Blu-Ray News #248: Godzilla – The Showa-Era Films (1954-1975).

If I had a nickel for every minute I stared at this FM cover as kid…

For their 1000th release (or spine number), The Criterion Collection has gone very big with a great big giant box of Godzilla movies. Not those new things — no thank you — but the real ones.

Of course, this being a Criterion release, you can count on each of these the films — all 15 Godzilla movies released from 1954 to 1975 — shining like a jewel. And naturally, there will be tons of extras, from alternate versions to commentaries to documentaries and trailers and so on. Does my heart good to know the work of Mr. Honda and Mr. Tsuburaya will get the level of respect these folks will give it.

The films are:
Godzilla (1954)
Godzilla Raids Again (1955)
King Kong Vs. Godzilla (1963, 2.35 AR)
Mothra Vs. Godzilla (1964, 2.35 AR)
Ghidorah, The Three-Headed Monster (1964 2.35 AR)
Invasion Of Astro-Monster (1965, 2.35 AR)
Son Of Godzilla (1967, 2.35 AR)

Destroy All Monsters (1968, 2.35 AR)
All Monsters Attack (1969, 2.35 AR)
Godzilla Ss. Hedorah (1971, AKA Godzilla Vs. The Smog Monster, 2.35 AR)

Godzilla Vs. Gigan (1972, 2.35 AR)
Godzilla Vs. Megalon (1973, 2.35 AR)
Godzilla Vs. Mechagodzilla (1974, 2.35 AR)
Terror Of Mechagodzilla (1975, 2.35 AR)

I absolutely love some of these movies. One of them I hate with a passion. Son Of Godzilla is criminally lame, and at 10, I considered it the worst movie I’d ever seen (that was before The Witches Of Eastwick). The very thought of making my way through this thing (yes, even Son Of Godzilla)  makes me happy.

Stomping its way to TVs everywhere in October. Make sure yours is one of them.

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Blu-Ray News #243: Ultra Q And Ultraman.

Mill Creek Entertainment will release on Blu-ray Ultra Q: The Complete Series  and Ultraman: The Complete Series (both 1966-67). These are the first two entries in Japan’s Ultra Series, and they’ll be out in October in regular packaging and some of those steelbook things (like their Mothra comes in).

Eiji Tsuburaya, the genius behind all the Toho monster effects, developed Ultra Q as an Outer Limits/X Files sort of thing — each week, a team of investigators would tackle a different mysterious phenomenon. Well, when the realized how nuts kids were about giant monsters like Godzilla and Gamera, the weekly stories were jam-packed with monsters, sometimes using suits from the Toho movies (even Godzilla did double duty in an episode).

Ultra Q paved the way for the next series, Ultraman. You see, the Science Patrol keeps the world safe from giant monsters and aliens. When they’re out of their league, which seems to happen quite often, one of their members, Hayata, secretly transforms into the 150-foot-tall Ultraman to duke it out with whatever it is that’s threatening the earth that week. This time, they went with color (Ultra Q is in glorious black and white.)

The Ultra series ran through the 80s and remains incredibly popular to this day, raking in millions in toy sales. To see these things on Blu-Ray, in their original Japanese versions, will be quite a treat. I’m ultra-stoked about these things.

Blu-Ray News #234: Mothra (1961).

Directed by Ishiro Honda
Starring Hiroshi Koizumi, Kyôko Kagawa, Yûmi Itô, Emi Itô, Ken Uehara

Mill Creek has announced a Blu-Ray of Mothra (1961) in one of those spiffy-looking steel cases, seen above, with extras like a commentary and still gallery. Mothra‘s a picture with really gorgeous Technicolor, and I’m really looking forward to seeing it in high-definition. A digital showing at a local theater a couple years ago was really something to see. Coming in July.

Blu-ray Review: Giant Monster Gamera (1965), Or Gammera The Invincible (1966), Or Gamera The Giant Monster.

Directed by Noriaki Yuasa
Starring Eiji Funakoshi, Harumi Kiritachi, Junichiro Yamashita
American version stars Albert Dekker, Brian Donlevy

__________

Mill Creek’s Blu-ray Gamera sets, Gamera: Ultimate Collection Volumes 1 and 2, have gotten some lukewarm reviews. They don’t look all that good. The detail’s fine, but things are a bit flat. Same goes for the audio: flat. But what I think folks are forgetting is that this is right in line with the way we’ve always seen these Japanese Daiei monster movies in the States. Growing up in the 70s, I saw them on TV — pan-and-scan and perforated by used car commercials. Later, when they started showing up on videotape, they looked just as bad, only you could stop them to go to the bathroom.

What I’m taking forever to get around to is this: in my mind, these kinds of movies aren’t supposed to look all that good. An iffy transfer? If you insist. Scratches? Yes, please. Splices? A few, just for authenticity. And grain? It’s a must. When these start looking too good, they lose some of their appeal. (Grindhouse didn’t look like that just to be obnoxious.)

And, be honest, did you buy a set of Gamera pictures to demonstrate your swanky TV next time your brother-in-law comes over?

A Brief History Of Giant Flying Turtle Movies, Part One.

Gamera: The Giant Monster (1965) was produced by Japan’s Daiei Motion Picture Company, clearly inspired by the callossal worldwide success of Toho’s Godzilla films.

Gamera is a giant prehistoric fire-breathing flying turtle with tusks, who’s released from the North Pole or someplace by a nuclear explosion. Gamera makes his way to Japan, where all hell breaks loose. The first attempt to get rid of him fails (explosives underneath him simply flip him onto his back), and he’s lured into a rocket and sent to Mars.

It’s clearly a Godzilla knock-off, with its meager budget evident in almost every frame. It’s black and white and Scope, which is always a good look, regardless of the picture’s budget (Lippert’s black and white Regalscope pictures were notoriously cheap).

