Category Archives: 1957

Making Movies: Don Siegel At Work.

Don Siegel’s films are scattered throughout my list of all-time favorites — if I was to ever sit down and make such a list. Here are some photos I’ve come across while researching him for various things (some of these images have appeared on this blog before, but are worth repeating).

Up top, there’s Siegel directing Clint Eastwood in Two Mules For Sister Sara (1970). The original screenplay was by Budd Boetticher, who was supposed to direct (he ended up with only a story credit). Budd not happy with the finished film, which co-starred Shirley MacLaine. The Los Angeles Herald-Examiner called the picture “a solidly entertaining film that provides Clint Eastwood with his best, most substantial role to date; in it he is far better than he has ever been. In director Don Siegel, Eastwood has found what John Wayne found in John Ford and what Gary Cooper found in Frank Capra.” They’d make five movies together.

Here he is with Ronald Reagan and Vinveca Lindfors (Mrs. Siegel at the time) shooting Night Unto Night (1949).

Neville Brand and Dabbs Greer (?) get direction from Siegel on Riot In Cell Block 11 (1954).

Nick Adams and Siegel go over the script for Hell Is For Heroes (1962).

Siegel, Angie Dickinson, Claude Akins and John Cassavettes (back of his head) on the set of The Killers (1964).

With Eastwood on the set of Coogan’s Bluff (1968), their first picture together.

Andy Robinson goes over the script with Siegel on Dirty Harry (1971).

Siegel and Walter Matthau having a laugh on Charley Varrick (1973). I think Don’s wearing the same hat he has on in the photo from The Killers.

Eastwood and Siegel on location for Escape From Alcatraz (1979).

I was trying to find a picture of Siegel working on Baby Face Nelson (1957), one of his best, but had no luck. It’s highly underrated, probably because it’s almost impossible to see.

3 Comments

Filed under 1954, 1957, 1964, 1968, 1970, 1971, 1973, 1979, Angie Dickinson, Budd Boetticher, Clint Eastwood, Don Siegel, Nick Adams, Steve McQueen, Universal (-International), Walter Matthau

Blu-Ray Review: Monster From Green Hell (1957).

Directed by Kenneth G. Crane
Produced by Al Zimbalist
Written by Endre Bohem & Louis Vittes
Director Of Photography: Ray Flin
Music by Albert Glasser

Cast: Jim Davis (Dr. Quent Brady), Robert Griffin (Dan Morgan), Joel Fluellen (Arobi), Barbara Turner (Lorna Lorentz), Eduardo Ciannelli (Mahri), Vladimir Sokoloff (Dr. Lorentz)


A wasp hitches a ride into space on an experimental rocket, grows to mammoth size upon returning to earth and starts chomping on natives near the rocket’s African crash site. A team of scientists lead by Jim Davis heads to the Green Hell region to investigate — and finds a giant queen wasp and her colony.

Monster From Green Hell (1957) is a typical blend of stock footage (from 1939’s Stanley And Livingstone), pseudo-science dialogue, location work at Bronson Caves and decent special effects to create a fun entry in the 50s Big Bug sub-genre. It’s wonderful. (Why do I love movies like this so much?)

Producer Al Zimbalist had already done Cat-Women Of The Moon (1953), Robot Monster (1953) and King Dinosaur (1955). He would later give us Don Siegel’s Baby Face Nelson (1957) and Young Dillinger (1964). My kinda guy.

The giant wasps were built by the great Paul Blaisdell, without credit (or payment, according to Blaisdell). The stop-motion work by Gene Warren is quite good. The miniatures and full-size effects cut together pretty well.

Jim Davis narrates, smokes a lot of cigarettes and figures out how to kill off the great big wasps (while wearing an odd safari outfit to match Spencer Tracy in the Stanley And Livingstone footage), but the picture’s acting honors probably go to Joel Fluellen. Director Kenneth Crane was an editor making a career move here. DP Ray Flin shot hundreds of TV shows — this is one of his few features. And the score by Albert Glasser is up to his usual standards.

