Category Archives: 1957

Blu-Ray News #372: Sci-Fi Chillers Collection (1957-1966).



Kino Lorber have announced a terrific Blu-Ray set of science fiction films called, appropriately enough, Sci-Fi Chillers Collection

The Unknown Terror (1957)
Directed by Charles Marquis Warren
Starring John Howard, Mala Powers, Paul Richards, May Wynn

The Unknown Terror is a solid horror picture made on the typically-tight Regalscope (B&W ‘Scope) budget and schedule. Three American explorers (one of them is the lovely Mala Powers) travel to the Caribbean in search of a friend who went down there to find the Cave Of The Dead — and never came back. This leads to an American scientist and a gaggle of fungus-infested mutants. This played in a twin bill with Back From The Dead (1957), another Regalscope picture from Charles Marquis Warren — and also coming to Blu-Ray from Kino Lorber.

I wrote about this one a while back.

The Colossus Of New York (1958)
Directed by Eugène Lourié
Starring John Baragrey, Mala Powers, Otto Kruger, Robert Hutton, Ross Martin

Mala Powers is back in The Colossus Of New York. Brilliant surgeon Otto Kruger puts the brain of his dead son (and Mala Powers’ husband) into a robot — with the kind of results we expect (and long for) from movies like this. The piano score by Van Cleave is very cool. The Colossus Of New York was available from Olive Films back in the day, and it’s nice to see it coming back around.

Destination Inner Space (1966)
Directed by Francis D. Lyon
Starring Scott Brady, Gary Merrill, Sheree North, Wende Wagner, Roy Barcroft

A monster “hatches” inside an underwater research lab — the first in what looks like an invasion. It’s up to the Navy (represented by Scott Brady) and a team of scientists (lead by Gary Merrill) to save mankind.

An underwater facility, a monster (clearly patterned after the Creature From The Black Lagoon) and Sheree North (not to mention Roy Barcroft). I’m in!

Can’t wait to get ahold of this thing! Let’s hope this becomes a series like Kino Lorber’s wonderful noir sets. Highly, highly recommended.

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Filed under 1957, 1958, 1966, Charles Marquis Warren, DVD/Blu-ray News, Kino Lorber, Lippert/Regal/API, Mala Powers, Paramount, Roy Barcroft, Scott Brady

Blu-Ray News #371: Back From The Dead (1957).

Directed by Charles Marquis Warren
Starring Peggie Castle, Arthur Franz, Marsha Hunt, Don Haggerty

You don’t hear many folks saying they’re going to miss 2023. But not many seem all that hopeful about 2024, either. So any kind of good news is a real blessing. For old movie nuts like me (and surely most of you), we can see plenty of coolness in Kino Lorber’s announcement of Back From The Dead (q957), one of the best of the Regalscope pictures, coming to Blu-Ray.

RegalScope is black and white CinemaScope, nothing more. Robert Lippert’s Regal Films made around 50 RegalScope features between 1956 and 1959 — all of them cheap, most of them Westerns or horror movies. I absolutely love the RegalScope pictures. 

Charles Marquis Warren directed, not long after leaving Gunsmoke. It’s a tale of the occult and possession with the great Peggie Castle possessed by the first wife of her husband Arthur Franz and causing all kinds of havoc.

It’s got a great cast, some nice coastal California location stuff and that supercool B&W ‘Scope aesthetic.

In some cities, rather than playing backup to a color-‘Scope 20th Century Fox film, Back From The Dead played with another Reglascope horror movie, The Unknown Terror (1957) starring Mala Powers — also directed by Charles Marquis Warren. Warren did a few RegalScope Westerns, too.

It’s great to know Kino Lorber has access to some of the Regalscope films. Hope this one is followed by more. Highly recommended!

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Filed under 1957, Charles Marquis Warren, DVD/Blu-ray News, Kino Lorber, Lippert/Regal/API, Mala Powers, Peggie Castle

Blu-Ray Review: Plunder Road (1957).

Directed by Hubert Cornfield
Produced by Leon Chooluck & Laurence Stewart
Screenplay by Steven Ritch
Story by Steven Ritch & Jack Charney
Director Of Cinematography: Ernest Haller, ASC
Film Editors: Jerry S. Young & Warren Adams
Music Composed & Conducted by Irving Gertz

Cast: Gene Raymond (Eddie Harris), Jeanne Cooper (Fran Werner), Wayne Morris (Commando Munson), Elisha Cook (Skeets Jonas), Stafford Repp (Roly Adams), Steven Ritch (Frankie Chardo), Nora Hayden (Hazel), Helene Heigh (Society Woman), Harry Tyler (Ernie Beach), Charles Conrad (Trooper), Paul Harber (Trooper), Don Garrett (Policeman), Michael Fox (Smog Officer), Richard Newton (Guard), Jim Canino (Tibbs), Robin Riley (Don), Douglas Bank (Guard)


With the recent news of Olive Films being no more, I got to thinking about all the terrific films they released over the years. They put out a few Regalscope pictures — and they’re real prizes in my DVD/Blu-Ray collection. One of those is Plunder Road (1957).

