Produced and Directed by William Castle
Screenplay by William McGivern
Based on the novel Out Of The Dark by Ursula Curtiss
Cinematography: Joseph F. Biroc
Music: Van Alexander
Film Editor: Edwin H. Bryant
Cast: Joan Crawford (Amy Nelson), John Ireland (Steve Marak), Leif Erickson (Dave Mannering), Sarah Lane (Kit Austin), Andi Garrett (Libby Mannering), Sharyl Locke (Tess Mannering), Patricia Breslin (Ellie Mannering), John Archer (John Austin)
After the big-time box office of Strait-Jacket (1964), William Castle re-teamed with its star, Joan Crawford, for I Saw What You Did (1965). It’s the story of a couple of high school girls making prank calls, who just happen to say “I saw what you did and I know who you are” to a guy who just killed his wife (John Ireland). This tactical error spurs the thrills and mayhem that make up the rest of the movie.
(In the film’s ads, Castle got a lot of mileage out of the scientific term Uxoricide, which means simply “the act of killing your wife.”)
William Castle’s at his pseudo-Hitchcockian best here, dialing back the gimmicks and doing a very good job at creating tension. While we often overlook his skills as a director to focus on his genius as a showman, the man knew how to make a movie. Castle’s been one of my favorite filmmakers since I saw House On Haunted Hill (1959) on TV at the age of nine — even without the floating skeletons, I was awestruck.
But back to I Saw What You Did. Joan Crawford only worked four days on it. And though she was a consummate professional, the effects of her ever-present flask can be seen in some scenes — probably the ones shot each afternoon. The aging star intimidated the two teenage players, Andi Garrett and Sara Lane, who are quite good.
Scream Factory has done a great job with I Saw What You Did, mainly by presenting Joseph Biroc’s cinematography well (it’s nice and crisp, with a pleasing amount of wear and tear) and by including trailers and other material to highlight how Castle promoted his film — which he seemed to consider every bit as important as the film itself. This isn’t Castle’s best work, and it’s a long way from Crawford’s, but this Blu-ray is highly recommended. (Scream Factory, I’d like to put in a request for another Castle Universal picture, 1964’s The Night Walker.)