Category Archives: Robert Mitchum

RIP, Michele Carey.

Michele Carey
(February 26, 1943 – November 21, 2018)

Just saw that Michele Carey has passed away. She didn’t make many movies, but when you’ve worked with John Wayne, Howard Hawks and Robert Mitchum (El Dorado, 1967) and Elvis (Live A Little, Love A Little, 1968), not to mention Frank Sinatra (Dirty Dingus Magee, 1970) — what else do you need? Oh, and then there’s How To Stuff A Wild Bikini (1965).

She’s terrific in El Dorado — everyone is. She holds her own up against some real heavyweights, in a movie that relied on Hawks’ typical rambling, improvisational tone. That’s no small task.

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Filed under 1965, 1967, 1968, 1970, AIP, Elvis Presley, Howard Hawks, John Wayne, Robert Mitchum

Remembering D-Day.

This is a movie blog, so we’ll pay tribute to those who fought on the beaches of Normandy via color stills from The Longest Day (1962, which is in glorious black and white CinemaScope), itself a tribute to the many sacrifices that helped push World War II toward its end.

Here’s the crew hard at work recreating the events of June 6, 1944.

Richard Burton (as Officer David Campbell) and Richard Beymer (as Private Dutch Schultz). Burton took time off from Cleopatra (1963) to shoot his scenes. Cleopatra was bleeding 20th Century-Fox dry at the time, which had a huge (negative) impact on Darryl Zanuck’s budget for The Longest Day.

Robert Mitchum as Brigadier General Norman Cota.

Richard Todd as Major John Howard. Todd’s voice is one of God’s great gifts to mankind — I would listen to him (or Richard Burton, for that matter) read the phone book.

John Wayne as Lt. Colonel Benjamin Vandervoort.

From the Army’s website: “The cost in lives on D-Day was high. More than 9,000 Allied Soldiers were killed or wounded, but their sacrifice allowed more than 100,000 Soldiers to begin the slow, hard slog across Europe, to defeat Adolf Hitler’s crack troops.”

To quote John Wayne in an entirely different movie (John Ford’s She Wore A Yellow Ribbon): “Lest we forget.”

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Filed under 1962, 20th Century-Fox, John Wayne, Richard Burton, Robert Mitchum, Robert Ryan, Roddy McDowall, Sean Connery

Blu-Ray News #104: The Yakuza (1974).


Directed by Sydney Pollack
Starring Robert Mitchum, Ken Takakura, Brian Keith, Herb Edelman, Richard Jordan

A lotta folks are gonna be happy about this one. Warner Archive has Sydney Pollack’s The Yakuza (1974) on the way on Blu-Ray — in time for Valentine’s Day. It’s a great look at Japanese culture, with a typically terrific performance from Robert Mitchum and some incredible action sequences. This is one of those movies I heard a whole lot about before I finally caught up with it — and it actually lived up to all the hype.

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Filed under 1974, DVD/Blu-ray News, Robert Mitchum, Sydney Pollack, Warner Archive

Blu-ray Review: Thunder Road (1958).


Directed by Arthur Ripley
Produced by Robert Mitchum
Screenplay by James Atlee Phillips and Walter Wise
Based on a story by Robert Mitchum
Directors Of Photography: Alan Stensvold and David Ettenson
Film Editor: Harry Marker
Music by Jack Marshall

Cast: Robert Mitchum (Lucas Doolin), Gene Barry (Troy Barrett), Jacques Aubuchon (Carl Kogan), Keely Smith (Francie Wymore), Trevor Bardette (Vernon Doolin), Sandra Knight (Roxanne Ledbetter), James Mitchum (Robin Doolin), Peter Breck (Stacey Gouge), Mitchell Ryan (Jed Moultrie)


Let me tell the story, I can tell it all
About the mountain boy who ran illegal alcohol
His daddy made the whiskey, the son he drove the load
And when his engine roared they called the highway Thunder Road*

Robert Mitchum, who often claimed to have nothing but contempt for his chosen profession, didn’t seem like the type to almost singlehandedly write, produce and star in an independent film. But with Thunder Road (1958), that’s exactly what he did. He came up with the story, researched it (meeting with treasury agents and no doubt sampling some of the moonshiners’ product), worked on the script, selected the cast and director Arthur Ripley, scouted locations (settling on Asheville, North Carolina), even co-wrote the title song. The end result is a solid little picture that played drive-ins throughout the South for decades.

Screen Shot 2015-04-08 at 2.09.38 PM

Mitchum is Lucas Doolin, a Korean War vet who hauls bootleg liquor in hopped-up Fords. Gene Barry is the T-Man determined to bring him in. Things are complicated by a large-scale mobster who wants to take control of the local shine market, a nightclub singer (Keely Smith) and local girl (Sandra Knight) vying for Lucas’ affection, and Lucas’ younger brother Robin (Jim Mitchum) who’s thinking about running some liquor himself. It might sound a little plot-heavy, but it’s not. The focus here is on letting Mitchum act cool when there isn’t a car chase going on — and it completely succeeds.