Distributed by DCA, Monster From Green Hell played theaters and drive-ins paired with Half-Human (1955), a Toho picture directed by Ishirō Honda. DCA’s American version added footage with John Carradine and Morris Ankrum — would you expect anything else?

The Film Detective folks have done their usual fine work on this one. It looks great, offered up in both the 1.85 and 1.33 aspect ratios. While it would’ve played theaters at 1.85, the 1.33 version gives us a little better peek at the monsters. I really liked seeing a line or two from the original print. They’re never distracting, and they’re gone in a few seconds, but to me that’s part of what film look like.

Monster From Green Hell played in its original run with a tinted climax — about two minutes. Since I’d only seen it on TV and VHS tape, with the ending in B&W, it was great to see the sequence restored here. What was shocking is that while the dying wasp shots are tinted red, the scenes with the actors are in full color! [Glenn Erickson, Robert Furmanek and Jack Theakston get to the bottom of this tinted vs. color business here.]

Of course, The Film Detective never holds back on the extras, and here we get a nice featurette on Jim Davis from C. Courtney Joyner, a commentary by Stephen Bissette and a nice booklet with an essay by Don Stradley.

It’s an excellent package all-around. For fans of this kind of thing, it comes highly, highly recommended.


One last thing: They say the wonderful Horrible Hamilton toy from 1964, which gave youngsters giant toy bugs and army men to feed to them, was based on the wasps in Monster From Green Hell. I always wanted one.

1 Comment

Filed under 1957, Big Bug Movies, DCA, Don Siegel, DVD/Blu-ray Reviews, John Carradine, Morris Ankrum, Paul Blaisdell, The Film Detective

Blu-Ray News #378: The Brain From Planet Arous (1957).

Directed by Nathan H. Juran
Starring John Agar, Joyce Meadows, Robert Fuller

I love The Brain From Planet Arous (1957), and I’m ecstatic that it’s coming to Blu-Ray in June. A big thanks to the folks at The Film Detective. Will add more details as they’re announced. Can’t wait!

Leave a comment

Filed under 1957, DVD/Blu-ray News, Howco International, John Agar, Joyce Meadows, Nathan Juran, The Film Detective

Blu-Ray News #365: Johnny Stool Pigeon (1949).

Directed by William Castle
Starring Howard Duff, Shelley Winters, Dan Duryea, Tony Curtis, John McIntire, Gar Moore, Leif Erickson

Kino Lorber is continuing their terrific noir Blu-Ray series Film Noir: The Dark Side Of Cinema with Volumes VI and VII.

Volume VI contains John Brahm’s Singapore (1947), with Fred MacMurray, Ava Gardner and Roland Culver; George Sherman’s The Raging Tide (1951) with Shelley Winters, Richard Conte, Stephen McNally, Charles Bickford, Alex Nicol and John McIntire; and William Castle’s Johnny Stool Pigeon (1949).

In Castle’s picture, Federal agents need Johnny Evans (Dan Duryea), who’s doing time in Alcatraz, to rat on some drug dealers and hit men. Johnny’s not to hip to the idea. It’s a solid effort from Castle. Recommended.

Volume VII will contain Byron Haskin’s The Boss (1956) starring John Payne; Sidney Salkow’s Chicago Confidential (1957) with Brian Keith, Beverly Garland and Dick Foran; and Dana Andrews, Dick Foran and Marilee Earle in Jacques Tourneur’s The Fearmakers (1958).

2 Comments

Filed under 1956, 1957, 1958, Ava Gardner, Beverly Garland, Dan Duryea, Dana Andrews, DVD/Blu-ray News, Film Noir, Fred MacMurray, George Sherman, Jacques Tourneur, John Payne, Kino Lorber, Richard Conte, Tony Curtis, Universal (-International), William Castle

Blu-Ray News #364: Monster From Green Hell (1957).

