Category Archives: Caroline Munro

2018 In Review – Part 2.

When I started doing DVD and Blu-Ray commentaries, it no longer felt appropriate to survey the best DVD and Blu-Ray releases of the year. So, as a substitute (maybe a poor one), here’s a reminder of a few things we were treated to this year. We’ll let all the praise, complaints or ranking come from you in the comments. Part 1 can be found over at 50 Westerns From The 50s.

This was a banner year for old sci-fi and horror movies making their way to Blu-Ray. From what we’re hearing so far, next year might be the same for noir and crime pictures. Anyway, here’s some of 2018’s bounty — a few of which I’m still working on proper reviews of.

The Thing (From Another World) (1951)
This is one of the all-time favorite movies. I find something new in it every time I see it — a line, a look, a particular setup, the music, a new appreciation for the guy who did the fire stunt. It’s always something — and that, to me, is one of the requirements for a Great Movie. Warner Archive worked long and hard on this one, and I’m in their debt for sure.

The Hammer Draculas
It’s like there was some sorta Monster Movie Summit, and it was decreed that the Hammer Dracula series would be given its due on Blu-Ray. Warner Archive did a lot of the heavy lifting with Horror Of Dracula (1958), Dracula A.D. 1972 (1972) and The Satanic Rites Of Dracula (1974). In the meantime, Scream Factory came through with Dracula – Prince Of Darkness (1966). Taste The Blood Of Dracula (1970) hit Blu-Ray a few years ago. That leaves Scars Of Dracula (197) as the only Hammer Dracula picture not available on Blu-Ray. Who’s gonna step up to the plate for that one?

The Hammer goodness wasn’t limited to the Dracula pictures. Mill Creek included some Hammer pictures in their twin-bill sets, some of the best values in all of home video. Hammer Films, William Castle, Ray Harryhausen — there’s some good stuff in those sets.

The Creature From The Black Lagoon Complete Legacy Collection
That’s quite a name for a set that only includes three movies. But what movies they are — the first two, anyway. And they’re in both widescreen 2-D and 3-D.

Gun Crazy (1949)
Joseph H. Lewis hit it out of the park with Gun Crazy (1949). So did his cast — and this year, with a stunning Blu-Ray, so did Warner Archive.

Invasion Of The Body Snatchers (1956)
Don Siegel making it to Blu-Ray is always a reason to celebrate, and this is one of his many milestones. Over the years, we’ve all put up with some pretty shoddy-looking stuff when it comes to this incredible movie. Olive Films’ Blu-Ray is a huge improvement.

The Tingler (1959)
It’s hard to pick between this one and House On Haunted Hill (1958) for my favorite William Castle movie. Scream Factory did a wonderful job with this one, and they’ve given us other Castle pictures as well.

Dark Of The Sun (1968)
Warner Archive has been hinting around about this one on Blu-Ray for a while. It’s beautiful — and still one of the damnedest movies I’ve ever seen.

There’s a few that stood out for me. What DVD and Blu-Ray releases knocked you out this year?


Filed under 1951, 1954, 1955, 1956, 1958, 1959, 1970, 1972, 1973, 3-D, Barbara Shelley, Caroline Munro, Christopher Lee, Don Siegel, DVD/Blu-ray News, DVD/Blu-ray Reviews, Hammer Films, Howard Hawks, Jack Arnold, James Arness, John Agar, Joseph H. Lewis, Julie Adams, Kenneth Tobey, Kevin McCarthy, Mill Creek, Nestor Paiva, Olive Films, Peggy Cummins, Peter Cushing, Richard Carlson, Richard Denning, Richarld Carlson, RKO, Rod Taylor, Shout/Scream Factory, Terence Fisher, Vincent Price, Warner Archive, William Castle

Blu-Ray Review: Dracula A.D. 1972 (1972).

Directed by Alan Gibson
Written by Don Houghton
Director Of Photography: Dick Bush
Film Editor: James Needs
Music by Michael Vickers

Cast: Christopher Lee (Count Dracula), Peter Cushing (Lorrimer Van Helsing/Lawrence Van Helsing), Stephanie Beacham (Jessica Van Helsing), Christopher Neame (Johnny Alucard), Marsha Hunt (Gaynor Keating), Caroline Munro (Laura Bellows), Janet Key (Anna Bryant)


By 1972, Hammer Films was a bit of a train wreck. Where once they’d been a real innovator with their colorful, bloody takes on the horror classics, they were now chasing trends rather than creating them. Where they’d pushed the envelope a bit with sex and violence in the late 50s, the nudity and gore of the early 70s eliminated a huge part of their core audience — thanks to the R rating in the US and X certificate in the UK keeping kids out of the theaters. Seems like they couldn’t catch a break.

