Category Archives: John Agar

One Quick Thing.

The second volume of Kit Parker’s Noir Archive series showed up yesterday. In a year filled with really great stuff coming out on Blu-Ray, this might be my favorite so far.

Four of my favorite B directors are here: William Castle, Nathan Juran, Phil Karlson and Fred F. Sears. Some of my favorite actors, too — John Agar, Robert Blake, Mari Blanchard, Timothy Carey, Richard Denning, Faith Domergue, Vince Edwards, Beverly Garland, Brian Keith, Guy Madison, Kim Novack and more.

All nine pictures look terrific — the Columbia transfers are almost flawless. Proper reviews will follow, but I can’t recommend Noir Archives Volume 2: 1954-1956 highly enough.

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Filed under 1954, 1955, 1956, Beverly Garland, Columbia, DVD/Blu-ray News, Faith Domergue, Fred F. Sears, John Agar, Kit Parker, Mari Blanchard, Nathan Juran, Phil Karlson, Richard Denning, Sam Katzman, Timothy Carey, William Castle

Blu-Ray News #229: Noir Archive Volume 2: 1954-1956.

The first nine-film, three-disc volume in Kit Parker’s awesome assemblage of hi-def Film Noir hasn’t hit the street yet, and now the second’s been announced. These are coming in July, and it’s another great lineup.

Bait (1954)
Directed by Hugo Haas
Starring Cleo Moore, Hugo Haas, John Agar

Hugo Haas directs himself, Cleo Moore and John Agar in a love triangle involving a lost gold mine.

The Crooked Web (1955)
Directed by Nathan Juran
Starring Frank Lovejoy, Mari Blanchard, Richard Denning

Nathan Juran directed lots of cool stuff, but this is the only one with Mari Blanchard as a waitress. This one involves gold, too, but it’s a stash of Nazi gold. Nathan Juran did some cool stuff — from The 7th Voyage Of Sinbad (1957) to Good Day For A Hanging (1958).

The Night Holds Terror (1955)
Directed by Andrew Stone
Starring Jack Kelly, Hildy Parks, Vince Edwards, John Cassavetes, David Cross, Jonathan Hale

Sort of a combination of The Hitch-Hiker and The Desperate Hours, with John Cassavetes one of the crooks.

Footsteps In The Fog (1955)
Directed by Arthur Lubin
Starring Stewart Granger, Jean Simmons, Bill Travers, Ronald Squire

The only picture in the set in color, this one has Stewart Granger as a killer who chooses the wrong victim, literally.

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Cell 2455, Death Row (1955)
Directed by Fred F. Sears
Starring William Campbell, Marian Carr, Kathryn Grant, Harvey Stephens, Vince Edwards

Based on the true story by Caryl Chessman. Director Fred F. Sears is a real favorite of mine.

5 Against The House (1955)
Directed by Phil Karlson
Starring Kim Novack, Alvy Moore, William Conrad, Kerwin Mathews

A team of Army buddies snag a camper trailer and head to Reno to rob the casinos. Phil Karlson keeps things tough and tight. Terrific movie.

New Orleans Uncensored (1955)
Directed by William Castle
Starring Arthur Franz, Beverly Garland, Helene Stanton, Mike Mazurki

William Castle working for Sam Katzman. Beverly Garland. Black and white widescreen. Why haven’t you pre-ordered one already?

Spin A Dark Web (1955)
Directed by Vernon Sewell
Starring Faith Domergue, Lee Patterson, Rona Anderson, Martin Benson

A boxer gets sucked into the London mob, with a little help from Faith Domergue. Vernon Sewell directed lots of B movies in the UK, and this is a cool one.

Rumble On The Docks (1956)
Directed by Fred F. Sears
Starring James Darren, Laurie Carrol, Michael Granger, Robert Blake, Timothy Carey

Fred F. Sears, Robert Blake and Timothy Carey all working on a Sam Katzman movie — and the results are every bit as wonderful as you might be imagining.

