Category Archives: Mill Creek

Blu-Ray News #243: Ultra Q And Ultraman.

Mill Creek Entertainment will release on Blu-ray Ultra Q: The Complete Series  and Ultraman: The Complete Series (both 1966-67). These are the first two entries in Japan’s Ultra Series, and they’ll be out in October in regular packaging and some of those steelbook things (like their Mothra comes in).

Eiji Tsuburaya, the genius behind all the Toho monster effects, developed Ultra Q as an Outer Limits/X Files sort of thing — each week, a team of investigators would tackle a different mysterious phenomenon. Well, when the realized how nuts kids were about giant monsters like Godzilla and Gamera, the weekly stories were jam-packed with monsters, sometimes using suits from the Toho movies (even Godzilla did double duty in an episode).

Ultra Q paved the way for the next series, Ultraman. You see, the Science Patrol keeps the world safe from giant monsters and aliens. When they’re out of their league, which seems to happen quite often, one of their members, Hayata, secretly transforms into the 150-foot-tall Ultraman to duke it out with whatever it is that’s threatening the earth that week. This time, they went with color (Ultra Q is in glorious black and white.)

The Ultra series ran through the 80s and remains incredibly popular to this day, raking in millions in toy sales. To see these things on Blu-Ray, in their original Japanese versions, will be quite a treat. I’m ultra-stoked about these things.

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Filed under 1966, 1967, DVD/Blu-ray News, Eiji Tsuburaya, Kaiju Movies, Mill Creek, Television, Toho

Blu-Ray Review: Escape In The Fog (1945).

Directed by Oscar (Budd) Boetticher, Jr.
Screenplay by Aubrey Wisberg
Cinematography: George Meehan
Film Editor: Jerome Thoms

Cast: Otto Kruger (Paul Devon), Nina Foch (Eileen Carr), William Wright (Barry Malcolm), Konstantin Shayne (Schiller), Ivan Triesault (Hausmer, Schiller’s Henchman), Ernie Adams (George Smith)

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Escape In The Fog (1945) is one of the pictures featured in Noir Archive, Volume 1 (1944-1954), a nine-movie, three-disc Blue-Ray set from Mill Creek, “curated” by Kit Parker. Now folks, we all owe Mr. Parker and the gang at Mill Creek a big fat thank you, because there are two more of these wonderful sets on the way, each one offering a wealth of deep, dark, cynical, noir-y riches. Some are A pictures, but most of Bs — a ratio I like a whole lot.

The B movie units at Columbia churned out some really cool movies in the 40s and 50s, some of my all-time favorites — from noir/mystery/crime stuff like The Whistler series to Westerns like The Law Vs. Billy The Kid (1954) to horror stuff like The Devil Commands (1941). A few of the guys who directed these things went on to bigger things, such as Mr. Budd Boetticher. In Escape In The Fog, you won’t see the stylistic and thematic stuff that makes Boetticher’s later Westerns the masterworks that they are. But you will see the economy, efficiency and pacing that all his pictures benefit from, along with a real skill at building tension, something he’d put to terrific use in The Killer Is Loose (1956).

Nina Foch is a Navy nurse who has a vivid dream of a man being attacked on San Francisco’s Bay Bridge. That dream becomes a reality, she becomes involved with the guy getting pounded in her dream (William Wright) and they’re soon wrapped up in wartime espionage involving federal agents, Otto Kruger and Nazi spies. It all comes together pretty well, making for a solid 63 minutes.

Budd Boetticher’s movies remind me of Anthony Mann pictures in that the location often plays as big a role in the story as the people — Lone Pine is almost as important as Randolph Scott. There’s none of that here, but the frame totally filled with fog is quite effective — not only adding to the atmosphere, but concealing just how cheap this 12-day picture really is.

Columbia has always done a great job of keeping their material in tip-top shape, and this set, all nine movies, look fresh and crisp and sharp. Of course, some look a little better than others, but across the board they’re stunning. In spite of their often tiny budgets, the craftspeople who worked on these things made sure they looked good — and time hasn’t changed that one bit. If anything, high-definition might accentuate the incredible look of these films.

Escape In The Fog is a neat little movie. And this set is essential stuff — for fans of noir, of B moviemaking or of any of the casts and crews represented here. So, thank you Mr. Parker and the folks at Mill Creek. Looking forward to the next one!

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Filed under Budd Boetticher, Columbia, DVD/Blu-ray Reviews, Kit Parker, Mill Creek

Blu-Ray News #234: Mothra (1961).

