Category Archives: Marie Windsor

Double Deal (1950) — The Marie Windsor Blogathon.

Directed by Abby Berlin
Produced by James T. Vaughn
Screen play by Lee Berman & Charles S. Belden
Story by Don McGuire
Director Of Photography: Frank Redman
Film Editor: Robert Swink
Music by Michel Michelet

Cast: Marie Windsor (Terry Miller), Richard Denning (Buzz Doyle), Taylor Holmes (Corpus Mills), Fay Baker (Lilli Sebastian), James Griffith (Walter Karns), Carleton Young (Reno Sebastian), Tom Browne Henry (Sheriff L.G. Morelli), Paul E. Burns, Walter Burke, Frank Felton

This is an entry in The Marie Windsor Blogathon, a celebration of the actress’s life and work.

Bel-Air Productions cranked out some terrific little movies in the 1950s, such as the B crime pictures Big House U.S.A. (1955) and Hot Cars (1956). The very first Bel-Air film was Double Deal (1950), released by RKO Radio Pictures. It was the first time Marie Windsor received top billing.

Double Deal concerns oil wells, the extremely dysfunctional Sebastian family, gambling, a monkey and murder.

Richard Denning is Buzz Doyle, an engineer who steps off the bus just as the Sebastian family squabble turns deadly. (Have you noticed how many noir pictures open with a guy getting off a bus in some strange town?) Marie Windsor is Terry Miller, a nice girl who takes a shine to Buzz, inherits an oil well and ends up a murder suspect. Fay Baker is a conniving hag who doesn’t care who gets hurt as long as she gets what she wants. Taylor Holmes is an attorney and “walking gin mill.” And James Griffith is a slimeball who runs a crooked dice table.

Double Deal is a cheap little mini-noir that gets almost everything right. It was shot in nine days on the RKO lot, and the completed picture runs just 65 minutes. There’s a whole lot of story packed into that 65 minutes, from a couple murders, lots of wildcatting for oil and a truckload of double crosses. 

Throughout the picture, Fay Baker and James Griffith are perfectly despicable, while Richard Denning is completely likable (at one point, Kevin McCarthy was up for the part, which would’ve been his movie debut).

Marie Windsor is charming, cool and beautiful — whether she’s all dolled up for a night on the town or wearing jeans, t-shirt, baseball cap and a smudge of oil on her cheek. 1950 was a busy year for Windsor: Dakota Lil, The Showdown, Frenchie and Double Deal. Each was for a different studio — Fox, Republic, Universal International and RKO, respectively.

Director Abby Berlin was on Broadway and vaudeville as half of a comedy team with Ken Brown. He headed to Hollywood and worked as an assistant director, until he got the chance to direct with Leave It To Blondie (1945). He directed a number of the Blondie movies and quite a bit of TV before passing away in 1954.

The story for Double Deal came from Don McQuire. He had an interesting career, from acting in Armored Car Robbery (1950, the same year as Double Deal) to directing The Delicate Delinquent (1957) to supplying the story for Tootsie (1982). Screenwriter Charles S. Belden has a story credit on both Mystery Of The Wax Museum (1933) and House Of Wax (1953). He also wrote some Charlie Chan and Hopalong Cassidy pictures.

Director Of Photography Frank Redman spent the 40s and early 50s at RKO. He shot a lot of Falcon, Saint and Dick Tracy pictures. Leaving RKO, he went to TV, where he stayed plenty busy. He shot over a hundred episodes of Perry Mason, among other things. His work on Double Deal is nothing flashy, looking like so many other RKO pictures from the period.

Double Deal is not classic film noir. It’s no Narrow Margin (1952). And it was certainly done on the cheap — the crew on the oil well is limited to Denning, Windsor and Paul Burns. But I wish there were a hundred movies around just like it — cheap, short and cool.

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Filed under 1950, Bel-Air, James H. Griffith, Kevin McCarthy, Marie Windsor, Richard Denning, RKO

Coming Soon: The Marie Windsor Blogathon.

Some of us have been going back and forth about this for over a year. Well, now’s the time to make it official. Marie Windsor, my all-time favorite actress, gets a blogathon. It kicks off on her birthday, December 11, over at fiftieswesterns.com.

If you’re interested in playing along, email me at fiftieswesterns@gmail.com with the Marie Windsor movie you want to cover. I’ll be keeping a list to try to avoid too much duplication. More info will come as the event gets closer.

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Filed under Blogathon, Marie Windsor

Dialogue Of The Day: The Killing (1956).

Sherry Peatty (Marie Windsor): You don’t understand me, Johnny. You don’t know me very well.

Johnny Clay (Sterling Hayden): I know you like a book. You’re a no good, nosy little tramp. You’d sell out your own mother for a piece of fudge. But you’re smart along with it. Smart enough to know when to sail and when to sit tight, and you know you better sit tight in this case.

