Category Archives: Olive Films

Blu-Ray News #237: How To Stuff A Wild Bikini (1965).

Directed by William Asher
Starring Annette Funicello, Dwayne Hickman, Brian Donlevy, Buster Keaton, Beverly Adams, Harvey Lembeck, John Ashley, Jody McCrea, Mickey Rooney, Len Lesser, Bobbi Shaw, Michele Carey, The Kingsmen, Frankie Avalon, Elizabeth Montgomery

Okay, so maybe the whole Beach Party thing was starting to run out of steam by the time they got around to How To Stuff A Wild Bikini (1965). But who cares? All the elements are in place, from Frankie and Annette to Eric Von Zipper (Harvey Lembeck) and Bonehead (Jody McCrea) to the later addition Buster Keaton (as Bwana in this one).

It’s plenty stupid and tons of Pathécolor, Panavision fun. And I’m so stoked that it’s making its way to Blu-Ray from the folks at Olive Films. They did a tremendous job bringing Muscle Beach Party (1964) and Beach Blanket Bingo (1965) to high definition — let’s hope they get around to Bikini Beach (1964). Coming (in off the curl) in late June.

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Filed under 1965, AIP, Annette Funicello, Buster Keaton, Elizabeth Montgomery, Frankie Avalon, John Ashley, Mickey Rooney, Olive Films, William Asher

2018 In Review – Part 2.

When I started doing DVD and Blu-Ray commentaries, it no longer felt appropriate to survey the best DVD and Blu-Ray releases of the year. So, as a substitute (maybe a poor one), here’s a reminder of a few things we were treated to this year. We’ll let all the praise, complaints or ranking come from you in the comments. Part 1 can be found over at 50 Westerns From The 50s.

This was a banner year for old sci-fi and horror movies making their way to Blu-Ray. From what we’re hearing so far, next year might be the same for noir and crime pictures. Anyway, here’s some of 2018’s bounty — a few of which I’m still working on proper reviews of.

The Thing (From Another World) (1951)
This is one of the all-time favorite movies. I find something new in it every time I see it — a line, a look, a particular setup, the music, a new appreciation for the guy who did the fire stunt. It’s always something — and that, to me, is one of the requirements for a Great Movie. Warner Archive worked long and hard on this one, and I’m in their debt for sure.

The Hammer Draculas
It’s like there was some sorta Monster Movie Summit, and it was decreed that the Hammer Dracula series would be given its due on Blu-Ray. Warner Archive did a lot of the heavy lifting with Horror Of Dracula (1958), Dracula A.D. 1972 (1972) and The Satanic Rites Of Dracula (1974). In the meantime, Scream Factory came through with Dracula – Prince Of Darkness (1966). Taste The Blood Of Dracula (1970) hit Blu-Ray a few years ago. That leaves Scars Of Dracula (197) as the only Hammer Dracula picture not available on Blu-Ray. Who’s gonna step up to the plate for that one?

The Hammer goodness wasn’t limited to the Dracula pictures. Mill Creek included some Hammer pictures in their twin-bill sets, some of the best values in all of home video. Hammer Films, William Castle, Ray Harryhausen — there’s some good stuff in those sets.

The Creature From The Black Lagoon Complete Legacy Collection
That’s quite a name for a set that only includes three movies. But what movies they are — the first two, anyway. And they’re in both widescreen 2-D and 3-D.

Gun Crazy (1949)
Joseph H. Lewis hit it out of the park with Gun Crazy (1949). So did his cast — and this year, with a stunning Blu-Ray, so did Warner Archive.

Invasion Of The Body Snatchers (1956)
Don Siegel making it to Blu-Ray is always a reason to celebrate, and this is one of his many milestones. Over the years, we’ve all put up with some pretty shoddy-looking stuff when it comes to this incredible movie. Olive Films’ Blu-Ray is a huge improvement.

The Tingler (1959)
It’s hard to pick between this one and House On Haunted Hill (1958) for my favorite William Castle movie. Scream Factory did a wonderful job with this one, and they’ve given us other Castle pictures as well.

Dark Of The Sun (1968)
Warner Archive has been hinting around about this one on Blu-Ray for a while. It’s beautiful — and still one of the damnedest movies I’ve ever seen.

There’s a few that stood out for me. What DVD and Blu-Ray releases knocked you out this year?

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Filed under 1951, 1954, 1955, 1956, 1958, 1959, 1970, 1972, 1973, 3-D, Barbara Shelley, Caroline Munro, Christopher Lee, Don Siegel, DVD/Blu-ray News, DVD/Blu-ray Reviews, Hammer Films, Howard Hawks, Jack Arnold, James Arness, John Agar, Joseph H. Lewis, Julie Adams, Kenneth Tobey, Kevin McCarthy, Mill Creek, Nestor Paiva, Olive Films, Peggy Cummins, Peter Cushing, Richard Carlson, Richard Denning, Richarld Carlson, RKO, Rod Taylor, Shout/Scream Factory, Terence Fisher, Vincent Price, Warner Archive, William Castle

What’s furniture doing in a blog about old movies?