Directed by Kenneth G. Crane
Starring Jim Davis, Barbara Turner, Robert Griffin, Joel Fluellen

Another wonderfully cheap monster movie is making its way to Blu-Ray from The Film Detective. Monster From Green Hell (1957) concerns giant wasps created by an experimental launch into outer space. Jim Davis is one of the scientists who has to take on the massive, deadly insect.

I absolutely love 50s Big Bug movies. Lucky for me, there are quite a few of them. The Film Detective has been releasing some terrific stuff of late, and I can’t wait for this one to arrive at my hive in early 2022.

Leave a comment

Filed under 1957, Big Bug Movies, DVD/Blu-ray News, The Film Detective

Blu-Ray News #362: Love-Slaves Of The Amazons (1957).

Written & Directed by Curt Siodmak
Starring Don Taylor, Gianna Segale, Eduardo Ciannelli, Harvey Chalk, Wilson Vianna

Kino Lorber has announced an upcoming Blu-Ray release for Curt Siodmak’s Love-Slaves Of The Amazons (1957). It’s a little over 80 minutes of the usual “guys end up someplace (planet/island/jungle) populated entirely by women” thing. Of course, the women want to enslave the men for their own vile purposes.

It’s got some shooting in Brazil, in Eastmancolor, and a poster by the great Reynold Brown (the art’s up top). Is Love-Slaves Of The Amazons terrible? Maybe. Is it wonderful? Absolutely. Coming sometime in early 2022.

Leave a comment

Filed under 1957, Curt Siodmak, DVD/Blu-ray News, Kino Lorber, Reynold Brown, Uncategorized, Universal (-International)

Blu-Ray News #353: Cold War Creatures – Four Films From Sam Katzman (1955-57).

Some days, the world seems so rotten and godforsaken, it’s hard to get out of bed. Then along come four Sam Katzman movies on Blu-Ray.

If you look at my blogs with any regularity, you probably know that Sam Katzman is one of my all-time favorite humans. His cheap movies, from The Bowery Boys to Jungle Jim and from Jesse James Vs. The Daltons (1954) to Earth Vs. The Flying Saucers (1956) and from Hootenanny Hoot (1963) to Harum Scarum (1965), are a complete and utter joy. Arrow has gathered up four of his best 50s sci-fi/horror pictures for Blu-Ray, giving us a high-def version of Columbia’s Icons of Horror Collection: Sam Katzman DVD set — now loaded with extras.

Creature With The Atom Brain (1955)
Directed by Edward L. Cahn
Starring Richard Denning, Angela Stevens, S. John Launer, Michael Granger, Gregory Gaye, Linda Bennett

An ex-Nazi scientist has created a gang of radio-controlled zombies. Unfortunately, the experiments were funded by a gangster who wants to use the zombies for his own purposes. Cheesy and a bit creepy at times.

The Werewolf (1956)
Directed by Fred F. Sears
Starring Don Megowan, Joyce Holden, Eleanore Tanin, Kim Charney, Harry Lauter, Steven Ritch 

An interesting rethinking of how the whole werewolf thing works, with solid direction from Fred F. Sears and excellent performances across the board, especially from Steven Ritch as the werewolf. One of the best werewolf movies ever made, if you ask me.

The Giant Claw (1957)
Directed by Fred F. Sears
Starring Jeff Morrow, Mara Corday

A perfectly respectable 50s sci-fi movie is destroyed by maybe the worst monster in cinema history. Katzman’s attempts to save a buck backfired on him with this one. Jeff Morrow and Mara Corday take on what looks like a marionette of a turkey with a skin condition.

Zombies Of Mora Tau (1957)
Directed by Edward L. Cahn
Starring Gregg Palmer, Allison Hayes, Autumn Russel

The best thing Zombies Of Mora Tau has going for it is the lovely Allison Hayes, which for most men with a pulse is more than worth 69 minutes of your precious time. Along with Ms. Hayes, there are diamonds, a sunken ship and — oh, yeah — some zombies.

