Directed by Robert Fuest
Starring Ernest Borgnine, Eddie Albert, Ida Lupino, William Shatner, Keenan Wynn, Tom Skerritt
I was watching The Wild, Wild West one afternoon when the trailer for The Devil’s Rain (1975) came on. As with The Legend Of Hell House (1973) a couple years before, these commercials left me really wigged out. Pretty creepy stuff.
Severin has announced an upcoming Blu-Ray release for The Devil’s Rain. So now I can pull off a perfect hi-def movie night: this and Race With The Devil (1975, available from Shout Factory) with Peter Fonda and Warren Oates. Oh man, I can’t wait.
Directed by Sam Peckinpah
Starring Steve McQueen, Robert Preston, Ida Lupino, Joe Don Baker, Barbara Leigh, Ben Johnson, Dub Taylor
Sam Peckinpah’s Junior Bonner (1972) is a wonderful movie, plain and simple. And Kino Lorber’s bringing it to Blu-Ray this summer. Its previous DVD releases weren’t anamorphic, so this will be a huge leap forward.
If you haven’t seen it, you’re in for a real treat. I can’t recommend this one highly enough. Thanks to Paula for the photo of McQueen and Ben Johnson.
More Peckinpah Blu-Ray news — Criterion has announced Straw Dogs (1971) for June.
Directed by Nicholas Ray
Starring Ida Lupino, Robert Ryan, Ward Bond, Charles Kemper, Frank Ferguson, Olive Carey
Seems like every day, another great movie’s being announced for DVD or Blu-ray. We’re on a real hot streak here, folks.
On Dangerous Ground (1952) is a great Nicholas Ray movie that hasn’t gotten its due. I know that’s kinda like saying that water is wet. Warner Archive has announced it for an upcoming Blu-Ray release.
In a way, it’s two movies in one. The first half concerns Robert Ryan’s burned-out New York detective at the end of his rope, then it shifts gears as he’s sent to the country to investigate a murder. There, he falls in love with the killer’s blind sister (Ida Lupino). In less capable hands, such a story could’ve been laughable, but Ray and his cast pull it off with ease. Everybody in it’s terrific.
I saw a 35mm print of this a couple years ago, and George E. Diskant’s cinematography really knocked me out. This one’s essential, folks.