d leave the picture business a few after The Miami Story. What a shame. She’s in one of my favorites, Armored Car Robbery (1950), along with Sugarfoot (1951), Abbott & Costello Meet The Invisible Man (1951) and a couple of the Blondie movies.
The performances are solid, to be sure, but I give a lot of credit for The Miami Story‘s success to Fred F. Sears and screenwriter Robert E. Kent. Sears proved himself to be a master craftsman, churning out a string of Katzman pictures like this that are far better than they probably have any right to be. Like Sears, Robert Kent worked a lot for Katzman’s unit at Columbia, churning out scripts for stuff like Fort Ti (1953), Jesse James Vs. The Daltons (1954) and The Werewolf (1956). He also came up with the story for Dick Tracy Meets Gruesome (1947). They made so many pictures, they can’t all be great, but when their best are well worth seeking out.
The Miami Story looks like a million bucks on Blu-Ray. DP Henry Freulich, another craftsman, is well-served here. It’s sharp, with nice-looking grain and solid blacks. As the only picture in the set from 1954, The Miami Story is the only title in 1.85. This movie, and the Blu-Ray collection, come highly recommended. If this becomes your gateway to the joys of Columbia B movies, you’re in for a real treat.
Filed under 1954, Adele Jergens, Barry Sullivan, Beverly Garland, Columbia, Fred F. Sears, Kit Parker, Sam Katzman
The first nine-film, three-disc volume in Kit Parker’s awesome assemblage of hi-def Film Noir hasn’t hit the street yet, and now the second’s been announced. These are coming in July, and it’s another great lineup.
Bait (1954)
Directed by Hugo Haas
Starring Cleo Moore, Hugo Haas, John Agar
Hugo Haas directs himself, Cleo Moore and John Agar in a love triangle involving a lost gold mine.
The Crooked Web (1955)
Directed by Nathan Juran
Starring Frank Lovejoy, Mari Blanchard, Richard Denning
Nathan Juran directed lots of cool stuff, but this is the only one with Mari Blanchard as a waitress. This one involves gold, too, but it’s a stash of Nazi gold. Nathan Juran did some cool stuff — from The 7th Voyage Of Sinbad (1957) to Good Day For A Hanging (1958).
The Night Holds Terror (1955)
Directed by Andrew Stone
Starring Jack Kelly, Hildy Parks, Vince Edwards, John Cassavetes, David Cross, Jonathan Hale
Sort of a combination of The Hitch-Hiker and The Desperate Hours, with John Cassavetes one of the crooks.
Footsteps In The Fog (1955)
Directed by Arthur Lubin
Starring Stewart Granger, Jean Simmons, Bill Travers, Ronald Squire
The only picture in the set in color, this one has Stewart Granger as a killer who chooses the wrong victim, literally.
Cell 2455, Death Row (1955)
Directed by Fred F. Sears
Starring William Campbell, Marian Carr, Kathryn Grant, Harvey Stephens, Vince Edwards
Based on the true story by Caryl Chessman. Director Fred F. Sears is a real favorite of mine.
5 Against The House (1955)
Directed by Phil Karlson
Starring Kim Novack, Alvy Moore, William Conrad, Kerwin Mathews
A team of Army buddies snag a camper trailer and head to Reno to rob the casinos. Phil Karlson keeps things tough and tight. Terrific movie.
New Orleans Uncensored (1955)
Directed by William Castle
Starring Arthur Franz, Beverly Garland, Helene Stanton, Mike Mazurki
William Castle working for Sam Katzman. Beverly Garland. Black and white widescreen. Why haven’t you pre-ordered one already?
Spin A Dark Web (1955)
Directed by Vernon Sewell
Starring Faith Domergue, Lee Patterson, Rona Anderson, Martin Benson
A boxer gets sucked into the London mob, with a little help from Faith Domergue. Vernon Sewell directed lots of B movies in the UK, and this is a cool one.
Rumble On The Docks (1956)
Directed by Fred F. Sears
Starring James Darren, Laurie Carrol, Michael Granger, Robert Blake, Timothy Carey
Fred F. Sears, Robert Blake and Timothy Carey all working on a Sam Katzman movie — and the results are every bit as wonderful as you might be imagining.
To have these nine pictures, in their original aspect ration and high definition, is a real treat. I can’t wait.
Directed by Roy Del Ruth
Starring Beverly Garland, Bruce Bennett, Lon Chaney, George Macready, Richard Crane
Scream Factory has just announced a Blu-Ray release of The Alligator People (1959) from 20th Century-Fox and Robert Lippert’s Associated Producers, Inc.
This is one of those 50s monster movies that is 100% carried by its cast. Beverly Garland, one of my favorite actresses, is terrific here — as she always was in these things. This kind of hokum needs just the right touch to really work, and Bruce Bennett, Lon Chaney and George Macready are on hand to help pull the whole thing of. Garland’s new husband (Richard Crane) suddenly disappears during their honeymoon. It takes her a couple years, but she tracks him down to his family’s Southern estate, where a botched medical treatment has turned him into an alligator.
