Mill Creek’s Hammer Films Double Feature Volume 2 presents a couple more hi-def Hammer horror films — one a classic, one not so much, but both looking great.
The Revenge Of Frankenstein (1958)
Directed by Terence Fisher
Starring Peter Cushing, Eunice Grayson, Francis Matthews, Michael Gwynn
The Revenge Of Frankenstein (1958) is the second entry in Hammer’s Frankenstein series, coming after The Curse Of Frankenstein (1957). Hammer went a different route than Universal — they follow the Doctor, not the Monster, which lets the stories go in all sorts of different directions. And more important, it established Peter Cushing as a leading horror star through the 70s (then he went and did a little thing called Star Wars).
Revenge picks up where Curse left off. Frankenstein escapes the guillotine, flees to Carlsbruck and builds a successful practice under the name Stein. Of course, he’s conducting his usual experiments on the side — and they go horribly wrong. Frankenstein transplants the brain of a willing assistant into the newly constructed monster, giving the crippled young man a stronger, straighter body. Or that’s the idea anyway.
This, for my money, is one of Hammer’s finest films. Cushing is terrific as the brilliant doctor completely taken over by arrogance and misguided ambition (making it quite appropriate during this Presidential election). Eunice Grayson and Francis Matthews are good as the nurse and young doctor caught up in Frankenstein’s mayhem. Michael Gwynn is really superb as the monster, perfectly balancing the sympathy and horror the part requires. His performance is what makes the movie work as well as it does. Jimmy Sangster’s script is more disciplined than usual, free of the diversions that can lead his films astray. And Terence Fisher’s direction is as assured as ever.
One thing: why didn’t Hammer put the tattoo on Cushing’s right arm in the later films? What a cool touch that would’ve been throughout the series.
For some reason, The Revenge Of Frankenstein has never looked very good on video. Shot in Technicolor and 1.66:1 by John Asher, it should really pop off the screen, the way The Gorgon (1964) does in Volume 1. But it’s always seemed grainy and a bit blown out, with the color too muted to match the typical late-50s Hammer esthetic. Though not a thing of great beauty, Mill Creek’s Blu-Ray is a huge improvement over the old Columbia DVD. The grain is there to remind you this was once on film, but it’s not a distraction; the color is a lot closer to what it must’ve looked like in theaters back in ’58.
This, folks, is a really good movie.
The Curse Of The Mummy’s Tomb (1964)
Directed by Michael Carreras
Starring Terence Morgan, Ronald Howard, Fred Clark, Jeanne Roland
While Hammer knocked Dracula and Frankenstein out of the park, they had a harder time with the Mummy. The Mummy’s an difficult monster on the whole — cool-looking and creepy for sure, but not all that scary. In the Universal Mummy pictures, women have to trip and fall for the Mummy to catch them. Hammer’s The Mummy (1959) was pretty solid, but they seemed to have a hard time figuring out how to work the Mummy into the plots of the later movies. All that said, The Curse Of The Mummy’s Tomb (1964) still works pretty well.
A group of Egyptologists bring an exhibit to London, backed by an American showman named Alexander King (Fred Clark). King is determined to exploit the artifacts for maximum profits, which doesn’t sit too well with the revived Mummy. The usual havoc follows.
This is an odd Hammer film. It wasn’t shot at Bray Studios, and there are very few of the regulars among the cast and crew. And while it suffers from the same limitations other Mummy films have (What do you do with this guy?), it has some nice atmospherics here and there. And it’s a thousand times better than the next one, The Mummy’s Shroud (1967).
It’s easy to sing the praises of how The Curse Of The Mummy’s Tomb fares on Blu-Ray. It looks fantastic. The Technicolor is nicely presented and the Techniscope framing’s perfect. A big improvement over the DVD. And as with the first volume, you can’t beat the price.
The Revenge Of Frankenstein alone is worth the price of admission — it’s one of Hammer’s best, and it looks far better than previous releases. Think of The Curse Of The Mummy’s Tomb as a bonus. Recommended. And I hope Volume 3 isn’t too far behind.