You can get this thing on Amazon right now for a little over 50 bucks. It holds 531 DVDs or 630 Blu-Rays. I’m pointing this out because with all the terrific stuff released or announced lately, we’re all gonna have some storage issues.

Look at the Hammer horror pictures that have come out, or are coming, from Warner Archive, Scream Factory and Mill Creek. That’s some serious shelf space right there. Then there’s Universal 50s monster/sci-fi stuff coming from Kino Lorber and Scream Factory. The Thing (1951) from Warner Archive. A great-looking Invasion Of The Body Snatchers (1956) from Olive Films. Forty Guns (1957) from Criterion. And that’s just getting started.

This is a great time to be an old-movie nut. Seems like every day we’re finding out about something else making its way to our HDTVs — thanks to the companies I mentioned above, along with others like Indicator, Arrow and VCI. So, as you deck out your house for the holidays, think about where to put all these wonderful old movies.

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Filed under DVD/Blu-ray News, Hammer Films, Kino Lorber, Mill Creek, Olive Films, Shout/Scream Factory, The Criterion Collection, Warner Archive

Blu-Ray News #194: Invasion Of The Body Snatchers (1956).

Don Siegel directs Kevin McCarthy and Dana Wynter.

Directed by Don Siegel
Starring Kevin McCarthy, Dana Wynter, Larry Gates, King Donovan, Carolyn Jones

The more Don Siegel, the better. Olive Films has announced his Invasion Of The Body Snatchers (1956) as part of their ongoing Signature series. For one reason or another, I’ve been disappointed in the previous DVDs and stuff of this great film. I have a feeling this one’s gonna knock it out of the park. All the Signature titles I’ve seen have been terrific.

Olive Films says this will hatch October 16. Happy Halloween indeed!

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Filed under 1956, Don Siegel, DVD/Blu-ray News, Kevin McCarthy, Olive Films

Blu-Ray Review: Operation Petticoat (1959).

Directed by Blake Edwards
Screenplay by Stanley Shapiro and Maurice Richlin
From a story by Paul King and Joseph Stone
Cinematography: Russell Harlan, Clifford Stine
Film Editors: Ted Kent and Frank Gross

Cast: Cary Grant (Commander Matt Sherman), Tony Curtis (Lieutenant Nick Holden), Joan O’Brien (Nurse Dolores Crandell), Dina Merrill (Nurse Barbara Duran), Arthur O’Connell (Tostin),Virginia Gregg (Major Edna Heywood), Gavin MacLeod (Hunkle), Gene Evans, Marion Ross, Dick Sargent

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There was a time in the 70s and 80s when it seemed like Operation Petticoat (1959) was on TV every three minutes. It was perfect for a rainy Sunday afternoon. Who knows how many times I’ve seen it.

What’s interesting to me is, the script itself doesn’t seem all that funny. It depends on the appeal and natural humor of its cast — mainly the two leads, Cary Grant and Tony Curtis — to keep it going and make sure it’s actually funny. And at that, they certainly succeed.

Grant’s the commanding officer of the USS Sea Tiger, a brand new sub that has a very hard time getting into the war. Sunk by the Japanese before it’s ever really set sail, the Sea Tiger is pretty much written off till Grant convinces his superior officer to let him try to get it seaworthy. Grant ends up with an aide (Curtis) who turns out to be quite a scrounger — his cons and schemes provide what’s needed to get the sub ready to move on to Australia for more thorough repairs.

Along the way, a group of women are taken on as passengers (leading to the usual inconveniences), a shortage of primer results in the Sea Tiger being painted pink, and it’s almost sunk by the US Navy (the radio doesn’t work). And, of course, some of the sailors and nurses fall in love.

Believe it or not, much of what transpires in Operation Petticoat was based on real events — even the pink submarine.

The cast is terrific. Grant and Curtis are everything you’d expect. Joan O’Brien and Dina Merrill are quite good as some of the nurses who join the crew of the Sea Tiger. I love Virginia Gregg, who you’ll find in a ton of Dragnet episodes. Gavin MacLeod and Gene Evans are quite funny. And Marion Ross of Happy Days turns up.

There’s a funny scene with Tony Curtis trying to round up stuff for a New Year’s Eve party. He and Gavin MacLeod steal a pig from a villager, then have to pass it off as a sailor to fool MPs and get it on base. It’s every bit as silly as it sounds, but Curtis makes it work. Watch a few Tony Curtis movies from the 50s, and I promise you’ll come away impressed.

You’ll also be impressed with Olive Films’ Signature Edition of Operation Petticoat. The picture was shot in Eastman Color — it was going to be B&W, but when Cary Grant enlisted, color film stock and a few more dollars were added to the budget. Eastman Color can be an ugly thing, harsh-looking at times, but Olive keeps it in check. Grain is consistent, the blacks are strong and the 1.85 framing’s dead on — easily the best I’ve ever seen this movie look. It comes with a slew of extras — a commentary, interviews and more — everything you need to really wallow in this charming little service comedy. Recommended.

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Filed under 1959, Blake Edwards, Cary Grant, DVD/Blu-ray Reviews, Olive Films, Tony Curtis, Universal (-International)

DVD/Blu-Ray News #165: Odds Against Tomorrow (1959).