So when a picture like Count Yorga, Vampire (1970) made money by bringing the classic-type vampire into the modern day, doing the same with Christopher Lee must’ve sounded like it couldn’t miss. The result of that thinking is Dracula A.D. 1972 — and it does miss. But maybe not by as much as you remember.

It’s 1972 and some dude named Johnny Alucard is making the scene in London, crashing ritzy parties with his hipster entourage in search of kicks. As any of us could’ve told him, rich old people throw boring parties — and when Johnny figures this out, he figures it’s time for a Black Mass. They end up with Caroline Munro covered in blood and Dracula (Christopher Lee) back from the dead in a dilapidated old church — and wanting revenge on the modern-day descendants of Van Helsing (Peter Cushing). And as “movie luck” would have it, there’s a gorgeous young Van Helsing (Stephanie Beacham), in Johnny’s gang.

Every once in a while — mainly whenever Cushing and Lee are on the screen — Dracula A.D. 1972 really gets something going. Those guys can carry a picture on their backs without breaking a sweat, and director Alan Gibson owes them a tremendous debt for their work here.

The period opening sequence is cool, somehow seeming less dated than the “modern” stuff. And the final Dracula/Van Helsing conflict is very strong. But you can’t help but notice the desperation burned into each frame of film. And it’s a real shame.

However, if you’re like me, Cushing and Lee in the same movie is about as good as it gets. So while the results are disappointing, the opportunity to spend some time with those two makes me return to Dracula A.D. 1972 every once in a while. And with it now looking splendid on Warner Archive’s new Blu-Ray, the experience is much improved. The color’s splendid and the sound’s nice and bright and crisp. This is one of those times when the improved picture and sound actually improves the movie itself. So while I’ve certainly given Dracula A.D. 1972 a hard time, it’s not hard to recommend this new Blu-Ray.


Filed under 1972, Caroline Munro, Christopher Lee, DVD/Blu-ray Reviews, Hammer Films, Peter Cushing, Warner Archive

Blu-Ray News #195: Three Hammer Dracula Pictures Coming To HD.

With three of the Hammer Dracula pictures on the way on Blu-Ray, the Count’s about to put a real bite on our finances. Oh well.

Dracula – Prince Of Darkness (1966)
Directed by Terence Fisher
Starring Christopher Lee

It took Hammer almost 10 years to do a sequel to their Horror Of Dracula (1958). They did it in Techniscope, which is really cool — one of the few Scope horror films Hammer did. Barbara Shelley’s terrific, but Peter Cushing is missed as Van Helsing.

Both Lee’s resurrection and demise are really effective — this one really knocked me out as a kid. Coming to Blu-Ray soon from Scream Factory.

Dracula A.D. 72 (1972)
Directed by Alan Gibson
Starring Christopher Lee, Peter Cushing, Stephanie Beacham, Carolina Munro

Bringing Dracula into the 70s turned out to be a better idea than a movie (probably inspired by AIP’s Count Yorga, Vampire), but Dracula A.D. 72 (1972) has plenty to recommend it. Cushing’s back, which helps a lot. Caroline Munro makes her first Hammer appearance (of two). And the period opening is terrific. I can do without Stoneground, who replaced The Faces (that would’ve been cool). Coming to Blu-Ray from Warner Archive.

The Satanic Rites Of Dracula (1973)
Directed by Alan Gibson
Starring Christopher Lee, Peter Cushing, Joanna Lumley, Freddie Jones

By the time Hammer got around to The Satanic Rites Of Dracula (1973), things were getting pretty tired. Way too much times is devoted to some stuff about the plague, but when Lee and Cushing duke it out, it’s glorious.

At one point, this was distributed in the States by some cheeseball company as Count Dracula And His Vampire Bride. Coming to Blu-Ray from Warner Archive.

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Filed under 1966, 1972, 1973, Barbara Shelley, Caroline Munro, Christopher Lee, DVD/Blu-ray News, Hammer Films, Peter Cushing, Shout/Scream Factory, Terence Fisher, Warner Archive