Category Archives: Rod Taylor

Blu-Ray Review: World Without End (1956).

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Directed by Edward Bernds
Story & Screenplay by Edward Bernds
Cinematography: Ellsworth Fredericks
Film Editor: Eda Warren
Original Music Leith Stevens

Cast: Hugh Marlowe (John Bordon), Nancy Gates (Garnet), Nelson Leigh (Dr. Eldon Galbraithe), Rod Taylor (Herbert Ellis), Shawn Smith (Elaine), Lisa Montell (Deena), Christopher Dark (Hank Jaffe), Booth Colman (Mories), Everett Glass (Timmek)

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Allied Artists’ ads for World Without End (1956) bragged that it was the first sci-fi movie in CinemaScope and Technicolor. Its writer and director Edward Bernds called it “A-picture mounting for a B-budgeted picture.”*

And what a B picture it is! A team of intrepid U.S. astronauts — including Hugh Marlowe and a very young Rod Taylor — returns to Earth from their trip to Mars. Somehow they wind up in the 26th century, finding their home planet reduced to a hostile, post-Apocalyptic world teeming with mutants (that’s one to the left), giant spiders, underground cities, weird old men wearing kooky hats and beautiful girls in mini skirts. You’re starting to get a feel for how terrific this is, aren’t you?

You know how these things work. Before long, the astronauts are killing the spiders, duking it out with the mutants and romancing the ladies. And people wonder why I love these old things so much.

Allied Artists sprang for Technicolor and Scope for World Without End, but that doesn’t mean Bernds had a blank check. Not by a long shot. The spaceship footage — leaving Mars’ orbit and crash-landing back on Earth — was lifted from Monogram’s Flight To Mars (1951) and severely cropped for CinemaScope (from 1.33 down to 2.55). Of course, Allied Artists used to be Monogram, so it’s easy to understand why the footage was cheap.

Walter Mirisch of Allied Artists and Edward Bernds

Bernds: “It’s strange how some producers, at least at that time, got hooked on the idea of saving money by using stock film… You could duplicate those stock shots for a few thousand dollars — are you going to make a $400,000 picture on the basis of saving a few bucks?”*

Another sign of cost-consciousness (one that you see in a lot of these 50s sci-fi flicks): post-Apocalyptic Earth looks a whole lot like the Iverson Ranch.

Edward Bernds wanted Sterling Hayden for the lead, but Allied Artists went with the much cheaper Hugh Marlowe. He’s a little bland, maybe, but fine. Marlowe would have a pretty good run in 50s science fiction. He started out in The Day The Earth Stood Still (1951), and he’d follow World Without End with Earth Vs. The Flying Saucers (1956).

Lisa Montell plays Deena, one of the lovely women of our planet’s grim future. As she describes it, “That film was a lot of fun… Part of the fun was that my character was related to the ‘Mutates’ and I got to speak in Mutate talk, which I just made up as I went along.”*

Nancy Gates falls for Hugh Marlowe, and Rod Taylor winds up shirtless. Gates’ career was going a mile a minute at this time, working steadily in movies and TV. Taylor had only been in the States a couple years when he was cast in this; he’d appear in Giant (1956) the same year.

Pin-up artist Alberto Vargas (the pressbook called him an “internationally known painter of curvaceous femininity”) did sketches for the film, focusing on the women’s costumes. These were used to promote the picture, and I’m sure they were effective. A six-sheet was available with each of the ladies 5′ 6″ tall.

Director of photography Ellsworth Fredericks did a ton of stuff for Allied Artists around this time, everything from At Gunpoint (1955) to Friendly Persuasion (1956). Wow, from Gary Cooper as a Quaker to rubber spiders. He shot Don Siegel’s Invasion Of The Body Snatchers the same year.

Warner Archive has done us all a huge favor by bringing this glorious bit of nonsense to Blu-Ray, gloriously. Fredericks uses the Scope frame really well, and it’s great to have the CinemaScope presented in high definition. Every plastic rocket, every fake spider, every skimpy costume is as sharp as a tack. The color’s perfectly saturated, and the sound’s clear as a bell.

There are certainly better movies than this, but this has become one of my favorite Blu-Rays. It’s a marvel to look at and a real hoot of a movie. Highly, highly recommended.

Read somewhere that Joe Dante saw World Without End and Abbott & Costello Meet The Mummy (1955) as a double bill some Saturday afternoon when he was a kid. He loved it so much, he sat through it twice — and when he got home, his parents had called the police!

*Sources: The Edward Bernds quotes are from Tim Weaver interviews; Lisa Montell’s quote comes from the Treasures Of Wonderment website.

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Filed under 1956, DVD/Blu-ray Reviews, Edward Bernds, Hugh Marlowe, Monogram/Allied Artists, Rod Taylor, Warner Archive

Blu-Ray News #110: World Without End (1956).

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Directed by Edward Bernds
Starring Hugh Marlowe, Nancy Gates, Rod Taylor

Allied Artists bragged that with World Without End (1956), they’d given the world the first sci-fi movie in CinemaScope. And Warner Archive is about to give it to us on Blu-Ray.

So, these astronauts return to Earth from a trip to Mars. Somehow they end up in the 26th century, to find a post-Apocalyptic world (actually, the Iverson Ranch) of mutants, monsters and girls in mini skirts. I love this kinda stuff.

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Director Edward Bernds  had a most interesting career, going from The Three Stooges to The Bowery Boys to Westerns like The Storm Rider (1957) to a string of sci-fi movies — World Without End, Queen Of Outer Space (1958), Return Of The Fly (1959) and Valley Of The Dragons (1961). He wrote or co-wrote all of these. Oh, and Sam Peckinpah was the dialogue director. So far, there is no specific release date.

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Filed under 1956, DVD/Blu-ray News, Edward Bernds, Monogram/Allied Artists, Rod Taylor, Sam Peckinpah, Warner Archive

RIP, Rod Taylor.

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Rodney Sturt “Rod” Taylor
(11 January 1930 – 7 January 2015)

Hated to see that Rod Taylor passed away. It’s baffling to me that he never became a big-time movie star. It certainly wasn’t because of a lack of good movies: The Time Machine (1960), The Birds (1963, below), The Glass-Bottom Boat (1966) and on and on. There’s a bunch of ’em.

One that I only discovered last year, Dark Of The Sun (1968, above), is just astonishing. It’s available from Warner Archive, and I’d put it near the top of the list of 60s action films.

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Filed under 1963, 1968, Alfred Hitchcock, Rod Taylor, Warner Archive