Arrow’s making the world a better place with this terrific set in September. Absolutely essential!

Thanks to John Knight for the tip.

3 Comments

Filed under 1955, 1956, 1957, Allison Hayes, Angela Stevens, Arrow Video, Benjamin H. Kline, Edward L. Cahn, Edward Linden, Fred F. Sears, Mara Corday, Richard Denning, Sam Katzman

Blu-Ray News #343: Silver Screams Cinema Collection (1945 – 1957).

Imprint has announced their upcoming Silver Screams Cinema Collection, six pictures (complete with extras) on three Blu-Ray discs. You might dismiss this as a bit of a random, grab bag assortment of old horror movies. But that downplays all the cool stuff that’s in here — some Republic stuff, one of Bela Lugosi’s Monogram Nine and a couple of Regalscope pictures. You get:

The Phantom Speaks (1945)
Directed by John English
Starring Richard Arlen, Stanley Ridges, Lynne Roberts, Tom Powers

The Vampire’s Ghost (1945)
Directed by Lesley Selander
Starring John Abbott, Charles Gordon, Peggy Stewart, Grant Withers, Emmett Vogan, Adele Mara

Valley Of The Zombies (1946)
Directed by Philip Ford
Starring Robert Livingston, Lorna Gray, Ian Keith, Thomas E. Jackson

Return Of The Ape Man (1946)
Directed by Philip Rosen
Starring Bela Lugosi, John Carradine, George Zucco, Frank Moran, Judith Gibson

She Devil (1957)
Directed by Kurt Neumann
Starring Mari Blanchard, Jack Kelly, Albert Dekker

Unknown Terror (1957)
Directed by Charles Marquis Warren
Starring John Howard, Mala Powers, Paul Richards, May Wynn

To me, the real jewel here is the last film, Unknown Terror, a pretty solid Regalscope picture. You won’t find this one in widescreen anywhere else, and having it in high definition is an added treat. It’s a pretty good example of the ultra-cheap Regal films. It concerns mutants and rampant fungus — and has a good part for the lovely Mala Powers.

Imprint always does really nice work, so you can count on this set being top-notch. Recommended.

10 Comments

Filed under 1957, Bela Lugosi, Charles Marquis Warren, DVD/Blu-ray News, George Zucco, Imprint Films, John Carradine, Lesley Selander, Lippert/Regal/API, Mala Powers, Mari Blanchard, Monogram/Allied Artists, Republic Pictures, Sam Katzman, The Monogram Nine

Blu-Ray Review: The Curse Of Frankenstein (1957).

Directed by Terence Fisher
Produced by Anthony Hinds
Screenplay by Jimmy Sangster
Based on the novel Frankenstein by Mary Shelley
Director Of Photography: Jack Asher
Production Design: Bernard Robinson
Makeup Artist: Phil Leakey
Music by James Bernard
Film Editor: James Needs

Cast: Peter Cushing (Baron Victor Frankenstein), Melvyn Hayes (Young Victor), Robert Urquhart (Paul Krempe), Hazel Court (Elizabeth), Sally Walsh (Young Elizabeth), Christopher Lee (The Creature), Valerie Gaunt (Justine), Noel Hood (Aunt Sophia), Paul Hardtmuth (Professor Bernstein)

__________

With its first color film, and first foray into Gothic horror, Hammer Films created a brand that would change their direction, launch the horror careers of a couple of iconic actors, and ultimately change the horror movie itself. That’s accomplishing quite a bit, especially when you’re talking about a little company in the UK with a $250,000 monster movie — and working out of a house, not a proper studio.

Of course, we’re talking about is The Curse Of Frankenstein (1957) starring Peter Cushing and Christopher Lee. And it’s just been given an incredible restoration and Blu-Ray release by Warner Archive.

