Directed by Otto Preminger
Starring John Wayne, Kirk Douglas, Patricia Neal, Paula Prentiss, Brandon De Wilde, Dana Andrews, Henry Fonda, Slim Pickens, George Kennedy, Bruce Cabot, Barbara Bouchet
Nothing makes me love the Blu-Ray format more than black and white ‘Scope movies. They look just wonderful. So I’m really stoked that Paramount is bringing Otto Preminger’s In Harm’s Way (1965) to Blu-Ray in June.
It’s a bit of a soap opera, but John Wayne’s in it, the model work is really cool, Loyal Griggs’s cinematography is beautiful and Jerry Goldsmith’s score is terrific. Highly recommended.
One gripe: back in ’65, this picture boasted a brilliant poster design from the great Saul Bass (above). Why would Paramount ditch that in favor something totally cheeseball?
Category Archives: Slim Pickens
Directed by Otto Preminger
From an interview posted on BobDylan.com —
Bill Flanagan: You met John Wayne in 1966. How did you two hit it off?
Bob Dylan: Pretty good, actually. The Duke, I met him on a battleship in Hawaii where he was filming a movie, he and Burgess Meredith. One of my former girlfriends was in the movie, too, and she told me to come over there. She introduced me to him and he asked me to play some folk songs. I played him “Buffalo Skinners,” “Raggle Taggle Gypsy,” and I think “I’m a Rambler, I’m a Gambler.” He told me if I wanted to, I could stick around and be in the movie. He was friendly to me.
Love that poster art by Saul Bass!
Directed by Jonathan Kaplan
Written by Ken Freidman & Jonathan Kaplan
Director Of Photography: Fred Koenekamp
Film Editor: O. Nicholas Brown
Music by David Nichtern
Cast: Jan-Michael Vincent (Carrol Jo Hummer), Kay Lenz (Jerri Hummer), Slim Pickens (Duane Haller), Sam Laws (Pops Dinwiddie), L.Q. Jones (Buck Wessle), Don Porter (Cutler), R.G. Armstrong (Prosecutor), Leigh French (Lucy), Dick Miller (Birdie Corman), Martin Kove (Clem)
Jonathan Kaplan directed a cool Isaac Hayes movie called Truck Turner (1974) and followed it with a movie that’s really about trucks, White Line Fever (1975). It’s a modern day Western, pretty much, with some good stunt work and a terrific cast. Kaplan did exactly what I would’ve done if I had a shot at making a movie in the mid-70s — load it up with all my favorite character actors (his love of Sam Peckinpah is quite obvious here).
Carrol Jo Hummer (Jan Michael Vincent) is a young Air Force vet who gets married (to Kay Lenz), gets a truck and gets out on the road to make a life for his new family. Unfortunately, Carrol Jo soon discovers the high cost of being an honest man in a very corrupt world. But, lucky for us, that sets in motion a lot of action scenes involving all sorts of trucks and Carrol Jo’s Remington pump shotgun.
Growing up in the South in the 70s, White Line Fever was the talk of the playground in the sixth grade — everybody’d seen it over the summer break. It took me years to finally catch up with it (Jaws dominated that summer for me), and when I did, here were all these guys I knew from other movies — Slim Pickens, L.Q. Jones, R.G. Armstrong, Dick Miller. That remains its chief appeal for me today. Another thing — movies like this, which were sorta dismissed when they came out, sure seem good compared to what came later. I’d watch this 10 times before I’d watch something made in the last 10 years.
White Line Fever is now available from Mill Creek on Blu-Ray with a special sleeve that recycles the old VHS packaging. I worked my way through college at video stores (anybody remember Philadelphia’s Video Village?) and this box — complete with “Action,” PG rating and “Please Rewind” stickers — really took me back. But it’s what’s inside that counts, and this is a near-perfect transfer of a typical mid-70s action movie. You probably have a pretty good idea of what that looks like. There are no extras, just a pretty cool movie looking really good. And that’s plenty good enough for me.
Directed by Jonathan Kaplan
Starring Jan Michael Vincent, Kay Lenz, Slim Pickens, L.Q. Jones, Don Porter, R.G. Armstrong, Dick Miller
Growing up in the South in the 70s, White Line Fever (1975) was a very big deal. It seemed like every kid I knew was crazy about either White Line Fever or Jaws (1975) — or they hated their moms for not letting them see them.
Jonathan Kaplan was clearly (and admittedly) inspired by Sam Peckinpah here, and it shows, especially in the cast: Slim Pickens, L.Q. Jones and R.G. Armstrong. This thing was a huge hit, with every redneck kid in the fifth grade wanting a Ford cabover truck like Jan Michael Vincent’s Blue Mule.
Mill Creek’s bringing it to Blu-Ray as part of its Payback Time Triple Feature. The other two are Chuck Norris in Silent Rage (1982) and Blind Fury (1989) with Rutger Hauer. I worked in a few video stores in college back in the 80s. If I had a nickel for every time someone rented Silent Rage, I’d be trying to buy that Bullitt Mustang from the previous post.
Not sure why, but the CED Videodisc seemed like the perfect image for this post.
Directed by Steven Spielberg
Starring (in more or less the order I could remember them) Warren Oates, Slim Pickens, Elisha Cook, Jr., Dub Taylor, Dan Aykroyd, Robert Stack, Ned Beatty, John Candy, Joe Flaherty, Eddie Deezen, Nancy Allen, John Belushi, Lorraine Gary, Dick Miller, Murray Hamilton, Christopher Lee, Tim Matheson, Toshiro Mifune, Susan Backlinie, Lionel Stander, Sam Fuller, Bobby Di Cicco, Perry Lang, John Landis, Penny Marshall, Treat Williams, Wendie Jo Sperber, Lucille Bensen, James Caan
Is there a movie you like more because everyone else seems to hate it? For me, that’s Steven Spielberg’s 1941 (1979), a movie I dearly love and will lift up till the day I die. But saying that, I also understand, and even agree with, many of the complaints about it. Sure it’s big, it’s loud, it’s stupid, it’s disrespectful — and those are all completely positive things in my book.
It’s also coming to Blu-ray in May as a stand-alone disc (it was already part of a snazzy Spielberg set) — with both the two-hour theatrical cut and the longer, expanded thing. I’ve always preferred the theatrical version — I feel it has a better rhythm to it, even though it offers less Slim Pickens, Dick Miller, etc. Speaking of those guys, how could a movie that boasts Warren Oates, Slim Pickens, Elisha Cook, Jr., Dub Taylor, Dick Miller, Murray Hamilton, Christopher Lee and Toshiro Mifune not be a treasure?
1941 is also the movie that made me really realize there was some guy named John Milius that I needed to learn more about.