Category Archives: Forrest Tucker

Blu-Ray Review: The Abominable Snowman (Of The Himalayas) (1957).

Directed by Val Guest
Written by Nigel Kneale
Based on his 1955 TV play The Creature
Cinematographer: Arthur Grant
Film Editor: Bill Linney
Music by Humphrey Searle

Cast: Forrest Tucker (Tom Friend), Peter Cushing (Dr. John Rollason), Arnold Marlé (The Lhama), Maureen Connell (Helen Rollason), Richard Wattis (Peter Fox), Robert Brown (Ed Shelley), Michael Brill (Andrew McNee)

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The Western part of North Carolina certainly gets its share of Sasquatch sightings. So many, in fact, that a small town (Marion) held its second Bigfoot Festival back in September. With all the talk of Sasquatch/Yeti/Bigfoot going on around here, Scream Factory’s Blu-Ray of Hammer’s The Abominable Snowman (1957) seems almost topical.

It’s a movie I’ve loved since I was a kid, and the chance to see Arthur Grant’s B&W Regalscope cinematography in high definition is a huge deal.

Stanley Baker and Peter Cushing in The Creature, live on BBC TV in January 1955.

The Abominable Snowman began as a live TV program from the BBC, The Creature, written by Nigel Kneale — drawing on recent Yeti sightings and Mount Everest expeditions for inspiration. It starred Stanley Baker as Tom Friend and Peter Cushing as John Rollason. Two performances were aired live in January 1955 — neither were recorded. What a drag.

Hammer Films had turned a Kneale TV serial, The Quatermass Xperiment, into a successful film in 1955 (they’d do the same with its TV sequel), and they bought the movie rights for The Creature. Val Guest, who’d directed the Quatermass feature was brought back. Peter Cushing, who’d not only starred in The Creature, but had begun an association with Hammer with The Curse of Frankenstein (1957), was also put on the payroll. Forrest Tucker was cast as Tom Friend, making the explorer/entrepreneur an American.

Nigel Kneale turned his own teleplay into a screenplay, calling it The Snow Creature — until someone realized there already was a picture with that title. (The Snow Creature is a cheap piece of junk from 1954, with the distinction of being the first Bigfoot movie.) Hammer eventually settled on The Abominable Snowman. In the States, the title was extended to The Abominable Snowman Of The Himalayas. Kneale gets solo credit for the script, but Val Guest did a rewrite cutting back on a lot of the dialogue.

The production kicked off with a small crew doing some location shooting in the French Pyrenees in mid-January 1957. None of the cast made the trip; they used doubles. Some of the impressive mountain scenes used a helicopter, others were snagged from a cable car. Principal photography ran from January 28th to March 5th at Bray and Pinewood studios. The monastery set was built at Bray (with waiters from local Chinese restaurants playing the monks), while the snowy mountain stuff required the larger space to be found at Pinewood.

The story is pretty simple, at least on the surface. Tom Friend (Forrest Tucker) brings an exhibition to a monastery in the Himalayas, where Dr. John Rollason (Peter Cushing) is conducting botany research. Tucker’s after the Yeti, and he convinces Cushing to come along. It would’ve been better for all concerned if they’d stayed home. They do indeed find the Yeti — gentle, intelligent creatures waiting around for us to wipe ourselves out so they can take over.

Tucker and Cushing are perfect for their roles, and they really put this one over. Guest’s direction is quite good — keeping things moving, building tension and doing a great job of cutting together the location and studio stuff — they say he kept a Moviola on the set so he could refer to the mountain footage. This was cinematographer Arthur Grant’s first film for Hammer, and it looks terrific. He’d eventually replace Jack Asher as Hammer’s go-to DP.

I’ve raved about Scream Factory’s previous Hammer Blu-Ray releases, and The Abominable Snowman continues their stellar track record. When they received the HD material, they found it five minutes short. That footage has been reinstated from an (upscaled) SD source, though you can watch the shorter, all-HD version if you prefer. Either way, it looks terrific (go with the complete one), with the B&W ‘Scope a real knockout. The sound’s good, giving real power to the windy sound effects and Humphrey Searle’s score. There are plenty of extras, too — commentary, trailer, Joe Dante’s Trailers From Hell piece, etc. A nice package all-around.

​In the UK, ​The Abominable Snowman was often paired with Mamie Van Doren in Untamed Youth. Now that was a nice night at the movies. I highly recommend The Abominable Snowman Of The Himalayas. It’s still the best movie ever made about Bigfoot (to be honest, it doesn’t have much competition) — and this Blu-Ray is the perfect way to see it (especially if you’ve got a big TV).

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Filed under 1957, 20th Century-Fox, Arthur Grant, Forrest Tucker, Hammer Films, Lippert/Regal/API, Mamie Van Doren, Peter Cushing, Shout/Scream Factory, Val Guest

Blu-Ray News #246: The Abominable Snowman Of The Himalayas (1957).