A special version was prepared for the United States, called Gammera The Invincible (note the extra M), with sequences added featuring Albert Dekker and Brian Donlevy. This version played theaters in 1966 and was a constant on TV throughout the 70s.

The first volume in the Mill Creek Blu-Ray set includes the original foreign version, in Japanese with English subtitles. It looks nice and sharp — it’s terrific to see it widescreen, and the original Japanese audio tracks give the picture a slightly more sophisticated feel. (Very slightly — remember, this is a movie about a giant flying turtle.)

Personally, I would’ve preferred the Dekker/Donlevy American version I saw countless times on TV as a kid. It adds an extra layer of cheese, and for me, has added nostalgia value. Some of the dubbed voices are cats you’d recognize from Speed Racer and Ultraman.

By the way, there was a theme song, “Gammera The Invincible” by The Moons, released as a single in 1966 (that’s the sleeve to the right). It’s suspiciously similar to Neil Hefti’s Batman TV theme.

The picture was a success in Japan, particularly with kids, and a series was quickly launched, with Gamera taking on one crazy monster after another. The followups were all in color — and in the States, they all went straight to TV. Only Gammera The Invincible played US theaters.

Gamera: The Giant Monster was followed by six additional Gamera films, released between 1966 and 1971 —
Gamera Vs. Barugon (1966; AIP-TV title: War Of The Monsters)
Gamera Vs. Gyaos (1967; AIP-TV title: Return Of The Giant Monsters)
Gamera Vs. Viras (1968; AIP-TV title: Destroy All Planets)
Gamera Vs. Guiron (1969; AIP-TV title: Attack Of The Monsters)
Gamera Vs. Jiger (1970; AIP-TV title: Gamera Vs. Monster X)
Gamera Vs. Zigra (1971)

Daiei ran into money trouble and went into bankruptcy, leaving an eighth Gamera picture unmade. But just like Gamera busting out of the ice after that long repose, the series was back in theaters in 1980 with Gamera: Super Monster from New Daiei. It includes footage from the seven previous movies. The fiery flying turtle was revived again in 1995 for series of films I have absolutely no interest in.

Mill Creek’s Gamera: Ultimate Collection Volumes 1 and 2 give these eight Gamera movies in hi-def, looking pretty splendid (as I see em). All are in the correct 2.35:1 aspect ratio, are all in color but the first one, and all feature what seems to be a solid job of subtitling. And, to top it all off, the pricing is terrific.

Screening: Frankenstein Conquers The World (1966) And War Of The Gargantuas (1970).

Directed by Ishirô Honda
Starring Nick Adams, Tadao Takashima, Kumi Mizuno, Yoshio Tsuchiya

Directed by Ishirô Honda
Starring Russ Tamblyn, Kumi Mizuno, Kenji Sahara, Nobuo Nakamura

Boy, I’d love to make it to this. The New Beverly has Toho’s Frankenstein Conquers The World (1966) paired with its sequel War Of The Gargantuas (1970) this Friday and Saturday.

The alterations to the US versions remove any indication that the two films are related. My best friend and I saw Gargantuas at a Saturday matinee many years ago and loved it. It remains one of my favorite of the Kaiju movies.

Tim Lucas has written a great piece on these films for The New Beverly’s blog.

RIP, Haruo Nakajima.

Haruo Nakajima, the man who played Godzilla in the monster’s first 12 movies, has passed away at 88.

Destroy All Monsters (1968).

Directed by Ishiro Honda.
Written by Ishiro Honda and Takeshi Kimura
Special Effects: Eiji Tsuburaya

Cast: Akira Kubo, Jun Tazaki, Yukiko Kobayashi, Yoshio Tsuchiya, Kyoko Ai, Andrew Hughes

__________

Here in Raleigh, we used to have the terrific Cardinal Theatre, a 750-seat curved-screen 70mm paradise — one of the finest places I ever saw a movie.

The Cardinal was the site of a summer movie series when I was growing up. What a marvelous place to see beat-up, sometimes-faded TohoScope prints of things like Destroy All Monsters (1968) and War Of The Garganutas (1966). For monster kids in the mid-70s (such as me and my best friend James Graham), it just couldn’t get any better.

So this is a movie that comes with a great big monster-sized chunk of nostalgia.

The United Nations Science Committee (UNSC) has established Monsterland, an island where the world’s monsters have been gathered up and confined. Here, they go about their monster business, observed by a team of scientists in an underground control center. It’s a perfect set up, until a group of alien women (Kilaakians, from the planet Kilaak) take over the scientists’ minds and unleash the monsters upon an unsuspecting world.

Godzilla (played by Haruo Nakajima) trashes New York City, Rodan attacks Moscow, Mothra (in larva form) hits Beijing, Baragon heads to Paris and Manda destroys London — all under the Kilaakians’ command. This is all a diversion, as the aliens set up their secret base near Mt. Fuji.

It takes some doing, but the monsters are freed from their extraterrestrial mind control by a team from the UNSC. The Kilaakians then dispatch King Ghidorah — and the big monster battle is on!

The moguls and the monsters.

For my money, Destroy All Monsters is the best Godzilla movie of them all. As a kid, it delivered on everything I was looking for — monsters. There’s a lot of ’em and they tear up tons of stuff. And it’s a huge step up from the previous picture, Son Of Godzilla (1967), which I loathed. Even at 11, I thought it was a juvenile piece of crap.

At this time, the Godzilla series was in decline, and Destroy All Monsters was an attempt to set things right. If you ask me, they did. But it was short-lived — the subsequent films seem to be geared toward younger and younger kids. This should’ve been the last one — allowing the King Of The Monsters to go out with a bang.