Category Archives: Christopher Lee

Blu-Ray News #195: Three Hammer Dracula Pictures Coming To HD.

With three of the Hammer Dracula pictures on the way on Blu-Ray, the Count’s about to put a real bite on our finances. Oh well.

Dracula – Prince Of Darkness (1966)
Directed by Terence Fisher
Starring Christopher Lee

It took Hammer almost 10 years to do a sequel to their Horror Of Dracula (1958). They did it in Techniscope, which is really cool — one of the few Scope horror films Hammer did. Barbara Shelley’s terrific, but Peter Cushing is missed as Van Helsing.

Both Lee’s resurrection and demise are really effective — this one really knocked me out as a kid. Coming to Blu-Ray soon from Scream Factory.

Dracula A.D. 72 (1972)
Directed by Alan Gibson
Starring Christopher Lee, Peter Cushing, Stephanie Beacham, Carolina Munro

Bringing Dracula into the 70s turned out to be a better idea than a movie (probably inspired by AIP’s Count Yorga, Vampire), but Dracula A.D. 72 (1972) has plenty to recommend it. Cushing’s back, which helps a lot. Caroline Munro makes her first Hammer appearance (of two). And the period opening is terrific. I can do without Stoneground, who replaced The Faces (that would’ve been cool). Coming to Blu-Ray from Warner Archive.

The Satanic Rites Of Dracula (1973)
Directed by Alan Gibson
Starring Christopher Lee, Peter Cushing, Joanna Lumley, Freddie Jones

By the time Hammer got around to The Satanic Rites Of Dracula (1973), things were getting pretty tired. Way too much times is devoted to some stuff about the plague, but when Lee and Cushing duke it out, it’s glorious.

At one point, this was distributed in the States by some cheeseball company as Count Dracula And His Vampire Bride. Coming to Blu-Ray from Warner Archive.

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Filed under 1966, 1972, 1973, Barbara Shelley, Caroline Munro, Christopher Lee, DVD/Blu-ray News, Hammer Films, Peter Cushing, Shout/Scream Factory, Terence Fisher, Warner Archive

Blu-Ray News #183: Dracula – Prince Of Darkness (1966).

Directed by Terence Fisher
Starring Christopher Lee, Barbara Shelley, Andrew Kier, Frances Matthews, Susan Farmer

Dracula – Prince Of Darkness (1966), Hammer’s sequel to Horror Of Dracula (1958, called just Dracula in the UK), is coming to Blu-Ray from Scream Factory. It’s the only Hammer Dracula picture in Scope (Techniscope), and it should be a real treat in high definition. Plus, you can always count on Scream Factory for some great extras.

This was the first of these movies I saw as a kid. From bringing Lee back to life in the first reel to killing him off again at the end, I was completely mesmerized by the whole thing.

With this, The Vampire (1957), The Tingler (1959) and The Legend Of Hell House (1973), Scream Factory is bringing some of my favorites — the junk that really rotted by brain as a kid — to Blu-Ray in terrific shape. I’m eternally grateful.

Dracula crawls out of the grave this December.

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Filed under 1966, 20th Century-Fox, Barbara Shelley, Christopher Lee, Hammer Films, Shout/Scream Factory, Terence Fisher

Blu-Ray News #166: Hammer Vol. 3 – Blood And Terror.

Indicator has announced their upcoming boxed set Hammer Volume 3 Blood and Terror. It gathers up four non-horror pictures from Hammer’s glorious do-no-wrong period. The set includes —

The Camp On Blood Island (1958)
Directed by Val Guest
​S​tarring Carl Möhner, André Morell, Edward Underdown, Walter Fitzgeral​d, Barbara Shelley, Michael Ripper

Yesterday’s Enemy (1959)
Directed by Val Guest
Starring Stanley Baker, Guy Rolfe, Leo McKern, Gordon Jackson

The Stranglers Of Bombay (1959)
Directed by Terence Fisher
Starring Guy Rolfe, Jan Holden

The Terror Of The Tongs (1961)
Directed by Anthony Bushell
Starring Geoffrey Toone, Christopher Lee, Yvonne Monlaur

POWs, firing squads, Thuggee cults, Chinese crime families — this set’s got something for everyone.

Chung King (Christopher Lee): “Have you ever had your bones scraped, Captain? It is painful in the extreme I can assure you.”

As a kid, The Terror Of The Tongs haunted me for days after catching it on TV. Yesterday’s Enemy is one of the best films Hammer ever did. The Camp On Blood Island and The Stranglers Of Bombay (in Strangloscope!) are both wonderfully exploitive. Coming in July. It’s gonna be great.

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Filed under 1958, 1959, 1961, Christopher Lee, Columbia, DVD/Blu-ray News, Hammer Films, Terence Fisher, Val Guest

Blu-Ray News #154: Two More Hammer Double Features From Mill Creek.