From the noir-ish ones of the 40s and 50s to the more action-picture types of the 70s, I love crime pictures. And this one’s a real pip!

Five men steal a shipment of gold from a train and make their getaway in three different trucks, each with their own escape plan. Seems like everything than can go wrong, does go wrong.

It all makes for a crisp, clean, intense 72 minutes. It’s more than 10 minutes into the movie before anybody says anything, though we hear some of the crooks’ thoughts in voiceover. By this time, pictures like The Asphalt Jungle (1950) and Rififi (1955) had shown how effective the lack of dialogue could be in a heist sequence, and it works very well here.

Another one of those movies where if they’d had more money, it wouldn’t have been as good. A near-perfect B movie.

The cast is terrific. Gene Raymond, Wayne Morris, Elisha Cook and Stafford Repp are excellent as four of the train robbers. The fifth, Steven Ritch, also wrote the screenplay. You might remember him in Fred F. Sears’ The Werewolf (1956). He played the werewolf.

Gene Raymond’s girl is played by Jeanne Cooper. In addition to appearing in some really cool movies — this one, The Man From The Alamo (1953), Calling Homicide (1956), Tony Rome (1966) and The Boston Strangler (1968), she played Katherine Chancellor on The Young And The Restless for decades. Nora Hayden has a brief scene in a diner.

Director Hubert Cornfield came from Turkey as a refugee. He made a number of crime pictures, from Sudden Danger (1954) with William Elliott to Night Of The Following Day (1969) with Marlon Brando. The 3rd Voice (1960) was an API picture written by Cornfield, produced by Cornfield and Maury Dexter, and starring Edmond O’Brien and Julie London. The guy knew how to ramp up the tension.

Olive Films did a nice job with Plunder Road. Ernest Haller’s black and white cinematography is perfectly presented, allowing for a couple blemishes in the original material. With Olive out of business, you better snag a copy of Plunder Road while you can. You don’t wanna miss this one. Highly, highly recommended.

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Filed under 1957, DVD/Blu-ray Reviews, Elisha Cook, Jr., Lippert/Regal/API, Olive Films

Making Movies.

Lon Chaney Jr. checks out the angle on the Universal backlot while making one of the later Mummy movies.

Johnny Weissmuller and Tamba working on one of the Jungle Jim pictures. Maybe Sam Katzman was trying to cut the budget by letting Tamba serve as DP.

Dean Martin and Angie Dickinson in Old Tucson for Rio Bravo (1959).

Elvis and the Vistavision camera on the set of his second film, Loving You (1957).

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Filed under 1957, 1959, Angie Dickinson, Dean Martin, Elvis Presley, Howard Hawks, Johnny Weissmuller, Lon Chaney Jr., Sam Katzman

RIP, Bert I. Gordon.

Bert Ira Gordon
(September 24, 1922 – March 8, 2023)

Bert I. Gordon, a director/writer/effects guy who made a string of 50s atomic mishap monster movies, has passed away at 100. While the movies were small, the subject matter was the opposite — they were almost all about a bug, a man, a duck or whatever made enormous. And they were almost always a huge amount of fun.

A few of his biggest hits:
The Cyclops (1957)
The Amazing Colossal Man (1957) 
Beginning Of The End (1957) 
Earth Vs. The Spider (1958)
War Of The Colossal Beast (1958)
Village Of The Giants (1965)

Here’s a look at how the giant grasshoppers in The Beginning Of The End were done. Click it, it gets bigger.

Here’s hoping Mr. Gordon finds big things in heaven.

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Filed under 1957, 1958, AIP, Bert I. Gordon, Big Bug Movies

Blu-Ray News #328: Tales Of Adventure Collection (1942-1957).

Imprint has scooped up five tales of Arabian fantasy, romance and adventure, hailing from Universal, Columbia and Paramount.

Arabian Nights (1942)
Directed by John Rawlins
Starring Maria Montez, Jon Hall, Sabu, Shemp Howard

Universal’s first film in Technicolor — and they made up for lost time by creating a sparkling, eye-popping 87-minute piece of eye candy. It’s not even remotely faithful to its source material, but it’s a hoot and it boasts a Stooge (Shemp).

The Desert Hawk (1950)
Directed by Frederick De Cordova
Starring Yvonne De Carlo, Richard Greene, Jackie Gleason, George Macready, Rock Hudson, Carl Esmond, Joe Besser

For this Yvonne De Darlo showcase, the Richard Greene part was intended for Douglas Fairbanks, Jr.