Sherry Peatty: I do?

Johnny Clay: You heard me. You like money. You got a great big dollar sign, there, where most women have a heart.

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Filed under 1956, Dialogue Of The Day, Marie Windsor, Stanley Kubrick, Sterling Hayden

Blu-Ray News #250: Abbott & Costello – The Complete Universal Pictures Collection (1940-1955).

The Abbott & Costello movies offer up some of the great joys to be had in this world. Their “Who’s On First?” routine (found in The Naughty Nineties) is timeless — and runs constantly in the Baseball Hall Of Fame. Me, I simply cannot be down if Abbott & Costello Meet Frankenstein (1948) is on.

Shout Factory has announced The Complete Universal Pictures Collection, that puts their 28 Universal pictures (they say they saved the studio from bankruptcy) on 15 Blu-ray Discs, packed with hours of extras and a collectible book. It’s coming in November. What a great big box of Wonderful this will be!

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Filed under Abbott & Costello, Bela Lugosi, Boris Karloff, Douglass Dumbrille, DVD/Blu-ray News, Frank Ferguson, Glenn Strange, Hillary Brooke, Jack Pierce, Lon Chaney Jr., Mari Blanchard, Marie Windsor, Shemp Howard, Shout/Scream Factory, Universal (-International), Vincent Price

Reno, Nevada, November 1973.

In the fall of 1973, there was evidently a wave of UFO sightings all across the US. There were a couple in the Reno, Nevada, area. The Granada Theatre acted quickly, booking a couple of sci-fi pictures for a midnight show — The Day Mars Invaded The Earth (1962) and The Day The Earth Stood Still (1951).

Fun local bookings are something I really miss, whether they’re Halloween marathons at the drive-in or something more topical like this one. Going to the movies used to be so much fun.

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Filed under 1951, 1963, 1973, Lippert/Regal/API, Marie Windsor, Maury Dexter, Robert Wise

Blu-Ray News #192: The Mamie Van Doren Film Noir Collection.

Three lurid Mamie Van Doren pictures (did she make any other kind?) in one high-definition package. How cool is that?

The Girl In Black Stockings (1957)
Directed by Howard W. Koch
​Starring Lex Barker, Anne Bancroft, Mamie Van Doren​, John Dehner​, ​Marie Windsor​,​ Stuart Whitman​, ​Dan Blocker

A girl is brutally murdered at a Utah hotel and everybody seems to have some sort of motive. Look at that cast!

Guns, Girls And Gangsters (1959)
Directed by Edward L. Cahn
Starring Mamie Van Doren, Gerald Mohr, Lee Van Cleef, Paul Fix

Edward L. Cahn directs an armored car robbery picture that has both Mamie Van Doren and Lee Van Cleef in it. How could it miss? It doesn’t.

Vice Raid (1960)
Directed by Edward L. Cahn
Starring Mame Van Doren, Richard Coogan, Brad Dexter, Carol Nugent

Mamie’s a call girl sent to New York to get an un-corruptible cop in hot water. But when her sister is raped, Mamie has to turn to the framed cop for help.

Due in November, the longest of these movies is 75 minutes. Perfect.

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Filed under 1957, 1959, 1960, DVD/Blu-ray News, Edward L. Cahn, Howard W. Koch, Kino Lorber, Lee Van Cleef, Mamie Van Doren, Marie Windsor

Blu-Ray News #188: Universal Classic Monsters – Complete 30-Film Collection (1931-1956).

If in its glory days, Universal made a movie about Frankenstein, Dracula, The Mummy, The Wolf Man, The Invisible Man or The Creature From The Black Lagoon, it’s in this box — in high definition. What more do I have to tell you?

Here’s what you get: Dracula / Drácula (Spanish version) / Frankenstein / The Mummy / The Invisible Man / Werewolf Of London / Bride Of Frankenstein / Dracula’s Daughter / Son Of Frankenstein / The Invisible Man Returns / The Mummy’s Hand / The Invisible Woman / The Wolf Man / The Mummy’s Tomb / Ghost Of Frankenstein / Invisible Agent / Son Of Dracula / Phantom Of The Opera / Frankenstein Meets The Wolf Man / The Mummy’s Ghost / House Of Frankenstein / The Mummy’s Curse / The Invisible Man’s Revenge / House Of Dracula / She-Wolf Of London / Abbott & Costello Meet Frankenstein / Abbott & Costello Meet The Invisible Man / Creature From The Black Lagoon / Abbott & Costello Meet The Mummy / Revenge Of The Creature / The Creature Walks Among Us

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Thirty movies in all, and only one in color (Phantom Of The Opera). The Creature movies and Abbott & Costello Meet The Mummy are 1.85.

a-and-c-meet-dr-jekyllJust wondering: where’s Abbott & Costello Meet Dr. Jekyll & Mr. Hyde (1953)? Guess Jekyll/Hyde’s outside their normal monster cycle.