To have these nine pictures, in their original aspect ration and high definition, is a real treat. I can’t wait.

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Filed under 1954, 1955, 1956, Beverly Garland, DVD/Blu-ray News, Faith Domergue, Fred F. Sears, John Agar, Kit Parker, Mari Blanchard, Mill Creek, Nathan Juran, Phil Karlson, Richard Denning, Timothy Carey, William Castle

2018 In Review – Part 2.

When I started doing DVD and Blu-Ray commentaries, it no longer felt appropriate to survey the best DVD and Blu-Ray releases of the year. So, as a substitute (maybe a poor one), here’s a reminder of a few things we were treated to this year. We’ll let all the praise, complaints or ranking come from you in the comments. Part 1 can be found over at 50 Westerns From The 50s.

This was a banner year for old sci-fi and horror movies making their way to Blu-Ray. From what we’re hearing so far, next year might be the same for noir and crime pictures. Anyway, here’s some of 2018’s bounty — a few of which I’m still working on proper reviews of.

The Thing (From Another World) (1951)
This is one of the all-time favorite movies. I find something new in it every time I see it — a line, a look, a particular setup, the music, a new appreciation for the guy who did the fire stunt. It’s always something — and that, to me, is one of the requirements for a Great Movie. Warner Archive worked long and hard on this one, and I’m in their debt for sure.

The Hammer Draculas
It’s like there was some sorta Monster Movie Summit, and it was decreed that the Hammer Dracula series would be given its due on Blu-Ray. Warner Archive did a lot of the heavy lifting with Horror Of Dracula (1958), Dracula A.D. 1972 (1972) and The Satanic Rites Of Dracula (1974). In the meantime, Scream Factory came through with Dracula – Prince Of Darkness (1966). Taste The Blood Of Dracula (1970) hit Blu-Ray a few years ago. That leaves Scars Of Dracula (197) as the only Hammer Dracula picture not available on Blu-Ray. Who’s gonna step up to the plate for that one?

The Hammer goodness wasn’t limited to the Dracula pictures. Mill Creek included some Hammer pictures in their twin-bill sets, some of the best values in all of home video. Hammer Films, William Castle, Ray Harryhausen — there’s some good stuff in those sets.

The Creature From The Black Lagoon Complete Legacy Collection
That’s quite a name for a set that only includes three movies. But what movies they are — the first two, anyway. And they’re in both widescreen 2-D and 3-D.

Gun Crazy (1949)
Joseph H. Lewis hit it out of the park with Gun Crazy (1949). So did his cast — and this year, with a stunning Blu-Ray, so did Warner Archive.

Invasion Of The Body Snatchers (1956)
Don Siegel making it to Blu-Ray is always a reason to celebrate, and this is one of his many milestones. Over the years, we’ve all put up with some pretty shoddy-looking stuff when it comes to this incredible movie. Olive Films’ Blu-Ray is a huge improvement.

The Tingler (1959)
It’s hard to pick between this one and House On Haunted Hill (1958) for my favorite William Castle movie. Scream Factory did a wonderful job with this one, and they’ve given us other Castle pictures as well.

Dark Of The Sun (1968)
Warner Archive has been hinting around about this one on Blu-Ray for a while. It’s beautiful — and still one of the damnedest movies I’ve ever seen.

There’s a few that stood out for me. What DVD and Blu-Ray releases knocked you out this year?

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Filed under 1951, 1954, 1955, 1956, 1958, 1959, 1970, 1972, 1973, 3-D, Barbara Shelley, Caroline Munro, Christopher Lee, Don Siegel, DVD/Blu-ray News, DVD/Blu-ray Reviews, Hammer Films, Howard Hawks, Jack Arnold, James Arness, John Agar, Joseph H. Lewis, Julie Adams, Kenneth Tobey, Kevin McCarthy, Mill Creek, Nestor Paiva, Olive Films, Peggy Cummins, Peter Cushing, Richard Carlson, Richard Denning, Richarld Carlson, RKO, Rod Taylor, Shout/Scream Factory, Terence Fisher, Vincent Price, Warner Archive, William Castle

Blu-Ray News #201: The Mole People (1956).