Directed by Robert Wise
Starring Harry Belafonte, Robert Ryan, Shelley Winters, Ed Begley, Gloria Grahame

Greed, lust, corruption, murder — film noir can pack about every sin, vice and crime you can think of into about 90 minutes of goodness. That’s why I love em so much. Odds Against Tomorrow (1959) goes a step further and stirs in a big fat helping of hatred. You could easily say it’s a movie about racism, but it goes deeper than that. Robert Ryan’s character just plain hates — everybody. He’s a guy with absolutely zero to recommend him. Where did such a kind-hearted (by all accounts) man go to dredge up all this nasty stuff?

A couple of despicable crooks (ex-con Ryan, ex-cop Ed Begley) bring a black man (Harry Belafonte) in on their bank job. Everything goes to hell, as it always does in these kinds of things, and we get to watch. It’s a gritty, tough and terrific picture — and it packs quite a wallop. Robert Wise did this before directing West Side Story (1961). And while in some ways the two movies couldn’t be more different, they both give us a look at what kind of damage hate can do. It was Wise’s last film in black and white.

The score by John Lewis of the Modern Jazz Quartet is terrific, and the album of the MJQ performing it (Music From Odds Against Tomorrow) is unbelievably cool. The actual film score was also released.

Olive Films is bringing this out on both DVD and Blu-Ray in May. I’m on a bit of a crime picture/noir binge right now, spurred by the incredible Shield For Murder (1954), so I’m really stoked to learn this is on the way. Highly, highly recommended.

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Filed under 1959, DVD/Blu-ray News, Gloria Grahame, Olive Films, Robert Ryan, Robert Wise, United Artists

Blu-Ray Review: Return Of The Ape Man (1944).

Directed by Phil Rosen
Produced by Sam Katzman & Jack Dietz
Story & Screenplay by Robert Charles
Cinematography: Marcel Le Picard

Cast: Bela Lugosi (Professor Dexter), John Carradine (Professor John Gilmore), George Zucco (Ape Man – credits only), Frank Moran (Ape Man), Teala Loring (Anne Gilmore), Tod Andrews (Steve Rogers), Mary Currier (Mrs. Hilda Gilmore), Ernie Adams (Willie The Weasel)

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The Monogram Nine, a handful of low-budget pictures Bela Lugosi made for Sam Katzman and Monogram Pictures in the mid-40s, are nobody’s idea of quality cinema, but they’re certainly entertaining. Some say Return Of The Ape Man (1944) is one of the worst of the bunch, but so what — it’s a blast.

Bela Lugosi is Professor Dexter, a noted scientist messing around with freezing people. He and his assistant, Professor John Gilmore (John Carradine), thaw out a bum they’ve had frozen in the basement for four months. To prove that people can be kept frozen for extended periods of time, then thawed out safely, Dexter and Gilmore travel to the Arctic in search of a frozen prehistoric man to defrost. They finally find one and bring it back to Lugosi’s basement/laboratory.

They’re able to revive him — after Lugosi thaws him out with a blowtorch, but soon realize he’s an “unmanageable brute” (I’m lifting a Lugosi line from Abbott & Costello Meet Frankenstein). Lugosi’s solution is to transplant a certain portion of a modern man’s brain into the Ape Man’s skull. From here, Lugosi’s plans go completely off the rails and lead to the kind of supreme mayhem the Poverty Row studios were so good at cooking up.

I love Return Of The Ape Man. It’s so ridiculous, so cheap and so short — what’s not to like? Lugosi’s terrific. He always had a way of making the non-logic of these things almost work. Almost. Once John Carradine questions Lugosi’s methods, we just know he’s a goner — but he’s great at doing his John Carradine thing in the meantime. John Moran is a hoot as the Ape Man — bending bars, breaking stuff, choking people, etc. George Zucco was originally given the part, but he got ill and Moran took over. Why Zucco still gets third billing is anybody’s guess. Some say he’s actually in a shot or two (on the table when the Ape Man is first thawed out). Others say it was in his contract. My theory is having three low-budget horror stars in one movie was too good a thing to pass up. Wonder if Zucco was paid for his name on the poster? Philip Rosen’s direction is clunky, for lack of a better word, at least party due to the tight schedule and budget.

I’ve never seen Return Of The Ape Man looking good. And while this Olive Blu-Ray leaves plenty to be desired, this is far and away the nicest version I’ve come across. The contrast and grain are inconsistent, there’s some damage here and there, and it’s a bit soft in places — 16mm, maybe? — but that’s all part of the experience. A movie like this is supposed to look a little ragged, in my opinion, and I’m so glad Olive Films didn’t hold out for better material. It might’ve never happened, and that would be a real shame. This way, every magnificent flaw is preserved in high-definition, which is the way I like it.

Recommended, along with the rest of the Monogram Nine. By this way, this is not a sequel to the previous Lugosi/Monogram picture, The Ape Man (1943).

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Filed under Bela Lugosi, DVD/Blu-ray Reviews, George Zucco, John Carradine, Monogram 9, Monogram/Allied Artists, Olive Films, Sam Katzman