This is a great thing, and it’s coming next week.

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Filed under 3-D, 30s Horror, Abbott & Costello, Basil Rathbone, Bela Lugosi, Boris Karloff, Curt Siodmak, DVD/Blu-ray News, Jack Arnold, Jack Pierce, James Whale, John Carradine, Julie Adams, Lon Chaney Jr., Marie Windsor, Nestor Paiva, Richard Carlson, Richard Denning, Tod Browning, Universal (-International), Vincent Price, Whit Bissell

Blu-Ray News #137: Abbott & Costello Meet The Mummy (1955).

Directed by Charles Lamont
Starring Bud Abbott, Lou Costello, Marie Windsor, Michael Ansara

Another day, another Abbott & Costello movie on Blu-Ray. This time, it’s Abbott & Costello Meet The Mummy (1955), their last picture for Universal (and their last monster meeting). It’s already available in hi-def as part of Universal’s The Mummy Complete Legacy Collection.

Meet The Mummy features Marie Windsor, my all-time favorite actress. Eddie Parker, Lon Chaney’s double on the three previous Mummy movies, plays Klaris throughout this one. The scene where Costello eats a hamburger with an ancient medallion hidden in it had me in hysterics as a kid.

The 1.85 transfer, which I’m sure will be the same one in the Legacy set, splendidly shows off the picture’s backlot and soundstage version of Egypt. Nowhere near the team’s best, but highly recommended anyway.

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Filed under 1955, Abbott & Costello, DVD/Blu-ray News, Marie Windsor, Universal (-International)

Blu-Ray News #112: The Mummy Complete Legacy Collection.

mummy-r51-lc

Universal’s next Complete Legacy Collection — each Blu-Ray set covers everything featuring a particular Universal monster — concerns The Mummy. Providing Universal can come up with the proper number of tana leaves, this edition will be available in May. It spreads six movies over four discs.

The Mummy (1932) is one of the most visually-splendid movies I can think of. Karl Freund packs one incredible shot after another in this thing — and Karloff is at his brilliant best.

The first sequel (or maybe it’s more of a remake), The Mummy’s Hand (1940), has Tom Tyler doing a great job filling in for Boris Karloff — and Wallace Ford is a welcome addition to anything.

Jack Pierce turns Lon Chaney Jr. into Kharis.

The next three Mummy movies — The Mummy’s Tomb (1942), The Mummy’s Ghost (1944), and The Mummy’s Curse (1944) — with Lon Chaney, Jr. as a rather portly mummy making his way through Massachusetts and Louisiana, are a real hoot in that 1940s Universal Monsters kinda way. I love these things.

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Then there’s Abbott & Costello Meet The Mummy (1955), which throws in Marie Windsor, my all-time favorite actress, for good measure. It was A&C’s last picture for Universal, a studio they pretty much saved in the 40s. Eddie Parker, Chaney’s double on the three previous Mummy movies, plays Klaris throughout this one.

All six Mummy movies are black and white, with Meet The Mummy in 1.85 widescreen — and they’re all sure to look marvelous on Blu-Ray.

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Filed under 1955, Abbott & Costello, Boris Karloff, DVD/Blu-ray News, Jack Pierce, John Carradine, Lon Chaney Jr., Marie Windsor, Universal (-International)

DVD News #26: The Day Mars Invaded Earth (1962).

Day Mars Invaded Earth HS

Produced and directed by Maury Dexter
Starring Kent Taylor, Marie Windsor, William Mims, Lowell Brown

In the late 50s, Lippert Pictures made a slew of low-budget, black-and-white, widescreen films for 20th Century-Fox — released under the name Regal Films, with CinemaScope renamed Regalscope. The arrangement continued into the 60s under the name Associated Producers, Inc.

The Day Mars Invaded The Earth (1962) is one of the better ones, I think. Made on a shoestring, Maury Dexter makes sure we see more on the Scope screen than the budget would have you expect, thanks largely to the use of Greystone Mansion in Beverly Hills. It’s an odd take on the whole alien invasion thing, with some creepy moments that continue to haunt those of us who saw it as a kid.

Maury Dexter (in Tim Weaver’s I Talked With A Zombie): “…On this one I was keenly aware of wanting to try to get… a weird feel, if that’s the right word. Something a little different, a little eerie.”

Dexter got what he was aiming for. It’s a creepy little movie. And we can get it April 7 from Fox’s Cinema Archives collection. Released the same day is API’s Hand Of Death (1962) starring John Agar.

I recommend another one of Dexter’s API films, House Of The Damned (1963), which also makes good use of Greystone Mansion.

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Filed under 1962, 1963, DVD/Blu-ray News, John Agar, Lippert/Regal/API, Marie Windsor, Maury Dexter, Robert Lippert