Directed by Edward L. Cahn
Produced by Sam Katzman
Story and Screen Play by Curt Siodmak
Cinematography: Fred Jackman Jr.
Cast: Richard Denning (Dr. Chet Walker), Angela Stevens (Joyce Walker), Lane Chandler (Gen. Saunders), Charles Horvath (Creature), Michael Granger (Frank Buchanan), Gregory Gaye (Dr. Wilhelm Steigg), Pierre Watkin (Mayor Bremer), Tristram Coffin (District Attorney McGraw)
Creature With The Atom Brain (1955) is a sci-fi/horror picture from Sam Katzman. For some of you, that’s all you need to know. I’ve always found it a lot of cheesy fun, with some genuinely creepy moments.
An ex-Nazi scientist, Dr. Wilhelm Steigg (Gregory Gaye), has created a gang of radio-controlled zombies — with electrodes in their brains and atomic juice in their veins. Unfortunately, Steigg’s experiments were funded by Frank Buchanan (Michael Granger), a gangster who decides he wants to use the zombies for his own revenge.
Richard Denning is one of the authorities trying to get to the bottom of the strange killings and kill off the lumbering atomic monsters. (Isn’t he always?) It all climaxes with the atom-brain creatures battling it out with the cops.
Governor (on television): “As Governor, I am declaring a state of emergency. All police facilities have been alerted to prevent any further crimes by so-called atomic creatures.”
With Creature With The Atom Brain, we get another example of Edward L. Cahn’s solid B-movie work. I don’t think he ever made what would be called a really good movie, but he knew his way around this sort of thing — keeping things moving fast enough to keep you from realizing just how silly it all is. This one goes a step further, thanks to DP Fred Jackman Jr., to include some dark, creepy scenes of the zombies making their way toward their next victim. Cahn worked for Katzman’s unit a lot, and while he didn’t have the touch of Fred F. Sears, another of Katzman’s favorite directors, he made sure fans got plenty of what they came to see.
The new DVD from Mill Creek Entertainment, billed as a 60th Anniversary Edition, isn’t the picture’s first release. It was part of Columbia’s terrific four-movie Katzman set. This is the same transfer. Sharp as a tack, with superb contrast and clear audio. These movies, dumb as they may be, were made by real pros. Unfortunately, the transfer is full-frame instead of its original 1.85 framing. But it looks so good, and the price is right — so who’s complaining? If you like this kinda thing, I certainly recommend it.