Category Archives: Film Preservation

Kickstarter Campaign For Jack And The Beanstalk (1952).

Robert Furmanek restored one of Abbott & Costello’s funniest films, Africa Screams (1949), for its stunning Blu-Ray release, and he and his team have set their sights on Bud and Lou’s Jack And The Beanstalk (1952).

Working with the only surviving 35mm color camera negative footage, this should be incredible. The Kickstarter campaign has already, well, kicked off, so let’s make this happen!

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Filed under 1952, Abbott & Costello, DVD/Blu-ray News, Film Preservation

Let’s Help Bob With Bud And Lou And Jack!

Robert Furmanek restored one of Abbott & Costello’s funniest films, Africa Screams (1949), for its stunning Blu-Ray release, and he and his are are back with Jack And The Beanstalk (1952).

Working with the only surviving 35mm color camera negative footage, this should be incredible. As before, there will a Kickstarter campaign to help cover the restoration costs — and to let you help make it happen. More details to come!

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Filed under 1952, Abbott & Costello, ClassicFlix, DVD/Blu-ray News, Film Preservation, Jean Yarborough, Warner Bros.

Blu-Ray News #301: Dynasty (1977, AKA Super Dragon) in 3-D.

The fine folks at The 3-D Film Archive have announced a followup to the Kickstarter campaign that fueled their incredible Blu-Ray of Africa Screams (1949) — I’ll have a review of that one up soon, as soon as I find a few more superlatives!

This time, they’re taking on Dynasty (AKA Qian dao wan li zhu AKA Super Dragon), a 3-D martial arts picture released in the States in 1977.

Dynasty+1977-6-b-1Once their work is through, you’ll be able to watch its incredible martial arts action three ways —
• BD3D polarized 3-D
• Anaglyphic (red/cyan) 3-D
• Standard flat 2-D

The audio will present the English dub in its original 4-channel magnetic Quadrophonic sound.

They hope to have this in our hot little hands by December. There’s plenty of work to be done, so click on the one-sheet above and help get this thing going!

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Filed under 1977, 3-D, Film Preservation, The 3-D Film Archive

Help Save Africa Screams!

Robert Furmanek of The 3-D Film Archive is the author (with Ron Palumbo) of one of my all-time favorite film books, Abbott & Costello In Hollywood. He recently kicked off a Kickstarter campaign to restore one of Bud and Lou’s funniest films, their independently-produced Africa Screams (1949). It’s one of the team’s absolute best, released right after Abbott & Costello Meet Frankenstein (1948). They were really on a roll.

My love of this movie stems from Bob’s terrific, extras-packed laserdisc from the late 80s. I played that thing about a million times. And I’m really stoked about the opportunity to take a part in this restoration.

The existing 35mm material (camera negative and fine grain positive) is on nitrate stock, which is difficult, dangerous and expensive to work with, but can make for stunning results. The plan is to do 4K scans of these reels, then do a thorough clean-up for a DVD and Blu-Ray release. When I checked, Bob was over halfway to his goal of $7,500, and we have till the end of December to help make this happen. Click on the image up top to do your part.

Not sure what’s more exciting about this — being able to help preserve a movie I adore, or the thought of seeing it look like a million bucks on Blu-Ray.

unnamed-1UPDATE: In a little over a day, the goal has been met. Thanks to everyone who pledged to bring Africa Screams to Blu-Ray.

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Filed under Abbott & Costello, Charles Barton, Film Preservation, Hillary Brooke, Shemp Howard, The 3-D Film Archive, United Artists

Steve McQueen’s Bullitt Mustang Found In A Mexican Junkyard.

It’s a different kind of film preservation, and a very cool one at that.

The second of two 1968 Mustangs specially outfitted for Bullitt (1968) — and gloriously abused by Steve McQueen and the stunt team in the film’s chase scene, has been discovered in a junkyard in Mexico. (The other one’s locked away at some rich dude’s house, evidently.)

A restoration is underway — and I’m sure a lot of guys with deep pockets are making outlandish bids. I’d love to know how it got from Point A (San Francisco or the Warner Bros. lot) to Point B (painted white in Baja California Sur, Mexico) — and if any of McQueen’s Juicy Fruit gum wrappers are under the seat.

My iPod’s got Lalo Schifrin’s score going as I type this. And thanks to Jim Briggs for the tip.

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Filed under 1968, Film Preservation, Peter Yates, Steve McQueen