Directed by Edwin Sherin
Starring Burt Lancaster, Susan Clark, Jon Cypher, Barton Heyman, Richard Jordan, Frank Silvera, Hector Elizondo
Kino Lorber has announced that Valdez Is Coming (1971) is coming to Blu-Ray. It’s the second of three Westerns Burt Lancaster made in the early 70s, the other two being Lawman (1971) and Robert Aldrich’s Ulzana’s Raid (1972).
It’s based on a novel by Elmore Leonard, and at one point there was talk of Marlon Brando playing Valdez, Lancaster taking the part that went to Jon Cypher and Sydney Pollack directing. What a different movie that would’ve been.
No details from Kino Lorber yet, and the release date is simply later this year.
Directed by Sidney Pollack
Starring Burt Lancaster, Peter Falk, Jean-Pierre Aumont, Patrick O’Neal, Scott Wilson, Tony Bill, Al Freeman, Jr., Bruce Dern, Michael Conrad
This is a weird movie, but I always liked it — thanks largely to Burt Lancaster and the terrific supporting cast (Peter Falk, Scott Wilson, Bruce Dern). Lancaster’s a one-eyed major whose company takes over a French castle toward the end of World War II.
The production had its woes, from unusually warm Yugoslavian temperatures that melted the snow and prompted the trees to sprout buds to trouble with pyrotechnics that meant sets had to be rebuilt. Hopefully some of that will be covered in the interviews and others supplements that are part of the upcoming Blu-Ray from Indicator/Powerhouse Films in the UK.
Directed by John Frankenheimer
Starring Burt Lancaster, Kirk Douglas, Fredric March, Ava Gardner, Edmond O’Brien, Martin Balsam
Warner Archive has announced a summer Blu-Ray release of the John Frankenheimer suspense/paranoia classic Seven Days In May (1964) — with Burt Lancaster as a general leading a plot to overthrow the President (whose talks of disarmament has some in the military fearing a Russian attack). The cast is outstanding — Fredric March (as the President), Kirk Douglas (as a general who uncovers the plot), Ava Gardner, Edmond O’Brien, Martin Balsam, Andrew Duggan and on and on. Rod Serling’s script is a masterpiece — this is an idea that remains topical and will probably never be handled better.
Black and white really looks terrific in high definition, and director of photography Ellsworth Fredricks’ work here certainly deserves the boost in clarity. Good stuff.