Jackie Gleason in Arabia? Yep, with a future Stooge (Joe Besser) thrown in for good measure!

Zarak (1956)
Directed by Terence Young
Starring Victor Mature, Michael Wilding, Anita Ekberg, Bonar Colleano

This has always been a bit of a curio for James Bond fans, since so many of its personnel (director Young, producer Albert R. Broccoli, writer Richard Maibaum, DP Ted Moore) would go on to do the early 007 pictures.

A Thousand And One Nights (1945)
Directed by Alfred E. Green
Starring Cornel Wilde, Evelyn Keyes, Phil Silvers, Nestor Paiva, Rex Ingram

More a spoof of these things than an actual Arabian adventure film itself, with Cornell Wilde as Aladdin, Vasquez Rocks as Arabia (above) — and Phil Silvers with glasses. Gorgeous color art direction.

Omar Khayyam (1957)
Directed by William Dieterle
Starring Raymond Massey, Anthony Caruso, Cornel Wilde, Michael Rennie, Debra Paget, John Derek, Yma Sumac

Cornel Wilde is back for more romance and adventure, this time at Paramount and in VistaVision.

You can always count on Impact for near-perfect transfers and a hefty pile of extras. This is going to be a nice set. Recommended.

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Filed under 1950, 1957, Columbia, Cornel Wilde, Debra Paget, DVD/Blu-ray News, Imprint Films, Nestor Paiva, Paramount, Rock Hudson, Shemp Howard, Terence Young, The Three Stooges, Universal (International)

Blu-Ray News #327: Blondie – The Complete 1957 TV Series.

Arthur Lake was put on this earth to play Dagwood Bumstead from Chip Young’s Blondie comic strip. That’s an absolute fact. And he did it marvelously in 28 features from 1938 to 1950 — and again in a TV series in 1957. And that series is coming to Blu-Ray from ClassicFlix in April, transferred from original 35mm elements of all 26 episodes.

Blondie is played by Pamela Britton, who many of us know from My Favorite Martian. (Penny Singleton played Blondie in the movies.) The show perfectly captures the spirit of the strip, with many episodes directed by Paul Landres. Funny stuff, easy to recommend!

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Filed under 1957, ClassicFlix, DVD/Blu-ray News, Paul Landres, Television

Forgotten Filmcast #167: The Night The World Exploded (1957).

A while back, Todd Liebenow was the guest on my podcast, The Carbon Arc. We talked about The Great Race (1965).

Now I’m the guest on his terrific podcast, The Forgotten Filmcast. Todd’s up to 167 of these things, quite an accomplishment! We talk about Fred F. Sears’ The Night The World Exploded (1957), an hour-long sci-fi thing from Sam Katzman. Click on the half-sheet above to listen in.

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Filed under 1957, Columbia, Fred F. Sears, Podcasts, Sam Katzman

Blu-Ray News #313: Sci-Fi From The Vault: 4 Classic Films (1955-59).

Mill Creek Entertainment has two new Blu-ray sets coming in December: Sci-Fi From The Vault: 4 Classic Films and Thrillers From The Vault: 8 Classic Horror Films. Here’s a look at the Sci-Fi Vault.

Creature With The Atom Brain (1955)
Directed by Edward L. Cahn
Starring Richard Denning, Angela Stevens, S. John Launer, Michael Granger

A scientist has figured out how to reanimate dead people and make them obey his commands. A gangster finds out about the discovery and decides he’ll use the dead for his own purposes. Produced by Sam Katzman.

It Came From Beneath The Sea (1955)
Directed by Robert Gordon
Starring Kenneth Tobey, Faith Domergue, Donald Curtis

Kenneth Tobey commands a submarine that is attacked by a giant octopus, cooked up by Ray Harryheusen. Before long, Tobey and Faith Domergue are battling it along the Pacific Coast. Produced by Sam Katzman.

The Ymir and Ray Harryheusen. Ray’s the one on the right.

20 Million Miles To Earth (1957)
Directed by Nathan Juran
Starring William Hopper, Joan Taylor, Frank Puglia

When a spaceship crashes on its way back from Venus, some eggs brought back as a souvenir get lost. Soon a really cool, quickly-growing monster from Ray Harryheusen is running loose.

The 30 Foot Bride Of Candy Rock (1959)
Directed by Sidney Miller
Starring Lou Costello, Dorothy Provine, Gale Gordon

Lou Costello’s fiancé Dorothy Provine is exposed to radiation and grows really big. This was Costello’s only solo film after he and Bud Abbott parted ways. Lou died before it was released.

Columbia’s transfers are always top-notch, so expect these pictures to look fabulous. 

