Category Archives: MGM

Blu-Ray News #406: Dr. Jekyll And Mr. Hyde (1931) And Mark Of The Vampire (1935).

Man oh man, am I excited about this! Warner Archive has announced a couple of terrific 30s horror pictures for October release on Blu-Ray — Dr. Jekyll And Mr. Hyde (1931) and Mark Of The Vampire (1935).

Dr. Jekyll And Mr. Hyde
Directed by Rouben Mamoulian
Starring Fredric March, Miriam Hopkins, Rose Hobart, Holmes Herbert

Fredric March won an Oscar for this excellent pre-Code horror picture, which came way too close to being a lost film. When MGM started working on their Spencer Tracy version, they bought the rights to the March film and the 1920 silent version with Lionel Barrymore — and destroyed all the material they could find. Luckily, something survived. 

Mark Of The Vampire
Directed by Tod Browning
Starring Lionel Barrymore, Elizabeth Allan, Bela Lugosi, Lionel Atwill, Jean Hersholt, Carroll Borland

Tod Browning revisits his silent London After Midnight (1927), adding sound and replacing Lon Chaney with Bela Lugosi. (Browning directed the 1931 Dracula.) Lugosi is at his Dracula-y best, Lionel Barrymore is a hoot as an expert on the occult and Carroll Borland is creepy as Lugosi’s daughter.

These played theaters in the early 70s along with Boris Karloff in Mask Of Fu Manchu (1932). What a night of 35mm wonderfulness that would’ve been. (Why didn’t my parents take me to this? I thought they loved me.) That’s the poster for the “terrifying triple show” up top.

You can always count on Warner Archive for exquisite transfers, and I’m really looking forward to seeing these look as good (or better) than they did back in the 30s. This is essential stuff, folks!

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Filed under Bela Lugosi, DVD/Blu-ray News, MGM, Paramount, Tod Browning, Warner Archive

Blu-Ray News #402: Dr. No (1962).

Directed by Terence Young
Starring Sean Connery, Ursula Andress, Joseph Wiseman, Jack Lord

Over the years, I’ve had the Connery Bond movies in about every format there is — film, Beta tape, laserdisc (three different editions of some of them), DVD and Blu-Ray. And while I don’t see that list getting any longer any time soon, this new package is really cool and worth looking at.

Dr. No (1962), the first in the series, is 60 years old. Time flies when you have a license to kill! A new 60th anniversary “steelbook” edition is one the way from MGM UK — and it’s a really terrific package.

The deluxe package gives you:
• Steelbook of Film on Blu-ray
• A Rigid Slipcase (good idea since those steelbook things scuff easily)
• Theatrical Poster
• New 32-Page Booklet
• Dragon Tank Buildable Board Figure
• 4 Lobby Card Reproductions and Envelope

The Dragon Tank model sounds like fun, and the cover reflecting Maurice Binder’s innovative title design (there’s a great story behind those) is a nice touch. If you don’t have Dr. No, this’d be a great way to get it. Coming in October.

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Filed under 1962, DVD/Blu-ray News, James Bond, MGM, Sean Connery, Terence Young, United Artists

Blu-Ray News #394: The Tarzan Vault Collection (1918-1935).

In August, The Film Detective is dragging three early Tarzan pictures out of the deep, dark video jungle and giving them new life on Blu-Ray.

Tarzan Of The Apes (1918)
Directed by Scott Sidney
Starring Elmo Lincoln, Enid Markey, George B. French, Gordon Griffith, Eugene Pallette

The first Tarzan film ever made. Edgar Rice Burroughs’ novel of the same name was published in 1912, and this is still held up as the most faithful film version of the character. The swamps of Louisiana doubled for the jungles of Africa. The film was a hit, and Elmo Lincoln would continue as Tarzan.

Adventures Of Tarzan (1921)
Directed by Robert F. Hill & Scott Sidney
Starring Elmo Lincoln, Louise Lorraine, Scott Pembroke, Frank Whitson, Lillian Worth

This 15-chapter serial was Elmo Lincoln’s third, and final, time as the Lord Of The Jungle, though he’d have small parts in a couple of the 40s Tarzan pictures.