Thunder Road BTS 1

The making of Thunder Road has become legendary. Mitchum evidently split his time between the moonshiners and the female population of Asheville, North Carolina — and somehow showed up on the set each morning ready to go. Just a little makeup to cover the dark circles under his eyes.

Thunder Road Ford crash

The cars used in the film were purchased from area “transporters,” and the stunt crew put those cars through their paces on the winding mountain roads around Asheville (including US 129). The transporters, in turn, used the money to buy newer, better, faster cars. A win-win situation, as they say.

Mitchum Apple Fest parade

The Apple Festival parade, Hendersonville, North Carolina.

Quite a bit of the local citizenry found themselves in minor roles, while Mitchum ended up the Grand Marshal of Hendersonville’s Apple Festival Parade (above). Some of the Asheville buildings you see in the film are still around.

Then there’s the Elvis connection. Mitchum and Elvis Presley talked about Elvis playing Lucas’ brother Robin. But Elvis’ manager Colonel Tom Parker demanded a salary that approached what was budgeted for the entire picture. Jim Mitchum, Robert’s son, was cast instead. Nothing against Jim, but Robert Mitchum and Elvis in a movie about running liquor in 1950s Fords (’50, ’51, ’57) would have easily been the Coolest Movie Of All Time.

TR ad 3

That’s not to say that what we have isn’t plenty cool enough. It’s a fast-paced, gritty little thing with a good performance from Mitchum and a really good one from Trevor Bardette as Lucas’ bootlegging daddy. Gene Barry’s part is a bit generic, and it’s really obvious how inexperienced Keely Smith was. There’s a really odd feel to her scenes with Mitchum. The Asheville locals, as you’d expect, turn in some shaky performances here and there, but they sure look authentic, as does about everything in Thunder Road. Real people, real cars, real roads — this authenticity gives the picture a huge boost and might explain why Southerners took to it like they did. The South rarely comes across this real in movies.


Joe Maphis

Jack Marshall’s music is another standout. His supercharged jazz-country score fits Mitchum’s film like a glove. He was a perfect choice; he got it. The blistering guitar licks are the work of the great Joe Maphis, “King Of The Strings.” (If you want to be absolutely amazed, look up Joe on YouTube and watch his fingers fly!) Jack Marshall scored a few late-50s exploitation flicks (like The Giant Gila Monster) and lots of TV, with his supreme contribution to popular culture being the theme to The Munsters. The revered Bear Family label has recently released the Thunder Road score on CD. Play it in your car, and you can count on a speeding ticket.

119641_largeOf course, the reason for this post is that Shout Factory has blessed us all with Thunder Road on Blu-ray (there’s a DVD in there for good measure). It’s exactly the kind of presentation I like — it looks like a movie. There’s all the grain and texture we expect — with this movie having a bit more than usual (which is a good thing). It’s real close to the original 1.85 framing, and that alone is reason to ditch the old MGM DVD in favor of this one. The sound’s crisp and clear — it’s hard to decide what’s more beautiful: Joe Maphis’ guitar or those souped-up Fords.

This is a good time to be digging into low-budget movies of the 50s — from Thunder Road to The Quiet Gun to It! The Terror From Beyond Space, with them showing up on Blu-ray looking like this from folks like Shout Factory, Kino Lorber and Olive Films. So raise a Mason Jar of the finest white lightning to Shout Factory for giving us a premium edition of Mitchum’s high-octane, high-proof, low-brow masterpiece. Highly recommended.

* From “The Ballad Of Thunder Road” written by Robert Mitchum and Don Rae

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Filed under 1958, DVD/Blu-ray Reviews, Gene Barry, Robert Mitchum, Shout/Scream Factory

Blu-ray News #18: Thunder Road (1958).

1958 Thunder Road (1)

Directed by Arthur Ripley
Starring Robert Mitchum, Gene Barry, Jacques Aubuchon, Keely Smith

Here in North Carolina, Thunder Road (1958) — Robert Mitchum’s tale of runnin’ moonshine, is part of our heritage. Filmed around Asheville, it was a staple at small town drive-ins for decades. For the rest of the world, it’s a tough little indie movie with Mitchum driving a 1950 Mercury full of hootch like a bat outta hell, with Gene Barry as a federal man hot on his trail.


And now it’s on its way to Blu-ray in April. I’m glad it’s in the capable hands of the folks at Shout Factory, who I’m sure will treat it like a fine batch of sippin’ whiskey. The old full-frame DVD always drove me nuts.

And dig this: Bear Family has the soundtrack.

Thanks to Dick Vincent for the tip.

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Filed under 1958, DVD/Blu-ray News, Gene Barry, Robert Mitchum, Shout/Scream Factory