If I had a nickel for every minute I stared at this FM cover as kid…
For their 1000th release (or spine number), The Criterion Collection has gone very big with a great big giant box of Godzilla movies. Not those new things — no thank you — but the real ones.
Of course, this being a Criterion release, you can count on each of these the films — all 15 Godzilla movies released from 1954 to 1975 — shining like a jewel. And naturally, there will be tons of extras, from alternate versions to commentaries to documentaries and trailers and so on. Does my heart good to know the work of Mr. Honda and Mr. Tsuburaya will get the level of respect these folks will give it.
The films are:
Godzilla Raids Again (1955)
King Kong Vs. Godzilla (1963, 2.35 AR)
Mothra Vs. Godzilla (1964, 2.35 AR)
Ghidorah, The Three-Headed Monster (1964 2.35 AR)
Invasion Of Astro-Monster (1965, 2.35 AR)
Son Of Godzilla (1967, 2.35 AR)
Destroy All Monsters (1968, 2.35 AR)
All Monsters Attack (1969, 2.35 AR)
Godzilla Ss. Hedorah (1971, AKA Godzilla Vs. The Smog Monster, 2.35 AR)
Godzilla Vs. Gigan (1972, 2.35 AR)
Godzilla Vs. Megalon (1973, 2.35 AR)
Godzilla Vs. Mechagodzilla (1974, 2.35 AR)
Terror Of Mechagodzilla (1975, 2.35 AR)
I absolutely love some of these movies. One of them I hate with a passion. Son Of Godzilla is criminally lame, and at 10, I considered it the worst movie I’d ever seen (that was before The Witches Of Eastwick). The very thought of making my way through this thing (yes, even Son Of Godzilla) makes me happy.
Stomping its way to TVs everywhere in October. Make sure yours is one of them.
Filed under 1954, 1955, 1963, 1964, 1965, 1966, 1967, 1968, 1969, 1971, 1972, 1973, 1974, 1975, AIP, Criterion Collection, DVD/Blu-ray News, Eiji Tsuburaya, Famous Monsters Of Filmland, Ishirō Honda, Kaiju Movies, Toho
Directed by Edgar G. Ulmer
Starring Tom Neal, Ann Savage, Claudia Drake, Edmund MacDonald
Detour (1945) is a cheap little noir picture from Poverty Row. So why is Criterion bothering with it? Because it’s also one of the finest examples of film noir out there — and maybe Edgar G. Ulmer’s best film.
For decades, Detour‘s many devotees have suffered through horrible video transfers that make it look even more low-rent than it really is. In some ways, it’s the perfect picture to get Criterion’d.
There’s some controversy about just how quick, and cheap, Detour was actually made. But regardless, Ulmer did his usual very much with very little. Fatalism drips off the screen. Ann Savage is without doubt the worst femme fatale ever — and Tom Neal is the poor sap she squashes like a bug.
This is a terrific, crazy noir picture — and it’s as essential to human existence as oxygen. Coming in March.
Directed by Norman Jewison
Screenplay by Sterling Silliphant
Cinematographer: Haskell Wexler
Film Editor: Hal Ashby
Music by Quincy Jones
Starring Sidney Poitier, Rod Steiger, Warren Oates, Lee Grant, William Schallert, Matt Clark, Scott Wilson
In The Heat Of The Night (1967) has stood for more than 50 years as proof you can make a movie about a subject like racism and still offer up something exciting, suspenseful and entertaining. A quick look at the pictures usually covered on this blog will show I don’t care much for Message Movies, and I firmly believe issues like racism are better handled in “regular” movies like the 1956 Westerns The Searchers or Reprisal! And in the case of In The Heat Of The Night, the “regular movie” is a murder mystery in a small Southern town.
Fact is, In The Heat Of The Night is just a cool movie, period. It’s directed, shot, edited and scored in that distinctive 60s style that makes for so many cool movies. Sidney Poitier is terrific, and Rod Steiger makes his tendency to overplay things work to his advantage. Everybody brought their A game to this one — and it toted off a stack of Oscars to prove it.
Here, the South isn’t portrayed in a positive light, but at least the accents aren’t an insult to those of us with Southern accents. Interestingly, the TV show that followed almost 20 years later is the movie’s complete opposite — it was heavy-handed in a way the movie’s not, and the fake accents will make you cringe.
This was Scott Wilson’s first movie; next came In Cold Blood (1967) and many other great things. He passed away last week, and I hope the upcoming Criterion release will remind folks of all he could do. He was so good, and so overlooked.
I can’t recommend In The Heat Of The Night enough, and I’m sure Criterion will do a terrific job with it. It’s coming in January.
Directed by Cornel Wilde
Starring Cornel Wilde, Gert Van Den Bergh, Ken Gampu
Cornel Wilde did a great job with The Naked Prey (1965), directing and starring in a movie that is exhausting to watch — can’t imagine what making it must’ve been like. Wilde’s a safari guide chased across the African veldt after the hunters he’s guiding offend a local tribe. Along the way, he goes through all kinds of awful stuff, even having to eat a snake.
The Criterion Collection is bringing it to Blu-Ray in October. Highly recommended.