The New Adventures Of Tarzan (1935)
Directed by Edward Kull & Wilbur F. McGaugh
Starring Herman Brix, Ula Holt, Ashton Dearholt, Frank Baker, Lewis Sargent

This 12-chapter serial was filmed on location in Guatemala, which brought with it a ton of problems, from financial and romantic woes to disease and impassible roads — and interference from MGM, which by this time was in the middle of their Johnny Weissmuller series. (Read up on this one sometime — it’s got quite a production history.)

Herman Brix made a name for himself at the 1928 Olympics, and they say he was considered by MGM before they cast Weissmuller in 1932’s Tarzan The Ape Man. Brix would later go by the name Bruce Bennett and he had a long, successful film career.

You can count on The Film Detective to make things things look as good as possible — and to load ’em up with extras. There are commentaries, documentaries and more. This is gonna be a good one, folks!

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Filed under Bruce Bennett, DVD/Blu-ray News, Johnny Weissmuller, MGM, Serial, Tarzan, The Film Detective

Blu-Ray Review: The Wonderful World Of The Brothers Grimm (1962).

Directed by Henry Levin (& George Pal)
Produced by George Pal
Screenplay by Charles Beaumont & William Roberts,
based on the stories of Wilhelm & Jacob Grimm
Cinematography: Paul Vogel
Film Editor: Walter Thompson
Special Effects: David Pal, Tim Barr, Wah Chang, Robert Hoag, Gene Warren
Music by Leigh Harline

Cast: Laurence Harvey (Wilhelm Grimm/The Cobbler), Karl Bohm (Jacob Grimm), Claire Bloom (Dorothea Grimm), Barbara Eden (Greta Heinrich), Yvette Mimieux (The Princess), Jim Backus (The King), Russ Tamblyn (The Woodsman/Tom Thumb), Buddy Hackett (Hans), Terry-Thomas (Ludwig), Beulah Bondi (The Gypsy), Ian Wolfe (Gruber)


The Wonderful World Of The Brothers Grimm premiered in the US in August of 1962, with the distinction of being “the first dramatic film in fabulous Cinerama” — shot and exhibited in the original three-panel format. Next came How The West Was Won (1962), again with the three-panel setup. (Grimm was actually shot after West.) These things were expensive to shoot and hard to exhibit, so beginning with It’s A Mad, Mad, Mad, Mad World (1963), non-travelogue films for Cinerama exhibition were shot in things like 70mm Ultra Panavision.

The one time  I saw The Wonderful World Of The Brothers Grimm was on laserdisc. And while I was thrilled to be seeing it in something widescreen-ish, the merging of the three Cinerama panels was a mess and incredibly distracting. I was not impressed, though Buddy Hackett and the dragon (my reason for watching it to begin with) really knocked me out. Hooray for Jim Danforth!

All these years later, a truly gargantuan restoration of The Wonderful World Of The Brothers Grimm has come to Blu-Ray, and it’s a really remarkable thing. The picture had been declared un-restorable, its elements too far gone. Luckily, David Strohmaier and Tom H. March, the folks responsible for the Blu-Ray of How The West Was Won, really outdid themselves here to give Brothers Grimm a new lease on life. The panel lines are practically gone, the color’s near-perfect and it comes complete with overture, intermission and all the trimmings. Even a few glitches in the original effects have been repaired, not in a revisionary way — just a subtle patch here and there.


Producer George Pal used the story of Wilhelm (Laurence Harvey) and Jacob Grimm (Karl Bohm) as a backbone for a series of Grimm’s fairy tales: “The Dancing Princess,” “The Cobbler And The Elves” and “The Singing Bone.” It’s pretty ingenious, with some nice effects and beautiful locations, but you might could argue whether this was a good fit for the mammoth Cinerama screen.

The cast in impressive. Russ Tamblyn reprises his title role from Pal’s Tom Thumb (1958) and Yvette Mimieux had been in Pal’s The Time Machine (1960). Pal was able to revisit his Puppetoon days (above) for “The Cobbler And The Elves.” It’s interesting that Jim Backus, Buddy Hackett and Terry-Thomas would soon be back on the Cinerama screens in It’s A Mad, Mad, Mad, Mad World. 