Directed by Virgil Vogel
Starring John Agar, Cynthia Patrick, Hugh Beaumont, Nestor Paiva, Alan Napier

Boy, the good news keeps on coming. Scream Factory has announced The Mole People (1956), coming to Blu-Ray in February 2019.

This is one a lot of the Universal monster nuts complain about, but I love it as much as an adult as I did as a kid. It’s really stupid, it’s fun, the monsters are cool. It’s got a great cast — you can’t beat John Agar and Nestor Paiva. And Reynold Brown cranked out another masterpiece for the posters. Can’t wait!

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Filed under 1956, DVD/Blu-ray News, John Agar, Nestor Paiva, Reynold Brown, Shout/Scream Factory, Universal (-International)

Blu-Ray News #172: Creature From the Black Lagoon: Complete Legacy Collection (1954-1956).

Universal has announced that their Creature From The Black Lagoon – Complete Legacy Collection set is coming to Blu-Ray. It includes Creature From The Black Lagoon (1954), Revenge Of The Creature (1955) and The Creature Walks Among Us (1956). The first two were in 3-D and directed by the great Jack Arnold (and feature Nestor Paiva).

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Revenge is finally making its way to Blu-Ray in 3-D. For me, the great benefit of this set will be having all three pictures in their original 1.85 aspect ratio. While the first two are among my all-time favorite films — and I’ve got a pile of Creature toys to prove it, Walks Among Us is a mess. But I’m looking forward to revisiting it in high definition. This stuff is essential, folks.

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Filed under 1954, 1955, 1956, 3-D, DVD/Blu-ray News, Jack Arnold, John Agar, Julie Adams, Nestor Paiva, Richard Carlson, Universal (-International)

Blu-Ray Review: Shield For Murder (1954).

Directed by Edmond O’Brien and Howard W. Koch
Screenplay by Richard Alan Simmons and John C. Higgins
Adaptation by Richard Alan Simmons
From a book by William P. McGivern
Music by Paul Dunlap
Photography by Gordon Avil
Film Editor: John F. Schreyer

Cast: Edmond O’Brien (Barney Nolan), Marla English (Patty Winters), John Agar (Mark Brewster), Emile Meyer (Capt. Gunnarson), Carolyn Jones (Girl at bar), Claude Akins (Fat Michaels), Larry Ryle (Laddie O’Neil), Hugh Sanders, William Schallert, Richard Deacon, Vito Scotti

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One the best things for any old-movie nut is to come across something new — not new as in released last week, but new in that you’ve never seen it. Well, Shield For Murder (1954) was a new one for me. And I loved every frame of it.

“If ever a picture was crammed with guts — this is it!” Even the ad copy for this movie is great.

Barney Nolan (Edmond O’Brien) is a good cop gone really, really bad. Before the main title even appears, he’s killed a bookie for the $25,000 he’s got on him. Barney does it because he wants to buy a Castle Heights tract home and marry his girlfriend Patty (Marla English). The cops get the idea that Barney might’ve done it, but his best friend on the force (John Agar) refuses to believe. As the evidence mounts (and bodies stack up), we watch Barney get more desperate, more bitter, more violent as things spin out of control. Eventually, of course, Barney’s on the run and there’s nothing left of his hopes for a nice, quiet life in the suburbs with his girl.

O’Brien co-directed Shield For Murder with producer Howard W. Koch. The division of labor worked like this — O’Brien rehearsed the actors, and once the cameras rolled, Koch was at the helm. They gave the picture a sparse, bare-bones, almost documentary feel — with perfectly gritty camerawork from Gordon Avil (who shot the 1930 Billy The Kid in 70mm).

