From our friends at The 3-D Film Archive.
Category Archives: Julie Adams
Directed by William Castle
Produced by Leonard Goldstein
Story and Screenplay by Frederick Kohner and Fred Brady
Cinematography: Carl E. Guthrie
Film Editor: Virgil Vogel
Cast: Richard Conte (Larry O’Brien), Julie Adams (Sally/Amanda Rousseauz), Richard Egan (Police Lt. Bud Lennox), Henry Hull (Vincent St. Clair), Fred Clark (Sam Collyer), Jim Backus (Mitch Davis), Houseley Stevenson (John Miller), Paul Cavanagh (Roland Paul), Katherline Meskill (Mary), Louis Lettieri (Jimmy Davis), Francis X. Bushman, Betty Blythe, William Farnum, Helen Gibson, Joel McCrea
Art imitates life here. Hollywood Story (1951) concerns a producer (Richard Conte) solving an old Hollywood murder mystery, while prepping a movie about that mystery. It was based on the actual 1922 murder of director William Desmond Taylor. This scandalous crime, which created a media circus and plenty of completely fabricated news stories, was never solved.
Conte buys an old movie studio and learns of the murder that took place there. Intrigued, he decides to use it as the basis for his next picture, and he reaches out to a number of people who were working at the studio at the time — from a writer (Henry Hull) to the daughter of one of the studio’s biggest stars (Julie Adams). With that framework, the picture manages to follow the Taylor case fairly closely as Conte pieces together what happened.
William Castle directed several entries in Columbia’s The Whistler series, moody mini-noirs starring Richard Dix. They were excellent, and Castle’s same no-nonsense approach can be found here. Hollywood Story was done before Castle went gimmick crazy with his late 5os horror movies, but there’s a gimmick anyway, bringing in a few silent stars — Betty Blythe, Francis X. Bushman, William Farnum and Helen Gibson. Their parts mean nothing to the movie, but their names look good in the ads. (They were paid peanuts.)
This was one of a handful of pictures Castle did at Universal International. He did some cool stuff there — this one, Undertow (1949) and Cave Of Outlaws (1951) — before returning to Columbia, where he’d start working for producer Sam Katzman.
Hollywood Story gives us a great look at early 50s moviemaking, particularly at Universal International. Joel McCrea has a cameo in one of the on-the-set scenes. Judging from his costume, he might’ve been shooting Frenchie (1950) when his brief scene was done. We also visit a number of Hollywood points of interest — such as Jack’s At The Beach, Ciro’s, Grauman’s Chinese Theatre, The Hollywood Roosevelt Hotel, Ocean Park Pier and the old Chaplin Studio (as the scene of the crime).
The cinematography from Carl E. Guthrie is terrific, adding plenty of mood when it’s needed and playing up the bright lights of Hollywood. Universal’s movies from the 50s, whether they were in Technicolor or black and white, have a real sparkle to them, thanks to masters like Guthrie. And that’s what makes this Blu-Ray such a great thing. It presents Guthrie’s work flawlessly. It’s much better than the old DVD. Brighter, with better contrast. It adds a level of depth you don’t see very often, which is really effective in the darker, scenes.
Hollywood Story is a solid movie, and it’s been given a sterling transfer for Blu-Ray. Mill Creek has paired it with Castle’s New Orleans Uncensored (1955). It looks great, too, and since each picture is on its own disc, the bit rates are quite high. They’re priced right, too. For William Castle fans, this set is an absolute must. More, please!
Before getting this set, I don’t think I’d ever seen an episode of Dan August all the way through. I thought of it pretty much the way most folks do: either it was this TV thing Burt Reynolds did before Deliverance (1972) made him a big deal, or it was just another 70s cop show — take your pick. Either way you look at it, you’re selling it short.
The set Dan August – The Complete Collection kicks off with the 1970 TV movie House On Greenapple Road that introduces the Dan August character, played by Christopher George. Like the series that would come after it, it’s got a terrific cast — Janet Leigh (who’s really good), Keenan Wynn, Julie Harris, Walter Pigeon, Ed Asner, Paul Fix and Barry Sullivan. Whether they saw it as a pilot or just a TV movie at the time, it’s really good.
Dan August is a homicide detective in the fictional Southern California town of Santa Luisa. It doesn’t seem to be a very big place, but people sure do turn up dead a lot. And that’s were August comes in. Christopher George played him as the typical late 60s TV detective, and he’s very good. But when the series came along, George turned it down and recommended his friend Burt Reynolds for the part. It took some time to sell Quinn Martin (and Burt) on the idea, but it all came together.