Directed by Val Guest
​Screenplay by Nigel Kneale
Based on the teleplay “The Creature” by Nigel Kneale
​Starring Forrest Tucker​, ​Peter Cushing​, ​Maureen Connell, Richard Wattis​, ​Arnold Marle

Over the years, this early Hammer film has been as hard to see as its maybe-real namesake, The Abominable Snowman Of The Himalayas (1957). There was a letterboxed laserdisc and early DVD from Anchor Bay, which is now a collectors’ item. So Scream Factory’s announcement of an upcoming Blu-Ray is big news.

An early Bigfoot movie, The Abominable Snowman Of The Himalayas left some mighty big shoes to fill. It appeals to me on so many levels — Hammer Films, Peter Cushing, Forrest Tucker (a staple of 50s Westerns), Regalscope, Val Guest and on and on.

Black and white CinemaScope (which is what Regalscope was) looks great on Blu-Ray, and Scream Factory has done a tremendous job with all their Hammer releases so far. There’s no release date for this yet (it was announced at Comic-Con this weekend). I can’t wait. Highly, highly recommended.

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Filed under 1957, 20th Century-Fox, Forrest Tucker, Hammer Films, Peter Cushing, Shout/Scream Factory, Val Guest

The Republic Pictures Blogathon: Hoodlum Empire (1952) By Guest Blogger Jerry Entract.

Hoodlum Empire TC

Associate Producer – Director: Joseph Kane
Screen Play byBruce Manning and Bob Considine
Director Of Photography: Reggie Lanning

Cast: Brian Donlevy (Sen. Bill Stephens), Claire Trevor (Connie Williams), Forrest Tucker (Charley Pignatalli), Vera Ralston (Marte Dufour), Luther Adler (Nick Mancani), John Russell (Joe Gray), Gene Lockhart, Grant Withers, Taylor Holmes, Richard Jaeckel, Roy Barcroft, Whit Bissell, William Schallert

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Republic blogathon badgeI am delighted to be able to take part in a “Republic Pictures Blogathon” and would like to thank our host, Toby, for making it possible.

Having been formed from a merger of several small film companies in 1935, Republic Pictures hit the ground running, immediately scoring huge success with their Gene Autry Western series. They followed this success with The Three Mesquiteers the next year and into the 40s with popular series heroes Don Barry, Wild Bill Elliott, Rocky Lane and, especially, Roy Rogers.

Hoodlum Empire LC6

Right from the start, Republic were making a cross-section of film types even though their specialty was the Western.

1950-51 saw the Kefauver Committee set up in the U.S. Senate to tackle organised crime all across the U.S. To reflect this, Republic filmed Hoodlum Empire (1952), though naturally names were changed. Journalist and author Bob Considine wrote the story on which the screenplay was adapted by Bruce Manning and Considine.

Hoodlum Empire still

The background to the story is the testifying to a Senate committee of various figures known as underworld leaders. Brian Donlevy plays the leader of the committee, determined to go after these crime lords, led here by Luther Adler and his vicious No. 2, Forrest Tucker. However, although he is listed sixth in the cast, the real central figure is John Russell, who is Adler’s nephew and had been heavily involved in crime pre-WW2. His wartime experiences have turned him around, however, and since 1945 he has been running a legit business. Adler and co. are determined to implicate him in criminal activity and thereby fade their own (real) involvement into obscurity. In the end, they do not succeed.

This is, of course, far away from the Western and yet the central theme is John Russell’s redemption (with the help of a good woman) — a strong Western motif, particularly throughout the 50s. Also, the director is Joseph Kane, Republic’s No. 1 go-to man for action, having by this point helmed countless Autry and Rogers films.

I even recognised the house used as John Russell’s family home as being “The Duchess’ Ranch” from the 1944-46 Red Ryder series, now tarted up with ‘modern’ frills like a picket fence and trees.

Hoodlum Empire LC7

I found the script to be both literate and adult, and the cast just fine at putting it over. Claire Trevor in particular showing a vulnerable woman beneath her tough and wisecracking front, something she was skilful at doing. Grant Withers, also in the supporting cast, came across very well. He and Roy Barcroft appear, both regular Republic Western baddies, as well as Douglas Kennedy and John Pickard (both uncredited). So… a lot of familiar and welcome faces in the quite large cast. Seeing John Russell here again makes me wonder why he didn’t achieve greater stardom than he did.

For folks who like a good gritty crime drama with a great cast, this film would get my recommendation. It’s readily available on DVD in the US and elsewhere. That is regrettably not true of all too many of Republic’s crime dramas (they didn’t do ‘noir’ so much) which are locked away in the vaults and kept from film fans hungry to see them.

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Jerry Entract does not run his own blog or have any involvement in the film industry, but is an English lifelong movie fan and amateur student of classic cinema (American and British). Main passions are the western and detective/mystery/film noir. Enjoys seeking out lesser-known (even downright obscure) old movies.

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Filed under 1952, Forrest Tucker, Joe Kane, Republic Pictures, Roy Barcroft, Whit Bissell, William Schallert