Written and Directed by Val Guest
Starring Victoria Vetri, Robin Hawdon, Patrick Allen, Imogen Hassall
Hammer’s One Million Years B.C. (1966) was a huge international hit, thanks largely to Ray Harryhausen’s dinosaurs and Raquel Welch in a fur bikini. It’s followup, When Dinosaurs Ruled The Earth (1970), boasts stop-motion effects from Jim Danforth — and Victoria Vetri in a fur bikini (or less).
Val Guest and Victoria Vetri
It presents a world where dinosaurs and cave people lived at the same time. Danforth’s work is excellent and Val Guest demonstrates his usual flair. Here in the States, When Dinosaurs Ruled The Earth had a G rating. Elsewhere, it was was longer and certainly racier. That’s the version Warner Archive will release on Blu-Ray in February.
To help you make the most of your viewing experience when your Blu-Ray arrives, hang onto this Caveman’s Dictionary — its a poster that hung in the lobbies of U.S. theaters back in 1970.
By the way, Victoria Vetri is currently in prison for attempted voluntary manslaughter.
Directed by Val Guest
Starring Janet Munro, Leo McKern, Edward Judd
The Day The Earth Caught Fire (1961) is an almost impossibly good science fiction movie from Val Guest. It’s coming to Blu-Ray, with a new 2K restoration, in 2017 from Cohen Media Group.
The premise is very simple. Nuclear blasts at the North and South Poles knock the Earth off its axis and send it headed straight for the sun. Sweating and panic ensue as London prepares for what may be The End.
Seeing it as a kid, in a crappy pan and scan late-night TV airing, I was glued to the screen — wanting to throw a brick through the tube when the station went to a commercial break. Back then, I knew Leo McKern from Help! (1965) — “Psst! Hey, Be-a-tle! You shall have fun, yes?” — and Janet Munro from The Crawling Eye (1958) and Darby O’Gill And The Little People (1959). I was surprised to see them in something so dark and intense — and her so near-naked.
Val Guest’s direction here is top-notch. He got a tremendous amount of movie out of his paltry budget, masterfully using stock footage and matte paintings (by Les Bowie) to create London’s brink-of-desctruction weather. Today, we’d just throw CGI at this story and render it soulless — in 1961, writing, acting and craftsmanship came together to create something really special.
Also of note is Guest and DP Harry Waxman’s use of Dyaliscope, a French anamorphic process. The thought of their work in high definition has me giddy. As you can tell, I am a big fan of this movie. Can’t wait to slide this thing into my Blu-Ray player. As I see it, this one is essential.