The performances are good across the board. Carolyn Jones really knocked me out here as a girl O’Brien meets in a bar. Claude Akins is great as a thug trying the retrieve the missing $25,000. Here and there, folks like Hugh Sanders, William Schallert, Richard Deacon and Vito Scotti turn up. You can’t go wrong with those guys.

But Shield For Murder is Edmond O’Brien’s picture all the way. He’s terrific. Watching Barney slide into the gutter is downright uncomfortable, as his American Dream turns to crap. You cringe with every wrong turn he takes, knowing Fate’s gonna kick in at any minute.

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This movie’s perfect, down to Edmond O’Brien’s loafers.

Researching the commentary for Kino Lorber’s Blu-Ray of A Strange Adventure (1956) a couple months ago, I got to focus on Marla English and her brief, very interesting career. (Wish I’d been able to do a commentary for this one!) Marla was a teenage beauty queen and swimsuit model from San Diego who signed to Paramount in 1952. They put her in a few little parts — she’s one of the partygoers in Rear Window (1954). But when she turned down a role in The Mountain with Spencer Tracy, Paramount dumped her. She was soon doing independent pictures for Bel-Air, Republic, AIP and the like. And as we all know, that’s when things usually get interesting. Marla’s in stuff like Runaway Daughters, The She Creature — she’s the She Creature, Flesh And The Spur with John Agar (all 1956) and Voodoo Woman (1957) with Mike Connors. She gave up on acting after Voodoo Woman. Though she was in a few pictures before Shield For Murder (she was only 19 when it was released), she gets an “introducing” credit in it.

Shield For Murder was a first for both of our co-directors. O’Brien would only direct a few more things, but Koch kept at it. His next picture, Big House, USA (1955), is a B Movie masterpiece. And he gave us jewels like Untamed Youth (1957), Violent Road (1958) and Frankenstein 1970 (1958). Koch also produced a string of very successful A pictures — things like The Manchurian Candidate (1962), The Odd Couple (1968) and Airplane! (1980).

From a Castle Heights subdivision to West Hollywood alleys to a great public pool, Shield For Murder makes excellent use of LA locations. It’s perfectly rough around the edges and captured by Gordon Avil in all its gritty, appropriately grainy glory. And all of that’s perfectly preserved on the Blu-Ray from Kino Lorber. Highly, highly recommended.

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Filed under 1954, DVD/Blu-ray Reviews, Edmond O'Brien, Howard W. Koch, John Agar, Kino Lorber, Marla English, United Artists, William Schallert

DVD/Blu-Ray News #85: Dimension 5 And Cyborg 2087 (Both 1966).

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Dimension 5 (1965)
Directed byFranklin Adreon
Written by Arthur C. Pierce
Starring Jeffrey Hunter, France Nuyen, Harold Sakata

United Pictures Corporation produced nine films between 1966 and 1968, with the idea that they’d quickly make their way to TV, where they’d be attractive thanks to name actors (even if past their prime) and color photography. Two of those nine UPC pictures, Dimension 5 and Cyborg 2087 (both 1966) have been announced for DVD and Blu-Ray release early next year.

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Cyborg 2087 (1966)
Directed byFranklin Adreon
Written by Arthur C. Pierce
Starring Michael Rennie, Wendell Corey, Warren Stevens, Eduard Franz, Harry Carey, Jr.

Both films were directed by Franklin Adreon from time-traveling scripts by Arthur C. Pierce. Pierce wrote a slew of low-budget sci-fi pictures: The Cosmic Man (1959), Beyond The Time Barrier (1960), Women Of The Prehistoric Planet (1966) and more. A weekend retrospective of his work would be a real hoot — and would allow you to spend time with the likes of John Agar, Mamie Van Doren, Scott Brady and John Carradine.

1966 was quite a year. You had Pet Sounds, Revolver and Blonde On Blonde to listen to and cheeseball movies like these to watch. Those were the days.

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Filed under 1966, John Agar, John Carradine, Kino Lorber, Television, The Beatles