It’s clearly inspired by The Fly (1958), and it’s a load of fun. 20th Century-Fox proudly boasted that The Alligator People (and its co-feature The Return Of The Fly) were in CinemaScope, no longer releasing their black-and-white Scope pictures under the Regalscope banner. Scream Factory has done a great job with their old monster movies, and I can’t wait to see this in hi-def — backed by an alligator purse full of extras.
Film Chest Media Group has announced an upcoming set of all 39 episodes of Decoy (1957-1958). This cop show, starring Beverly Garland as policewoman Casey Jones, was shot on location in New York.
Like a lot of 50s TV, some outstanding character actors turn up each week. Decoy boasts Simon Oakland, Martin Balsam, Peter Falk, John Cassavetes, Suzanne Pleshette, Vincent Gardenia, Clifton James, Colleen Dewhurst, Ed Asner, Miriam Colon, Al Lewis, Diane Ladd, Larry Hagman and Albert Dekker, along with many others.
I’ve seen a few episodes of Decoy over the years, and they’re really cool — with a bit of a Dragnet vibe. Of course, the 50s New York locations are terrific. Beverly Garland is one of my favorite actresses, so I’m really excited to see how this set looks. The release date is listed as May 30.
Filed under 1957, 1958, Beverly Garland, Film Chest Media Group, Peter Falk, Television
Directed by Roy Del Ruth
Starring Beverly Garland, Bruce Bennett, Lon Chaney, George Macready, Richard Crane
Anolis Entertainment, a company out of Germany, has announced a DVD/Blu-Ray combo release of The Alligator People (1959) from 20th Century-Fox and Robert Lippert’s Associated Producers, Inc.
This is one of those 50s monster movies that is 100% carried by its cast. Beverly Garland, one of my favorite actresses, is terrific here — as she always was in these things. This kind of hokum needs just the right touch to really work, and Bruce Bennett, Lon Chaney and George Macready are on hand to help pull the whole thing of.
Garland’s new husband (Richard Crane) suddenly disappears during their honeymoon. It takes her a couple years, but she tracks him down to his family’s Southern estate, where a botched medical treatment has turned him into an alligator.
It’s clearly inspired by The Fly (1958), and it’s a load of fun. 20th Century-Fox proudly boasted that The Alligator People (and its co-feature The Return Of The Fly) were in CinemaScope, no longer releasing their black-and-white Scope pictures under the Regalscope banner. The domestic DVD presents the picture in gorgeous widescreen and stereo. The Blu-Ray can only be stunning.
Thanks to John Knight for the tip.
Produced and Directed by Roger Corman
Screenplay by Charles B. Griffith and Mark Hanna
Photographed by John Mescall
Music by Ronald Stein
Titles by Paul Julian
Cast: Paul Birch (Paul Johnson), Beverly Garland (Nadine Storey), Morgan Jones (Harry Sherbourne), William Roerick (Dr. Rochelle), Jonathan Haze (Jeremy Perrin), Dick Miller (Joe Piper)
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Beverly Garland is one of my favorite actresses, thanks to terrific performances in movies like this. Sure, she was capable of much, much more, as she proved later. But Beverly was such a pro, and so good, she can pick up a cheap picture like Gunslinger (1956) or The Alligator People (1959) and carry it on her back for 60-plus minutes. In Not Of This Earth (1957), Paul Birch is on hand to help out, and the two of them helped Roger Corman knock out what is probably the best of his early monster movies.
Paul Johnson (Birch) requires a lot of medical care, so he hires a nurse (Garland) to tend to his ongoing need for transfusions. Turns out, he’s from the planet Davanna, whose populace is dying of a blood disease, and he’s come to check out the earth as a possible supply.
Of course, this is pretty silly stuff, but Charles B. Griffith and Mark Hanna’s script really works, the cast puts the dialogue over (Birch somehow makes the alien’s stilted lines feel natural), location shooting in real homes and around Griffith Park add some production value, and it leaves us with a genuinely creepy ending. Good stuff.
Then there’s Paul Julian’s titles. He was a world-class background artist for Warner Bros. cartoons, and his work for Corman really classes things up. They’re so cool, so simple and so effective. Also worth noting is the beautiful advertising art by Albert Kallis — one of my favorite posters ever.
Not Of This Earth is available as part of Shout Factory’s Roger Corman’s Cult Classics Triple Feature. The other two pictures are Attack Of The Crab Monsters (1957) and War Of The Satellites (1958). We get crisp anamorphic transfers for Earth and Attack, while Satellites is full-frame — but nice and sharp. You’ll never pull these movies out to show off your spiffy new TV, but Shout Factory has ’em looking better than you ever thought they would.
Allied Artists sent out Attack Of The Crab Monsters and Not Of This Earth as a double feature. Watch them back to back — it’s only a little over two hours. Recommended.
Filed under 1957, Beverly Garland, Dick Miller, Monogram/Allied Artists, Roger Corman
The Hannibal 8 