A couple years ago, Mill Creek Entertainment treated us all to a couple of twin-bill Blu-Rays of some Hammer horror pictures. While some folks had problems with the transfers — I thought they were terrific, you sure couldn’t complain about the price. My hope was that those titles would sell enough to warrant more, and it looks like they did. The next two double features pair up Scream Of Fear (1960) with Never Take Candy From A Stranger (1960) and The Maniac (1963) with Die! Die! My Darling! (1965). All four of these were originally released by Columbia in the States.

Scream Of Fear (1961; UK title: Taste Of Fear)
​Directed by Seth Holt
​Starring Susan Strasberg, Ronald Lewis, Ann Todd, Christopher Lee

These four films come from Hammer’s string of often Psycho-inspired thrillers of the early 60s. One of the best of the bunch is Scream Of Fear, which borrows more from Clouzot’s Les Diaboliques (1955) than it does from the Hitchcock picture. Susan Strasberg is terrific as the handicapped young woman who is being systematically scared to death by a conniving couple. Jimmy Sangster’s script, Seth Holt’s direction and Douglas Slocombe’s black and white photography are all top-notch. This is a good one.

Never Take Candy From A Stranger (1960)
Directed by Cyril Frankel
Starring Patrick Allen, Gwen Watford

In a way, it’s hard to believe this story of an old man praying on young children even exists. But it does, Hammer made it, and while it’s hard to take (especially is you have a teenage daughter), by implying what’s happening rather than showing it, it becomes all the more effective. That’s a lesson I wish all filmmakers would learn. Not for everyone, for sure, but it’s excellent.

Oh, it was called Never Take Candy From A Stranger in the UK.

(The) Maniac (1963)
Directed by Michael Carreras
Starring Kerwin Mathews, Nadia Gray, Donald Houston

Aside from the psycho freak (Donald Houston) wielding a blowtorch, what strikes me about Manic is what a slimeball Kerwin Mathews is in it. To see Sinbad himself hitting on both a teenager and her stepmother, as he pounds gallons of brandy, is a little jarring.

Michael Carreras’ direction is a bit flat, and the movie suffers for it. He was a much better producer or writer than a director — his dad ran Hammer. What the picture really has going for it is DP Wilkie Cooper’s black and white Megascope — love those B&W ‘Scope pictures!

For some reason, Columbia dropped the The from its title in the US.

Richard Burton (center) is about to kick Donald Houston’s teeth out in Where Eagles Dare (1969)

Donald Houston, the picture’s maniac, would go on to appear in my all-time favorite movie — he’s the Nazi agent Richard Burton kicks in the face during the cablecar fight in Where Eagles Dare (1969). In Maniac, he’s appropriately over the top, and stills of him with his torch and goggles fascinated me as a kid.

Die! Die! My Darling! (1965; UK title: Fanatic)
Directed by Silvio Narizzano
Starring Tallulah Bankhead, Stefanie Powers, Peter Vaughan, Yootha Joyce, Donald Sutherland

This time, Hammer aimed for something more in the vein of Robert Aldrich’s What Ever Happened to Baby Jane? (1962) and Hush…Hush, Sweet Charlotte (1964). They wisely got the great Richard Matheson to write it and the incomparable Tallulah Bankhead to star. Good, creepy stuff. This would be Bankhead’s last role, aside from her turn as Black Widow on Batman.

Mill Creek has these scheduled for a March release. I’m eternally grateful for their ongoing efforts to bring movies like these to hi-def at such low cost.

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Filed under 1960, 1961, 1963, 1965, Alfred Hitchcock, Christopher Lee, Columbia, DVD/Blu-ray News, Hammer Films, Mill Creek, Richard Burton, Richard Matheson, Robert Aldrich

RIP, Karin Dor.

Karin Dor
(February 22, 1938 – November 6, 2017)

I love You Only Live Twice (1967). And I hated to see that Karin Dor, seen above with Sean Connery, had passed away.

With Lex Barker in The Torture Chamber Of Dr. Sadism (1967).

Like so many of the Bond girls from the 60s, Ms. Dor appeared in a lot of other cool things. You’ll also find her in The Face Of Fu Manchu (1965) with Christopher Lee, Hitchcock’s Topaz (1969), and a number of German films co-starring Lex Barker — such as The Invisible Dr. Mabuse and The Treasure Of The Silver Lake (both 1962). From time to time, she even turns up in American TV shows like Ironside and The FBI.

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Filed under 1967, Alfred Hitchcock, Christopher Lee, James Bond, Sean Connery

Blu-Ray Review: From Hell It Came (1957).

