Saw the other day that Frankenstein is 200 years old, with Marry Shelley’s novel Frankenstein, Or The Modern Prometheus first published in 1818.
The great Boris Karloff.
So here’s to Dr. Frankenstein, his monster, the monster’s bride, and anybody who ever helped bring the many Frankenstein movies to the screen — particularly the Universal and Hammer films.
Peter Cushing sits while his monster (Christopher Lee) hangs around.
It was a very shrewd move for Hammer to focus their series on the doctor and his misadventures rather than inviting strict comparisons to the Universal classics, which would be very hard to top. And, of course, casting Peter Cushing in the role was simply inspired.
So happy 200th, Frankie. You’re holding up pretty well.
Filed under Abbott & Costello, Bela Lugosi, Boris Karloff, Christopher Lee, Glenn Strange, Hammer Films, Jack Pierce, James Whale, Peter Cushing, Terence Fisher, Universal (-International)
If in its glory days, Universal made a movie about Frankenstein, Dracula, The Mummy, The Wolf Man, The Invisible Man or The Creature From The Black Lagoon, it’s in this box — in high definition. What more do I have to tell you?
Here’s what you get: Dracula / Drácula (Spanish version) / Frankenstein / The Mummy / The Invisible Man / Werewolf Of London / Bride Of Frankenstein / Dracula’s Daughter / Son Of Frankenstein / The Invisible Man Returns / The Mummy’s Hand / The Invisible Woman / The Wolf Man / The Mummy’s Tomb / Ghost Of Frankenstein / Invisible Agent / Son Of Dracula / Phantom Of The Opera / Frankenstein Meets The Wolf Man / The Mummy’s Ghost / House Of Frankenstein / The Mummy’s Curse / The Invisible Man’s Revenge / House Of Dracula / She-Wolf Of London / Abbott & Costello Meet Frankenstein / Abbott & Costello Meet The Invisible Man / Creature From The Black Lagoon / Abbott & Costello Meet The Mummy / Revenge Of The Creature / The Creature Walks Among Us
Thirty movies in all, and only one in color (Phantom Of The Opera). The Creature movies and Abbott & Costello Meet The Mummy are 1.85.
Just wondering: where’s Abbott & Costello Meet Dr. Jekyll & Mr. Hyde (1953)? Guess Jekyll/Hyde’s outside their normal monster cycle.
This is a great thing, and it’s coming next week.
Filed under 3-D, 30s Horror, Abbott & Costello, Basil Rathbone, Bela Lugosi, Boris Karloff, Curt Siodmak, DVD/Blu-ray News, Jack Arnold, Jack Pierce, James Whale, John Carradine, Julie Adams, Lon Chaney Jr., Marie Windsor, Nestor Paiva, Richard Carlson, Richard Denning, Tod Browning, Universal (-International), Vincent Price, Whit Bissell
Universal’s next Complete Legacy Collection — each Blu-Ray set covers everything featuring a particular Universal monster — concerns The Mummy. Providing Universal can come up with the proper number of tana leaves, this edition will be available in May. It spreads six movies over four discs.
The Mummy (1932) is one of the most visually-splendid movies I can think of. Karl Freund packs one incredible shot after another in this thing — and Karloff is at his brilliant best.
The first sequel (or maybe it’s more of a remake), The Mummy’s Hand (1940), has Tom Tyler doing a great job filling in for Boris Karloff — and Wallace Ford is a welcome addition to anything.
Jack Pierce turns Lon Chaney Jr. into Kharis.
The next three Mummy movies — The Mummy’s Tomb (1942), The Mummy’s Ghost (1944), and The Mummy’s Curse (1944) — with Lon Chaney, Jr. as a rather portly mummy making his way through Massachusetts and Louisiana, are a real hoot in that 1940s Universal Monsters kinda way. I love these things.
Then there’s Abbott & Costello Meet The Mummy (1955), which throws in Marie Windsor, my all-time favorite actress, for good measure. It was A&C’s last picture for Universal, a studio they pretty much saved in the 40s. Eddie Parker, Chaney’s double on the three previous Mummy movies, plays Klaris throughout this one.
All six Mummy movies are black and white, with Meet The Mummy in 1.85 widescreen — and they’re all sure to look marvelous on Blu-Ray.