For movie nerds like me, the real story is the miracle this Blu-Ray pulls off. The Wonderful World Of The Brothers Grimm looks marvelous, whether you choose the standard widescreen version or the “smilebox” setup that approximates the feel of the curved screen (and gets rid of the odd bowl-shaped effect that comes with these three-panel films). The sound has been spiffed up, with plenty of punch. My favorite thing was the documentary, which shows just all the work, and all the technical whatzits, that were needed to get Pal’s picture looking better than ever. I’ve watched it twice.

As a movie, The Wonderful World Of The Brothers Grimm is cute, but as an example of yesterday’s roadshow exhibition and today’s film restoration, it’s nothing short of a miracle. Highly, highly recommended.

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Filed under 1962, Buddy Hackett, Cinerama, DVD/Blu-ray Reviews, Film Preservation, George Pal, Henry Levin, Jim Backus, MGM, Warner Archive

4K News #382: Get Carter (1971).

Directed by Mike Hodges
Starring Michael Caine, Ian Hendry, Britt Ekland, John Osborne, Tony Beckley

It’s good to see older films still getting attention from video companies. The BFI has announced a 4K Blu-Ray (from the camera negative) of Mike Hodges’ Get Carter (1971) for later this year. What a movie.

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Filed under 1971, BFI, DVD/Blu-ray News, MGM, Michael Caine

Blu-Ray News #374: The Wonderful World Of The Brothers Grimm (1962).

Directed by Henry Levin and George Pal
Starring Laurence Harvey, Karlheinz Böhm, Claire Bloom, Yvette Mimieux, Russ Tamblyn, Jim Backus, Terry-Thomas, Barbara Eden, Buddy Hackett

After an extensive (and expensive) digital restoration, from 4K scans of the original Cinerama camera negatives, The Wonderful World Of The Brothers Grimm (1962) is coming to Blu-Ray from Warner Archive. 

It played at the Museum Of Modern Art a few days ago.

Originally shot and exhibited in the three-panel Cinerama process, spiffing this thing up was no easy task. The Blu-Ray sounds like it’s really gonna be something. From Warner Archive: “…this Deluxe Two Disc Edition gives the viewer the opportunity to watch the film either in a traditional letterbox format, or in the Smilebox format which attempts to re-create the immersive Cinerama experience with a simulated curve to the screen. Both versions bring together the three original Cinerama panels with virtually no trace of the lines that joined them together when originally projected in theaters back in 1962.”

The set will come with a hefty batch of extras. Can’t wait. When it comes to film restoration, this is a real fairy-tale ending!

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Filed under 1962, Buddy Hackett, DVD/Blu-ray News, George Pal, Henry Levin, Jim Backus, MGM, Warner Archive

Blu-Ray News #359: Mad Love (1935).

Directed by Karl Freund
Starring Peter Lorre, Frances Drake, Colin Clive, Ted Healy, Keye Luke

Peter Lorre’s first American film was directed by the great German cinematographer Karl Freund — and Greg Toland worked on it. If that’s not enough to sell you on Mad Love (1935), that photo up top should do the trick. As a kid, I used to stare at it one of my old horror movie books, or maybe a copy of Famous Monsters, and I was dying to see it.

It’s coming to Blu-Ray next month from Warner Archive. An adaptation of The Hands Of Orlac, it stands as another weird, creepy, cool-looking 30s horror movie — and those are always worth seeking out. Seeing this one’s incredible camerawork in high definition is gonna be terrific. Highly recommended!

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Filed under DVD/Blu-ray News, MGM, Peter Lorre, Warner Archive

Brilliant!

As someone who grew up watching Tom & Jerry cartoons, I couldn’t believe how great this was.

Then I got to thinking: why’s it take so long for someone to think of this?

Thanks to Jennifer who came across this last night.

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Filed under Cartoons, Hanna-Barbera, MGM

54 Years Ago.

Nobody who went that night had any idea what they were in for.

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Filed under 1967, Angie Dickinson, John Boorman, Lee Marvin, MGM

Blu-Ray Review: It Happened At The World’s Fair (1963).