Reynold’s Dan August is younger and more physical, which brings in more topical subject matter (drugs, hippies, homosexuals, protests, etc.) and a lot more action. Burt does all his owns stunts — leaping over fences and cars, fighting one crook after another, and always running. He must’ve been a bruised-up, exhausted mess when he got home each day. Of course, it adds a lot of authenticity to the show. His self-deprecating sense of humor isn’t on display here, and the series is better off without it.
The principal cast was reimagined with Burt in the lead. His partner’s Norman Fell (taking over from the movie’s Keenan Wynn), and Richard Anderson replaced Barry Sullivan as the Chief Of Police. Ned Romero and Ena Hartman were kept from the TV movie.
The shows are well-written and sharply, stylishly directed. And the casting from episode to episode is fabulous, bringing in folks like Ricardo Montalban, Vera Miles (above), Harrison Ford, Dabney Coleman, Larry Hagman, Diana Muldaur, Julie Adams, Carolyn Jones, Bradford Dillman, Donna Mills, Victor French, Richard Basehart, Lee Meriweather, Don Stroud, Sal Mineo, Ellen Corby, Billy Dee Williams and Mickey Rooney. It’s a lot of fun watching for who’ll pop up in the next one.
Even though Burt was nominated for a Golden Globe, Dan August only lasted one season (on ABC). It was an expensive show to make, and it was up against some heavy competition. Burt would quickly move on, and after he was a major star, Dan August would be rerun by CBS both late at night and in primetime.
Now, thanks to the DVD set Dan August – The Complete Collection from VEI, it runs whenever you want it to run. The shows are complete and look really good. The pilot movie, House On Greenapple Road, looks terrific, bright with rich color. The set is highly recommended.
Mill Creek has another William Castle hi-def double bill on the way. This one’s got a couple of his noir pictures. If you’re like me, anything Mr. Castle touched is worthwhile.
Hollywood Story (1951)
Directed by William Castle
Starring Richard Conte, Julia Adams, Henry Hull, Fred Clark, Francis X. Bushman, William Farnum
William Castle spent a few years working as a contract director at Universal-International, directing cool pictures like Johnny Stool Pigeon (1949), Cave Of Outlaws (1951) and this one, Hollywood Story (1951). It’s based on the murder of the silent director William Desmond Taylor and features a handful of silent stars in tiny parts (probably done as a promo stunt more than anything else). It was shot by the underrated cinematographer Carl E. Guthrie.
Hollywood Story was often paired with Huge Fregonse’s Apache Drums (1951).
New Orleans Uncensored (1955)
Directed by William Castle
Produced by Sam Katzman
Starring Arthur Franz, Beverly Garland, Helene Stanton, Michael Ansara, Stacy Harris, Mike Mazurki
After those years at U-I, Castle moved to Columbia and made a slew of movies in Sam Katzman’s unit. This one has a dream cast — Beverly Garland, Stacy Harris, Mike Mazurki, it’s in widescreen B&W, and it runs a brisk 76 minutes. My kind of movie!
This single-disc set comes highly, highly recommended. Let’s hope Mill Creek has more like this on the way!
Julie Adams (Betty May Adams)
October 17, 1926 – February 3, 2019
Julie Adams, who caught the eye of The Creature From The Black Lagoon (along with lots of other guys), has passed away at 92.
When I started doing DVD and Blu-Ray commentaries, it no longer felt appropriate to survey the best DVD and Blu-Ray releases of the year. So, as a substitute (maybe a poor one), here’s a reminder of a few things we were treated to this year. We’ll let all the praise, complaints or ranking come from you in the comments. Part 1 can be found over at 50 Westerns From The 50s.
This was a banner year for old sci-fi and horror movies making their way to Blu-Ray. From what we’re hearing so far, next year might be the same for noir and crime pictures. Anyway, here’s some of 2018’s bounty — a few of which I’m still working on proper reviews of.
The Thing (From Another World) (1951)
This is one of the all-time favorite movies. I find something new in it every time I see it — a line, a look, a particular setup, the music, a new appreciation for the guy who did the fire stunt. It’s always something — and that, to me, is one of the requirements for a Great Movie. Warner Archive worked long and hard on this one, and I’m in their debt for sure.