Directed by Ishiro Honda
Starring Hiroshi Koizumi, Kyôko Kagawa, Yûmi Itô, Emi Itô, Ken Uehara

Mill Creek has announced a Blu-Ray of Mothra (1961) in one of those spiffy-looking steel cases, seen above, with extras like a commentary and still gallery. Mothra‘s a picture with really gorgeous Technicolor, and I’m really looking forward to seeing it in high-definition. A digital showing at a local theater a couple years ago was really something to see. Coming in July.

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Filed under 1961, Columbia, DVD/Blu-ray News, Ishirō Honda, Kaiju Movies, Mill Creek, Toho

Blu-Ray News #233: Noir Archive Volume 3: 1956-1960.

I’ve been making my way through the first glorious volume of this terrific series from Kit Parker and Mill Creek Entertainment, and now they’ve announced the third. There’s another great lineup on the way (no pun intended).

The Shadow On The Window (1956)
Directed by William Asher
Starring Phil Carey, Betty Garrett, John Barrymore, Jr., Jerry Mathers

Jerry Mathers goes into shock after seeing his mom hassled by a group of thugs, then helps his dad (Phil Carey) and the cops rescue her. The Beaver is really good in this.

The Long Haul (1957)
Directed by Ken Hughes
Starring Victor Mature, Diana Dors

A British noir picture with Mature all tangled up in the shifty trucking industry — and a hood’s girlfriend.

Pickup Alley 6S

Pickup Alley (1957, UK Title: Interpol)
Directed by John Gilling
Starring Victor Mature, Anita Ekberg, Trevor Howard

Victor Mature and Anita Ekberg in a B&W Scope picture about dope smugglers — directed by the guy who did The Plague Of The Zombies (1966)! Where’s this movie been all my life?

The Tijuana Story (1957)
Directed by Leslie Kardos
Starring Rodolfo Acosta, James Darren, Jean Willes

Another lurid geography lesson from the great Sam Katzman. I love Rodolfo Acosta — his tiny part in One-Eyed Jacks includes one of the coolest single shots in all of Cinema, if you ask me (which you didn’t). Here, he’s got the lead!

She Played With Fire (1957, UK Title: Fortune Is A Woman)
Directed by Sidney Gilliat
Starring Jack Hawkins, ArleneDahl, DennisPrice, ChristopherLee
More UK noir, this one about a painting and insurance fraud.

The Lineup (1958)
Directed by Don Siegel
Starring Eli Wallach, Robert Keith, Warner Anderson, Richard Jaeckel

The TV series is turned into a typically tough and tight Don Siegel film. Siegel’s San Francisco movies (this and Dirty Harry) really get in the way of the city’s whole peace and love/hippie vibe. This time, it’s a town crawling with dope, crooks and killers. This set’s worth it for this one alone!

The Case Against Brooklyn (1958)
Directed by Paul Wendkos
Starring Darren McGavin, Maggie Hayes, Warren Stevens, Nestor Paiva, Brian G. Hutton

A documentary-style, true-story crooked cop picture starring Darren McGaven. Paul Wendkos also did The Legend Of Lizzie Borden (1975). Produced by Charles H. Schneer in-between Harryhausen movies. Oh, and Nestor Paiva’s in it.

The Crimson Kimono (1959)
Directed by Samuel Fuller
Starring James Shigeta, Glenn Corbett, Victoria Shaw

On the surface, it’s a detective story, but that’s never how a Fuller movie works, is it? Fuller understood that the best way to tackle an issue/message in a picture was to wrap it up in something else like a cop story or a Western. He also knew that if you stuck to B movies, the suits didn’t pay much attention and left you alone to do what you wanted. This one’s terrific.

Man On A String (1960)
Directed by Andre De Toth
Starring Ernest Borgnine, Kerwin Mathews, Alexander Scourby, Colleen Dewhurst, Glenn Corbett, Ted Knight, Seymour Cassel

Ernest Borgnine stars in this 1960 spy picture based on the life (and autobiography, Ten Years A Counterspy) of Boris Morros, a Russian-born musical director in Hollywood (John Ford’s Stagecoach, 1939) who was first a Russian spy, then a counterspy for the FBI. Andre de Toth focuses on the double-crosses that stack up like cordwood.

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Filed under 1956, 1957, 1958, 1959, 1960, Andre de Toth, Christopher Lee, Columbia, Darren McGavin, Diana Dors, Don Siegel, DVD/Blu-ray News, Ernest Borgnine, John Gilling, Kit Parker, Mill Creek, Nestor Paiva, Sam Fuller, Sam Katzman, William Asher

Blu-Ray News #229: Noir Archive Volume 2: 1954-1956.

