Category Archives: Dean Martin

RIP, Jerry Lewis.

Jerry Lewis
(March 16, 1926 – August 20, 2017)

When I think of Jerry Lewis, he’s with Dean Martin, acting really stupid and making me laugh. It’s one of their movies, on television, and I’m at my grandmother’s house in Texas.

Learning that he’d passed away at 91, that’s exactly what I’m thinking of. Not of the up-and-down solo movies, not of the MD telethon, not of the big ego — just of the laughs. Thanks, Jerry.

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Filed under Dean Martin, Jerry Lewis

Blu-Ray Review: Money From Home (1953).

Directed by George Marshall
Produced by Hal B. Wallis
Screenplay by Hal Kanter
Adapted by James Allardice and Hal Kanter
From a story by Damon Runyon
Director Of Photography: Daniel L. Fapp

Cast: Dean Martin (Honey Talk Nelson), Jerry Lewis (Virgil Yokum), Marjie Millar (Phyllis Leigh), Pat Crowley (Autumn Claypool), Richard Haydn (Bertie Searles), Robert Strauss (Seldom Seen Kid), Gerald Mohr (Marshall Preston), Sheldon Leonard (Jumbo Schneider), Jack Kruschen (Short Boy)

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From a technical standpoint, Money From Home (1953) was a real landmark for Martin and Lewis. It was their first picture in color — and in some theaters it played in 3-D (and stereo), too. It was one of only two (if memory servces) films shot in both three-strip Technicolor and 3-D, which meant six (!) strips of negative were going through the camera at once.

This was the first Martin and Lewis picture I ever saw, catching it on TV as a kid. I loved it. So while I think the pair made better films (Artists And Models gets my vote for their best), I have a real soft spot for this one.

It’s the 20s. Dean’s a gambler named Honey Talk Nelson who owes a small fortune to bookmaker Jumbo Schneider (Sheldon Leonard). Jumbo will forgive Honey Talk’s stack of IOUs if Dean can keep a certain horse from winning a certain race — with the alternative being a pair of cement boots. So Honey Talk drafts his animal-loving, vet tech cousin Virgil (Lewis) and off they go. This paves the way for the typical crooning and romancing from Martin — of course, he falls for the owner of the horse he’s trying to fix (Marjie Millar), along with the prerequisite stupidity from Lewis — doing the dance of the seven veils, impersonating an English jockey, letting his ant farm loose at a cocktail party, etc. There’s a lot of funny stuff in here, most of it dependent on your personal preference and/or tolerance for Jerry Lewis.

Paramount surrounded Martin and Lewis with some great character actors in this one. Richard Haydn is funny as the drunk jockey Bertie Searles), and Robert Strauss, Sheldon Leonard and Jack Kruschen are great as the mobsters. Oh, and be sure to look for Mara Corday as a waitress.

Dean in front of the Dynoptic camera rig, Jerry with his (16mm?) home movie camera.

Olive Films has gives us a nice, if bare-bones, Blu-Ray of Money From Home. There’s been a lot of squawking about why they didn’t go all out with 3-D, which overlooks just how nice this Blu-Ray really is. (And besides, this isn’t the kinda movie that needs 3-D to work.) It’s sharp as a tack, with near-perfect contrast and color — allowing for some of the inconsistencies you see in a lot of old Technicolor material. That isn’t a complaint at all — it looks every bit like what it is, a polished Paramount studio picture from the early 50s. The audio is nice and clean — it’s a shame the stereo tracks have been lost.

Money From Home is a funny picture, and Olive Films has it looking seriously splendid. It’s easy to recommend this.

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Filed under 1953, 3-D, Dean Martin, DVD/Blu-ray Reviews, George Marshall, Jerry Lewis, Mara Corday, Olive Films, Paramount

Blu-ray News #57: Airport, The Complete Collection (1970-1979).

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Universal has always been big on “franchises,” from the Universal Monsters and Ma And Pa Kettle to Back To The Future and Tremors.

Certainly one of their biggest would have to be the Airport pictures. And while they’re a cases study in the Law Of Diminishing Returns, there’s still something about them, something we can all own on Blu-ray in June.

Airport (1970)
Directed by George Seaton
Starring Burt Lancaster, Dean Martin, Jean Seberg, Jacqueline Bisset, George Kennedy, Helen Hayes, Van Heflin, Maureen Stapleton, Barry Nelson

Van Heflin (in his last movie) blows a hole in Dean Martin’s plane. Shot in 70mm Todd-AO by Ernest Laszlo, it was a massive success — and kick-started the disaster movie craze of the 70s. Note the Easter ad for Radio City Music Hall.

Airport ’75 (1974)
Directed by Jack Smight
Starring Charlton Heston, Karen Black, George Kennedy, Efrem Zimbalist, Jr., Helen Reddy, Gloria Swanson, Linda Blair

A small plane runs into the cockpit of a 747, leaving no one to fly the plane. It seems to be the movie most parodied in Airplane! (1980).

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Airport ’77 (1977)
Directed by Jarry Jameson
Starring Jack Lemmon, Lee Grant, James Stewart, George Kennedy, Brenda Vaccaro, Christopher Lee, Joseph Cotton

A hijacked 747 crashes and sinks in the Bermuda Triangle.

The Concorde: Airport ’79 (1979)
Directed by David Lowell Rich
Starring Alain Delon, Susan Blakely, Robert Wagner, Sylvia Kristal, George Kennedy, Eddie Albert, Charo, John Davidson

Where the previous pictures had the likes of Helen Hayes, James Stewart, Gloria Swanson and Joseph Cotton in supporting roles, here we have Charo and Sybil Danning. It plays like a TV movie, and a bad one at that.

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Filed under 1970, 1974, 1977, 1979, Charlton Heston, Christopher Lee, Dean Martin, DVD/Blu-ray News, Jack Lemmon, Universal (-International)