Directed by Dan Milner
Cinematography: Brydon Baker
Film Editor: Jack Milner
Original Music: Darrell Calker
Written by Richard Bernstein and Dan Milner
Produced by Jack Milner

Cast: Tod Andrews (Dr. William Arnold), Tina Carver (Dr. Terry Mason), John McNamara (Professor Clark), Linda Watkins (Mae Kilgore), Gregg Palmer (Kimo), Grace Mathews (Orchid), Chester Haynes (Tabonga)

__________

When it comes to 50s sci-fi movies, I find that Quality and Entertainment have an often inverse correlation. (I’m tossing the concept of inverse correlation in here to prove I actually paid attention in those economics classes decades ago.) In other words, the more production values you pack in there, the bigger the budget, the less fun they seem to be. With that in mind, I’m happy to report that the super-cheap From Hell It Came (1957) is largely quality-free.

On some South Seas island, a prince is (unjustly) convicted of murder, and he’s executed with a knife in the heart — all orchestrated by the witch doctor. They bury the prince upright in an old tree trunk. Turns out the place is lousy with nuclear fallout, which reanimates the prince as a walking tree with the ceremonial dagger still sticking out of its chest. Called Tabonga, it quickly sprouts and starts killing people.

Some American scientists are on the island studying radiation levels or something. They get to the bottom of it all after spouting page after page of B-movie scientific nonsense — and putting away an awful lot of booze. And if all that isn’t enough, there’s some quicksand in the Big Finish.

If you haven’t figured it out yet, this thing is great. It’s a whacked-out mix of the usual 50s science fiction monster trappings, the goofy pseudo-Polynesian aesthetic of the period, and concern about the perils of the Atom Age.

If it all sounds ridiculous, and it does, imagine seeing it on screen — somebody shuffling around in a cheap rubber tree costume. The Tabonga is the work of the great Paul Blaisdell, AIP’s favorite (cheap) monster maker, but constructed by Don Post Studios: “I designed the Tabonga the way I thought it should look in terms of the script, and the people that built it did a damn good job of reproducing a prop that was a nice concept and certainly an original one, but one that was very awkward. My hat goes off to the guy who had to act the part of the walking tree (Chester Haynes). I think he did a helluva good job under the circumstances.”

What’s interesting about From Hell It Came is that in some ways, it looks and plays like a fairly-decent movie. The acting is passable, most of the time. The cinematography, from Brydon Baker, certainly seems professional. The editing’s not bad. It’s the premise itself — a revengeful, walking tree — and the godawful dialogue that sink this one, and make it the hoot that it is.

Back in ’57, From Hell It Came played twin bills with The Disembodied. It’s not any good, either, but it features the always-wonderful Allison Hayes as a “killer-witch of the jungle.”

Quicksand is a terrific cheesy movie thing, and I love it. (Do you know someone who perished by sinking into quicksand? Or someone who’s even seen quicksand?) As a kid, I was always on the lookout for it — after all, South Georgia isn’t all that far from Louisiana, where Kharis (Lon Chaney Jr.) had reposed in quicksand in The Mummy’s Curse (1944). Later, Christopher Lee’s Hammer The Mummy (1959) took the Scroll Of Life with him into the quicksand. Movies with a quicksand scene get extra credit from me.

Speaking of extra credit, Warner Archive gets high marks from bringing something like From Hell It Came to Blu-Ray period. Then factor in that it’s a stellar presentation, with its incredible clarity and perfect contrast giving us a chance to really study the rubbery goodness of that Tabonga outfit. You also get a trailer. Highly recommended.

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Filed under 1957, Allison Hayes, Christopher Lee, DVD/Blu-ray Reviews, Hammer Films, Lon Chaney Jr., Monogram/Allied Artists, Paul Blaisdell, Warner Archive

Blu-Ray News #107: The Blood Of Fu Manchu (1968) And The Castle Of Fu Manchu (1969).

caslte-of-fm

Directed by Jess Franco
Starring Christopher Lee, Richard Greene

The Blood Of Fu Manchu (1968, AKA Kiss And Kill) and The Castle Of Fu Manchu (1969) — the last two pictures in producer Harry Alan Towers’ series based on Sax Rohmer’s Fu Manchu, star Christopher Lee, Richard Greene and the Law Of Diminishing Returns.

blood-of-fm

Directed by the Spanish cult director Jess Franco, they have their fans — and they’ll be happy to know that Blue Underground is bringing them to Blu-Ray some time this year. The previous DVD release had a lot of extras, which will make their way to the Blu-Ray set.

face-of-fm-tc

The first and third Lee/Fu Manchu pictures, The Face Of Fu Manchu (1965, directed by Don Sharp) and The Vengeance Of Fu Manchu (1967) are available from Warner Archive. (I really like Face.) The second, The Brides Of Fu Manchu (1966), was released several years ago from Warners, paired with Chamber Of Horrors (also 1966). How deep you want to go in this series is a personal thing, but Lee makes a terrific Fu Manchu — and let’s not forget him as Chung King in Hammer’s Terror Of The Tongs (1961).

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Filed under 1965, 1966, 1967, 1968, 1969, Blue Underground, Christopher Lee, DVD/Blu-ray News, Hammer Films, Warner Archive