Don Siegel’s Dirty Harry opened in LA on this day in 1971. Not exactly a Christmas movie, is it?
Category Archives: Clint Eastwood
My favorite movie opened in LA on this day in 1969 — in spectacular 70mm!
They say 70mm prints of Where Eagles Dare (1969) were in stereo, while 35mm prints were mono. Not sure if that’s true. However, one thing is certain — the stereo sound on the laserdisc (which includes the intermission) is much better than the Blu-Ray. The Blu-Ray looks wonderful, thankfully.
Lately, I’ve been wanting to watch The Good, The Bad And The Ugly (1966) again. It’s been quite a while since I’ve sat down with it, and my daughter has never seen it. So I dug out my Blu-Ray — and was instantly reminded why it’s been so long since I’ve seen it. I don’t have anything worth watching.
There’s plenty out there on the internet about what’s wrong with every single version of the film available on video. The old laserdisc from 1993, which was sourced from an actual print, came the closest to what US audiences saw back in 1967. Everything since has a list of problems a mile long, from missing stuff to badly added stuff to a botched surround mix to color that turns everything the color of urine, even the sky. Of course, that sickly yellow has become the color of choice for film transfers these days, rendering them all unwatchable. Even The Searchers isn’t immune to it.
What’s really troubling about a film like The Good, The Bad And The Ugly is that so many of us have seen it a million times, we know what it’s supposed to look, and sound, like. They can’t pull one over on us so easily. We’re onto them. Why is everything so yellow? That’s not what the guns are supposed to sound like. When the 16mm print I used to check out of the library looks and sounds better than the latest 4K “restoration,” something ain’t right.
There are old prints of Leone’s masterpiece out there. The IB Tech ones won’t fade — they’re the perfect color reference, no matter how scratched or spliced up they might be. Hell, I’d prefer a decent scan from one of those prints to what’s out there now.
This is a time when even the smallest of movies are coming to Blu-Ray with startling results. Giant From The Unknown (1958) is a good example. Doesn’t one of the biggest deserve at last as good?
Evidently so, since there’s yet another The Good, The Bad And The Ugly on the way from Kino Lorber. We’re promised the original theatrical cut, in glorious mono, with a 1967 IB Tech print used as a guide and occasional source. It’ll be both 4K and Blu-Ray, I believe. This sounds promising, but I’ll wait and see how this one shakes out before I lay down my fistful of dollars.
(April 21, 1939 – August 1, 2020)
Reni Santoni was a good actor, and it was always a pleasure to bump into him in some picture or TV show. He’s terrific in one of my favorite movies, Don Siegel’s Dirty Harry (1971), and he’s the only good thing about Cobra (1986). He has passed away at 81.
Mr. Santoni did a blue million TV shows, including a later episode of The Rockford Files, which I’ll probably dig out tonight.
Directed by Don Siegel
Starring Clint Eastwood, Shirley MacLaine
Kino Lorber has announced an October Blu-Ray release of Don Siegel’s Two Mules For Sister Sara (1970), his second picture with Clint Eastwood (from a story by Budd Boetticher).
Kino Lorber has promised 4K restorations of both the US cut and the longer international version, along with a host of extras.
(November 10. 1928 – July 6, 2020)
The great composer Ennio Morricone has passed away at 91. Among his many terrific scores was the one for Sergio Leone’s The Good, The Bad And The Ugly (1966).
Without his music, would spaghetti Westerns have been as impactful as they were?
His work that comes to mind with this news is Mario Bava’s Danger: Diabolik (1967).
(June 27, 1944 – January 9, 2019)
I just learned that one of my favorite character actors of the 70s, Paul Koslo, passed away back in January. He’s in so much great stuff: The Omega Man (1971), Joe Kidd (1972), Mr. Majestyk (1974, above), Freebie And The Bean (1974), The Drowning Pool (1975) and Rooster Cogburn (1975), to name just a few. How many actors could say they locked horns with John Wayne, Clint Eastwood, Charles Bronson, Paul Newman and James Caan?
Every movie he was in was better for his presence.
A couple months ago, Kino Lorber announced that they were preparing The Good, The Bad And The Ugly (1967) for release — a set that would bring the original cut to Blu-Ray (in mono) from 4K. Though it’ll be the umpteenth time I’ve bought this movie on video, I welcome the original cut and audio in hi-def.
Now, they announced that the first two Eastwood/Leone pictures — A Fistful Of Dollars (1964) and For A Few Dollars More (1965) are getting the same treatment and will be coming later this year. They will standalone releases, not a set. I can’t wait.