Directed by Norman Taurog
Produced by Ted Richmond
Written by Si Rose & Seaman Jacobs
Cinematography: Joseph Ruttenberg
Film Editor: Fredric Steinkamp
Music by Leith Stevens

Cast: Elvis Presley (Mike Edwards), Joan O’Brien (Diane Warren), Gary Lockwood (Danny Burke), Vicky Tiu (Sue-Lin), Yvonne Craig (Dorothy Johnson), H. M. Wynant (Vince Bradley), Kam Tong (Walter Ling), Kurt Russell


After Elvis Presley movies like Blue Hawaii (1960) were big hits while more serious stuff such as Flaming Star (1960) underperformed, the King’s movie career settled into a pattern. Give Elvis a unique profession — circus performer, race driver, crop-duster (in this one), rodeo cowboy, Navy frogman, etc., throw in a couple of girls, a handful of songs, color and Panavision. The kids’ll love it.

When that routine worked, it really worked. Viva Las Vegas (1964) or Roustabout (1965), for instance. When it didn’t, well, it was Elvis — and for a lot of folks, that was enough. 

Which brings us to It Happened At The World’s Fair (1963). Elvis and Gary Lockwood are crop duster pilots who end up in Seattle. Thanks to a little girl (Vicky Tiu) he’s babysitting, Elvis meets a lovely nurse (Joan O’Brien). As he tries to get involved with the nurse, he ends up involved with some crooks and smuggled furs, too.

What really sets this one off is its location shooting at the 1962 World’s Fair in Seattle, also called the Century 21 Exposition. It was shot in September 1962, a month before the fair ended. The picture’s like a Metrocolor and Panavision time capsule of a pretty amazing time — monorails, the Space Needle, GM’s Firebird III dream car, the Pavilion of Electric Power, computers and some really cool-looking mobile homes. The Fair footage is gorgeous, and the Blu-Ray’s picture incredible quality gives you a chance to really study all that’s going on. It’s surprising you don’t see people gawking at the King as he makes his way from ride to game to food joint to the dispensary.

By this time, the music in Elvis’ movies could be pretty hit or miss. The best tune here is probably “One Broken Heart For Sale,” which with a bit more bite to it, could’ve been a good one. Written by Otis Blackwell and Winfield Scott, it was the first Elvis RCA single to not hit the Top Five (it made it to 11). I’ve always felt the songs hurt Elvis’ movies as much as anything. If every tune was as good as, say, “Mean Woman Blues,” “Viva Las Vegas” or even “A Little Less Conversation,” the pictures would’ve had more life to ’em. Face it, some of that stuff is embarrassing to listen to — imagine having to get up there and sing it like you mean it. Poor Elvis. Plus, not only are some of the songs pretty lacking, but there’s too many of ’em — two or three strong ones is a lot better than 10 forgettable ones. (Remember, when Elvis staged his comeback in ’68, he did it through great music, not another movie.)

Joan O’Brien, Elvis and Norman Taurog.

It’s really easy to slam these movies. There’s not a lot to them. But you can look at them as the last reel of the studio system — Hollywood was a very different place by the time the 70s came along. These pictures were put together by real pros — from director Norman Taurog to cinematographer Joseph Ruttenberg (got an Oscar for ’59’s Gigi). Maybe someone like Ruttenberg was just trying to pay his bills or prepare for retirement (his last picture was Speedway), but he was incapable of making a shabby-looking movie.

Elvis and Yvonne Craig.

And for me, that’s the real benefit of Warner Archive’s Blu-Ray of It Happened At The World’s Fair. The movie just shines. The 1962 World’s Fair was a place of hope and promise for the future, and it comes through perfectly here. This Blu-Ray reminded me how blessed we are to have old movies look this good today. (Do you remember what something like this looked like on your local station’s afternoon movie — or even VHS?) It’s bright and sharp with gorgeous color. The sound rings loud and clear in glorious mono. The DVD looked fine, but this is a whole new level. The only extra is a trailer, which is fun. 

Is It Happened At The World’s Fair Elvis’ best movie? Not even close. I’d put it somewhere in the middle. It’s fun and pretty to look at — and it gives us a great peek at the World’s Fair. And, of course, there’s Elvis. That’s plenty to recommend it.

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Filed under 1963, Elvis Presley, MGM, Warner Archive, Yvonne Craig