The Hammer Draculas
It’s like there was some sorta Monster Movie Summit, and it was decreed that the Hammer Dracula series would be given its due on Blu-Ray. Warner Archive did a lot of the heavy lifting with Horror Of Dracula (1958), Dracula A.D. 1972 (1972) and The Satanic Rites Of Dracula (1974). In the meantime, Scream Factory came through with Dracula – Prince Of Darkness (1966). Taste The Blood Of Dracula (1970) hit Blu-Ray a few years ago. That leaves Scars Of Dracula (197) as the only Hammer Dracula picture not available on Blu-Ray. Who’s gonna step up to the plate for that one?
The Hammer goodness wasn’t limited to the Dracula pictures. Mill Creek included some Hammer pictures in their twin-bill sets, some of the best values in all of home video. Hammer Films, William Castle, Ray Harryhausen — there’s some good stuff in those sets.
The Creature From The Black Lagoon Complete Legacy Collection
That’s quite a name for a set that only includes three movies. But what movies they are — the first two, anyway. And they’re in both widescreen 2-D and 3-D.
Gun Crazy (1949)
Joseph H. Lewis hit it out of the park with Gun Crazy (1949). So did his cast — and this year, with a stunning Blu-Ray, so did Warner Archive.
Invasion Of The Body Snatchers (1956)
Don Siegel making it to Blu-Ray is always a reason to celebrate, and this is one of his many milestones. Over the years, we’ve all put up with some pretty shoddy-looking stuff when it comes to this incredible movie. Olive Films’ Blu-Ray is a huge improvement.
The Tingler (1959)
It’s hard to pick between this one and House On Haunted Hill (1958) for my favorite William Castle movie. Scream Factory did a wonderful job with this one, and they’ve given us other Castle pictures as well.
Dark Of The Sun (1968)
Warner Archive has been hinting around about this one on Blu-Ray for a while. It’s beautiful — and still one of the damnedest movies I’ve ever seen.
There’s a few that stood out for me. What DVD and Blu-Ray releases knocked you out this year?
Here’s hoping your Halloween offers up a cornucopia of Creature comforts, such as this terrific greeting card that’s making the rounds.*
As a kid, this was one of my favorite days of the year, thanks to the all-night monster movie marathons the local TV stations would run. (DVDs, streaming TV and other stuff have pretty much killed that experience, and I feel sorry for kids today.) So, tomorrow morning, let me know what monster movie(s) you used to mark this monstrous occasion.
* How easy it is to fall into the Forrest J. Ackerman pun/alliteration thing when writing about monsters.
If in its glory days, Universal made a movie about Frankenstein, Dracula, The Mummy, The Wolf Man, The Invisible Man or The Creature From The Black Lagoon, it’s in this box — in high definition. What more do I have to tell you?
Here’s what you get: Dracula / Drácula (Spanish version) / Frankenstein / The Mummy / The Invisible Man / Werewolf Of London / Bride Of Frankenstein / Dracula’s Daughter / Son Of Frankenstein / The Invisible Man Returns / The Mummy’s Hand / The Invisible Woman / The Wolf Man / The Mummy’s Tomb / Ghost Of Frankenstein / Invisible Agent / Son Of Dracula / Phantom Of The Opera / Frankenstein Meets The Wolf Man / The Mummy’s Ghost / House Of Frankenstein / The Mummy’s Curse / The Invisible Man’s Revenge / House Of Dracula / She-Wolf Of London / Abbott & Costello Meet Frankenstein / Abbott & Costello Meet The Invisible Man / Creature From The Black Lagoon / Abbott & Costello Meet The Mummy / Revenge Of The Creature / The Creature Walks Among Us
Thirty movies in all, and only one in color (Phantom Of The Opera). The Creature movies and Abbott & Costello Meet The Mummy are 1.85.
Just wondering: where’s Abbott & Costello Meet Dr. Jekyll & Mr. Hyde (1953)? Guess Jekyll/Hyde’s outside their normal monster cycle.
This is a great thing, and it’s coming next week.
Universal has announced that their Creature From The Black Lagoon – Complete Legacy Collection set is coming to Blu-Ray. It includes Creature From The Black Lagoon (1954), Revenge Of The Creature (1955) and The Creature Walks Among Us (1956). The first two were in 3-D and directed by the great Jack Arnold (and feature Nestor Paiva).
Revenge is finally making its way to Blu-Ray in 3-D. For me, the great benefit of this set will be having all three pictures in their original 1.85 aspect ratio. While the first two are among my all-time favorite films — and I’ve got a pile of Creature toys to prove it, Walks Among Us is a mess. But I’m looking forward to revisiting it in high definition. This stuff is essential, folks.