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Filed under 1955, 1957, 1959, Abbott & Costello, Angela Stevens, Columbia, Curt Siodmak, DVD/Blu-ray News, Edward L. Cahn, Faith Domergue, Kenneth Tobey, Mill Creek, Nathan Juran, Ray Harryhausen, Richard Denning, Sam Katzman

Blu-Ray Review: The Brain From Planet Arous (1957).

Directed by Nathan Hertz (Nathan Juran)
Produced by Jacques Marquette
Written by Ray Buffum
Director Of Photography: Jacques Marquette
Supervising Film Editor: Irving Schoenberg
Music by Walter Greene

Cast: John Agar (Steve March), Joyce Meadows (Sally Fallon), Robert Fuller (Dan Murphy), Thomas Browne Henry (John Fallon), Kenneth Terrell (Colonel), Henry Travis (Colonel Frogley), E. Leslie Thomas (General Brown), Tim Graham (Sheriff Wiley Pane), Bill Giorgio (Russian), Dale Tate (voices of Gor and Vol)


Many 50s science fiction movies were plagued by paltry budgets and skimpy schedules. But seen today, there’s a charm to them money just can’t buy. The Brain From Planet Arous (1957), a cheesy gem from Nathan Juran starring John Agar, is a perfect example of this.

In the early 50s, the owners of two independent cinema chains — with theaters spread across Virginia, North and South Carolina, Arkansas, Louisiana and Mississippi* — got together and entered the production side of things as Howco International. They knew the kind of pictures that worked in cinemas like theirs, and that’s exactly what they made. One of their offerings was The Brain From Planet Arous.

According to just about every criteria used to size up a movie — production values, effects, writing, acting, etc. — this picture comes up lacking. But it might be a better movie, or at least a more enjoyable one, because of it.

Steve March (John Agar), a scientist, and Dan (Robert Fuller), his assistant, head to Mystery Mountain to investigate a “hot burst of gamma.” Deep in Bronson Caves, Steve and Dan are confronted by a floating brain-monster named Gor from the planet Arous. Dan shoots at Gor and is promptly burned to a crisp, while Steve’s body is possessed by the sinister brain. “I need your body as a dwelling place.” 

Through Agar, Gor announces that he’s going to take over the earth, and he’ll wipe out the capital of any country that doesn’t play along. Help arrives when Vol, a friendly brain from planet Arous, shows up and inhabits the body of George, a dog belonging to March’s fiancee Sally (Joyce Meadows). Turns out, Gor is Public Enemy Number One back on Arous. 

It also turns out that Gor has a thing for earth ladies, and while dwelling in Agar, he puts the moves on Joyce Meadows. “She appeals to me.”

By the last reel, the fate of the world depends on Sally and her alien-possessed dog. What does Sally do? Get out the encyclopedia, of course.

One of the best things about The Brain From Planet Arous is that it’s absolutely, completely nuts, in a way we wouldn’t really see until Hollywood’s open-border policy for whacked-out Mexican and Italian monster movies came along in the early 60s. The story comes from a short story cameraman and producer Jacques Marquette liked as a kid. Screenplay duties went to Ray Buffum, who also wrote the film’s “co-hit” Teenage Monster.

By this time, architect turned art director turned director Nathan Juran had shown himself to be quite adept at sci-fi and fantasy stuff with The Deadly Mantis and 20 Million Miles To Earth (both 1957). With this one and Attack Of The 50 Foot Woman (1958), he had himself credited as Nathan Hertz. As I see it, there was no need to hide behind a pseudonym. He does a good job with what he had to work with. The performances are fine, across the board — with Agar completely over the top when inhabited by Gor. Marquette’s cinematography is quite good, especially in the cave sequences. It doesn’t look near as cheap as it clearly was. And Irving Schoenberg’s no-frills editing keeps things moving well.

I’ve loved The Brain From Planet Arous since I was a kid, when I was actually frightened by Gor and creeped out by Agar’s chrome-looking contacts. So I was absolutely thrilled to learn it was on its way to Blu-Ray from The Film Detective. I knew Phil Hopkins and his gang would come through — and did they ever! The movie itself looks terrific, but not perfect. That’s the way I like ’em! The sound is clear as a bell. The extras are nicely done (Ballyhoo’s work here is up to their usual high standards), including an intro featuring Joyce Meadows. 

With movies like The Brain From Planet Arous getting Cadillac Blu-Ray releases like this, this is a wonderful time to be an old sci-fi movie nut. I’m surely not the only one out there with this picture one near the top of their Blu-Ray Want List. Highly, highly recommended.

Oh, and the picture started shooting 65 years ago today.

* This is the kind of stuff that makes me proud to be from the South!

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Filed under 1957, DVD/Blu-ray Reviews, Howco International, John Agar, Nathan Juran, The Film Detective