The first nine-film, three-disc volume in Kit Parker’s awesome assemblage of hi-def Film Noir hasn’t hit the street yet, and now the second’s been announced. These are coming in July, and it’s another great lineup.

Bait (1954)
Directed by Hugo Haas
Starring Cleo Moore, Hugo Haas, John Agar

Hugo Haas directs himself, Cleo Moore and John Agar in a love triangle involving a lost gold mine.

The Crooked Web (1955)
Directed by Nathan Juran
Starring Frank Lovejoy, Mari Blanchard, Richard Denning

Nathan Juran directed lots of cool stuff, but this is the only one with Mari Blanchard as a waitress. This one involves gold, too, but it’s a stash of Nazi gold. Nathan Juran did some cool stuff — from The 7th Voyage Of Sinbad (1957) to Good Day For A Hanging (1958).

The Night Holds Terror (1955)
Directed by Andrew Stone
Starring Jack Kelly, Hildy Parks, Vince Edwards, John Cassavetes, David Cross, Jonathan Hale

Sort of a combination of The Hitch-Hiker and The Desperate Hours, with John Cassavetes one of the crooks.

Footsteps In The Fog (1955)
Directed by Arthur Lubin
Starring Stewart Granger, Jean Simmons, Bill Travers, Ronald Squire

The only picture in the set in color, this one has Stewart Granger as a killer who chooses the wrong victim, literally.

Cell_2455_Death_Row LC

Cell 2455, Death Row (1955)
Directed by Fred F. Sears
Starring William Campbell, Marian Carr, Kathryn Grant, Harvey Stephens, Vince Edwards

Based on the true story by Caryl Chessman. Director Fred F. Sears is a real favorite of mine.

5 Against The House (1955)
Directed by Phil Karlson
Starring Kim Novack, Alvy Moore, William Conrad, Kerwin Mathews

A team of Army buddies snag a camper trailer and head to Reno to rob the casinos. Phil Karlson keeps things tough and tight. Terrific movie.

New Orleans Uncensored (1955)
Directed by William Castle
Starring Arthur Franz, Beverly Garland, Helene Stanton, Mike Mazurki

William Castle working for Sam Katzman. Beverly Garland. Black and white widescreen. Why haven’t you pre-ordered one already?

Spin A Dark Web (1955)
Directed by Vernon Sewell
Starring Faith Domergue, Lee Patterson, Rona Anderson, Martin Benson

A boxer gets sucked into the London mob, with a little help from Faith Domergue. Vernon Sewell directed lots of B movies in the UK, and this is a cool one.

Rumble On The Docks (1956)
Directed by Fred F. Sears
Starring James Darren, Laurie Carrol, Michael Granger, Robert Blake, Timothy Carey

Fred F. Sears, Robert Blake and Timothy Carey all working on a Sam Katzman movie — and the results are every bit as wonderful as you might be imagining.

To have these nine pictures, in their original aspect ration and high definition, is a real treat. I can’t wait.

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Filed under 1954, 1955, 1956, Beverly Garland, DVD/Blu-ray News, Faith Domergue, Fred F. Sears, John Agar, Kit Parker, Mari Blanchard, Mill Creek, Nathan Juran, Phil Karlson, Richard Denning, Timothy Carey, William Castle

Blu-Ray News #215: The Take (1974) & Black Gunn (1972).

Mill Creek has announced an upcoming Blu-Ray that pairs a couple of 70s Blaxsploitation pictures — The Take (1974) and Black Gunn (1972). Both were directed by Robert Hartford-Davis — who also did a few British horror pictures like Corruption (1968) and Incense For The Damned (1971). His Nobody Ordered Love (1971) is a lost film since he pulled it from circulation and ordered it destroyed.

The Take (1974)
Directed by Robert Hartford-Davis
Starring Billy Dee Williams, Eddie Albert, Frankie Avalon, Sorrell Booke, Albert Salmi, Vic Morrow, Tracy Reed

By this time, Billy Dee Williams had already appeared in Brian’s Song (1971), Lady Sings The Blues (1972) and Hit! (1973), but he was still six years away from The Empire Strikes Back (1980). He’s supported by a good cast, as if they didn’t think he could carry the picture on his own.

The cinematographer was Duke Callaghan, whose previous film was Jeremiah Johnson (1972). Mr. Callaghan shot a lot of Adam-12 episodes, so I’m a fan.

