Directed by David Lynch
Starring Kyle MacLachlan, Jürgen Prochnow, Sean Young, Virginia Madsen, Kenneth McMillan, Sting, Patrick Stewart, Dean Stockwell, Max von Sydow, Francesca Annis, Brad Dourif, José Ferrer, Linda Hunt, Freddie Jones, Richard Jordan, Everett McGill, Jack Nance, Paul Smith
I had this set up to post automatically a few days ago, but I did something wrong, so I apologize for the short notice.
A David Lynch movie might seem like a bit of a stretch for this blog — too recent (even though its 40 years old), too expensive, too almost mainstream. But when you think about who shot it, well, it fits in pretty well. I went to see Lynch’s previous picture, The Elephant Man (1980), for two reasons: (1) Freddie Francis shot it in (2) black-and-white Panavision. I hadn’t even heard of Lynch or Eraserhead at that point, but I sure as hell knew who Freddie Francis was!
Lynch brought Francis back for Dune (1984), so of course I was going to go — especially when there were 70mm engagements less than an hour away. Freddie Francis in 70! The film was a mess, of course — beware of any movie that provides you with a glossary as you walk in! But I was blown away by Francis’ cinematography, the production design (from the wooden sets to the almost antique-looking spaceships), Albert Whitlock’s matte work and the presence of Freddie Jones (of Frankenstein Must Be Destroyed).
Well, it’s back in theaters February 18 and 19 to mark its 40th anniversary. And while it won’t be in 70mm, I’m looking forward to seeing it on the big screen again — and to seeing how baffled my daughter will be by the whole thing!
Francis’ last film as DP, Lynch’s The Straight Story (1999) is wonderful, and I’ve heard it’s finally getting a much-needed Blu-Ray release. Easily one of my favorite films of the last 30 years. I’m in the middle of a post on another Freddie Francis picture (directing this time), which will be on its way before long. Stay tuned.