While it varies quite a bit from the Shelley novel, it’s right in line with the cinematic Frankenstein story. A brilliant, obsessed doctor (Peter Cushing) assembles a man (Christopher Lee) from parts of dead bodies and brings it to life — with less than the desired result.

Seen today, it’s still a nasty little movie. Victor Frankenstein isn’t just an overly-driven medical researcher, he’s a manipulative lech. Actresses seem to have been chosen, and costumes designed, to highlight the female form. And every gruesome opportunity to dwell upon a lopped-off head, a severed hand or an eye in a jar is taken with relish. And remember, this is the first time audiences had ever seen such gore in color!

But what’s really important, and what makes this new Blu-Ray so essential, is we get to see the level of craft that went into Curse Of Frankenstein. Bernard Robinson’s sets are incredible, especially when you consider he was working in such tight spaces. Jack Asher’s cinematography, his first time working in color, uses shadow and light to draw  the eye to exactly what he wanted us to see and making those tiny sets look as big, as opulent, as possible. His experiments with color and light would continue with each film, making watching these early Hammer horror pictures in order of release a fun exercise.

Phil Leakey touches up Christopher Lee’s hairdo.

For Christopher Lee’s Creature, the makeup had to steer clear of the classic Universal/Karloff look, and Phil Leakey went in an effective stitched-up, patchwork direction. The Blu-Ray’s restored color really aids our appreciation of the look of the Creature, and we can see that Lee’s wounds seem to “heal” as the film goes on. 

James Bernard’s score is kinetic and dynamic, creating a signature sound (with an obviously small orchestra) that instantly IDs a Hammer film. A friend and I had dinner with Mr. Bernard in the early 90s. What a nice, charming man — and so humble.

Terence Fisher, Hazel Court and Peter Cushing on the set.

Terence Fisher’s direction brings all these elements together, beginning to set the tone for what Hammer would make into the mid-60s. He gets pitch-perfect performances from his cast. His camera rarely moves, but when it does, it’s always to great effect. But what probably makes the biggest difference is that he makes sure no one, from the cast to the cameraman to the caterer, looks down on the material. That made all the difference.

Warner Archive has done a remarkable job bringing Curse Of Frankenstein back to life. It’s sharp, the color is a huge improvement over anything I’ve seen before. (This one was shot in Eastmancolor.) We also get the original aspect ratio(s) — from the UK’s 1.66 to the 1.85 seen in the US to the 1.33 we saw on TV and videotape. (I recommend the 1.66.) The supplemental stuff is a real home run — a casket-load of commentaries, documentaries and a trailer. I was particularly happy to see James Bernard and Jack Asher singled out, with a short video on each. They’re key to the lasting impact of these films. 

While Horror Of Dracula* (1958) may get a lot of the glory, Curse Of Frankenstein is where it all began. It’s an important film, and a really cool one. As essential as they come, both as a movie and as an upgrade to whatever format you might currently have it in. 

* Also available (and stunning) on Blu-Ray from Warner Archive.

Leave a comment

Filed under 1957, Christopher Lee, DVD/Blu-ray Reviews, Hammer Films, Hazel Court, Jack Asher, Terence Fisher, Warner Archive, Warner Bros.

Blu-Ray News #319: The Curse Of Frankenstein (1957).

Directed by Terence Fisher
Starring Peter Cushing, Hazel Court, Robert Urquhardt, Christopher Lee

Boy, this is going to be great! You get The Curse Of Frankenstein (1957), the first of Hammer’s Frankenstein series three different ways (on two discs), restored from preservation separations — the 1.66 UK aspect ratio, 1.85 as it played in the States and 1.37 as we saw it on TV for years and years. There will be commentaries, documentaries and a trailer. And if you’re familiar with what a lot of Warner Archive’s stuff has been looking like lately, you can only imagine how stunning this one would be. Essential!

Leave a comment

Filed under 1957, Christopher Lee, DVD/Blu-ray News, Hammer Films, Hazel Court, Peter Cushing, Terence Fisher, Warner Archive, Warner Bros.