Black Gunn (1972)
Directed by Robert Hartford-Davis
Starring Jim Brown, Martin Landau, Brenda Sykes, Herbert Jefferson, Jr., Luciana Paluzzi, Stephen McNally, Bernie Casey, Bruce Glover

Football great Jim Brown made some terrific movies — stuff like Rio Conchos (1964), The Dirty Dozen (1967), Dark Of The Sun (1968) and The Split (1968). This time, the mob is after Brown’s brother (Herbert Jefferson, Jr.). Black Gunn‘s got a great cast, and you can always count on Bruce Glover to be a superb psycho.

The picture was shot by Richard H. Kline, who also gave us Hang ‘Em High (1968), The Boston Strangler (1968), Mr. Majestyk (1974) and Star Trek: The Motion Picture (1980).

Two cool movies in high definition at a great price. The more of these things Mill Creek pulls from the Columbia vaults, the more I like ’em.

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Filed under 1972, 1974, Columbia, Jim Brown, Mill Creek

2018 In Review – Part 2.

When I started doing DVD and Blu-Ray commentaries, it no longer felt appropriate to survey the best DVD and Blu-Ray releases of the year. So, as a substitute (maybe a poor one), here’s a reminder of a few things we were treated to this year. We’ll let all the praise, complaints or ranking come from you in the comments. Part 1 can be found over at 50 Westerns From The 50s.

This was a banner year for old sci-fi and horror movies making their way to Blu-Ray. From what we’re hearing so far, next year might be the same for noir and crime pictures. Anyway, here’s some of 2018’s bounty — a few of which I’m still working on proper reviews of.

The Thing (From Another World) (1951)
This is one of the all-time favorite movies. I find something new in it every time I see it — a line, a look, a particular setup, the music, a new appreciation for the guy who did the fire stunt. It’s always something — and that, to me, is one of the requirements for a Great Movie. Warner Archive worked long and hard on this one, and I’m in their debt for sure.

The Hammer Draculas
It’s like there was some sorta Monster Movie Summit, and it was decreed that the Hammer Dracula series would be given its due on Blu-Ray. Warner Archive did a lot of the heavy lifting with Horror Of Dracula (1958), Dracula A.D. 1972 (1972) and The Satanic Rites Of Dracula (1974). In the meantime, Scream Factory came through with Dracula – Prince Of Darkness (1966). Taste The Blood Of Dracula (1970) hit Blu-Ray a few years ago. That leaves Scars Of Dracula (197) as the only Hammer Dracula picture not available on Blu-Ray. Who’s gonna step up to the plate for that one?

The Hammer goodness wasn’t limited to the Dracula pictures. Mill Creek included some Hammer pictures in their twin-bill sets, some of the best values in all of home video. Hammer Films, William Castle, Ray Harryhausen — there’s some good stuff in those sets.

The Creature From The Black Lagoon Complete Legacy Collection
That’s quite a name for a set that only includes three movies. But what movies they are — the first two, anyway. And they’re in both widescreen 2-D and 3-D.

Gun Crazy (1949)
Joseph H. Lewis hit it out of the park with Gun Crazy (1949). So did his cast — and this year, with a stunning Blu-Ray, so did Warner Archive.

Invasion Of The Body Snatchers (1956)
Don Siegel making it to Blu-Ray is always a reason to celebrate, and this is one of his many milestones. Over the years, we’ve all put up with some pretty shoddy-looking stuff when it comes to this incredible movie. Olive Films’ Blu-Ray is a huge improvement.

The Tingler (1959)
It’s hard to pick between this one and House On Haunted Hill (1958) for my favorite William Castle movie. Scream Factory did a wonderful job with this one, and they’ve given us other Castle pictures as well.

Dark Of The Sun (1968)
Warner Archive has been hinting around about this one on Blu-Ray for a while. It’s beautiful — and still one of the damnedest movies I’ve ever seen.

There’s a few that stood out for me. What DVD and Blu-Ray releases knocked you out this year?

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Filed under 1951, 1954, 1955, 1956, 1958, 1959, 1970, 1972, 1973, 3-D, Barbara Shelley, Caroline Munro, Christopher Lee, Don Siegel, DVD/Blu-ray News, DVD/Blu-ray Reviews, Hammer Films, Howard Hawks, Jack Arnold, James Arness, John Agar, Joseph H. Lewis, Julie Adams, Kenneth Tobey, Kevin McCarthy, Mill Creek, Nestor Paiva, Olive Films, Peggy Cummins, Peter Cushing, Richard Carlson, Richard Denning, Richarld Carlson, RKO, Rod Taylor, Shout/Scream Factory, Terence Fisher, Vincent Price, Warner Archive, William Castle