Directed by Oscar (Budd) Boetticher, Jr.
Screenplay by Aubrey Wisberg
Cinematography: George Meehan
Film Editor: Jerome Thoms
Cast: Otto Kruger (Paul Devon), Nina Foch (Eileen Carr), William Wright (Barry Malcolm), Konstantin Shayne (Schiller), Ivan Triesault (Hausmer, Schiller’s Henchman), Ernie Adams (George Smith)
Escape In The Fog (1945) is one of the pictures featured in Noir Archive, Volume 1 (1944-1954), a nine-movie, three-disc Blue-Ray set from Mill Creek, “curated” by Kit Parker. Now folks, we all owe Mr. Parker and the gang at Mill Creek a big fat thank you, because there are two more of these wonderful sets on the way, each one offering a wealth of deep, dark, cynical, noir-y riches. Some are A pictures, but most of Bs — a ratio I like a whole lot.
The B movie units at Columbia churned out some really cool movies in the 40s and 50s, some of my all-time favorites — from noir/mystery/crime stuff like The Whistler series to Westerns like The Law Vs. Billy The Kid (1954) to horror stuff like The Devil Commands (1941). A few of the guys who directed these things went on to bigger things, such as Mr. Budd Boetticher. In Escape In The Fog, you won’t see the stylistic and thematic stuff that makes Boetticher’s later Westerns the masterworks that they are. But you will see the economy, efficiency and pacing that all his pictures benefit from, along with a real skill at building tension, something he’d put to terrific use in The Killer Is Loose (1956).
Nina Foch is a Navy nurse who has a vivid dream of a man being attacked on San Francisco’s Bay Bridge. That dream becomes a reality, she becomes involved with the guy getting pounded in her dream (William Wright) and they’re soon wrapped up in wartime espionage involving federal agents, Otto Kruger and Nazi spies. It all comes together pretty well, making for a solid 63 minutes.
Budd Boetticher’s movies remind me of Anthony Mann pictures in that the location often plays as big a role in the story as the people — Lone Pine is almost as important as Randolph Scott. There’s none of that here, but the frame totally filled with fog is quite effective — not only adding to the atmosphere, but concealing just how cheap this 12-day picture really is.
Columbia has always done a great job of keeping their material in tip-top shape, and this set, all nine movies, look fresh and crisp and sharp. Of course, some look a little better than others, but across the board they’re stunning. In spite of their often tiny budgets, the craftspeople who worked on these things made sure they looked good — and time hasn’t changed that one bit. If anything, high-definition might accentuate the incredible look of these films.
Escape In The Fog is a neat little movie. And this set is essential stuff — for fans of noir, of B moviemaking or of any of the casts and crews represented here. So, thank you Mr. Parker and the folks at Mill Creek. Looking forward to the next one!