Category Archives: Paul Landres

Blu-Ray News #94: The Vampire (1957).

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Directed by Paul Landres
Starring John Beal, Coleen Gray, Kenneth Tobey, Lydia Reed, Dabbs Greer, James H. Griffith

The Vampire (1957) is a cheap, solid 50s monster movie from Paul Landres, a director I’ve been trying to champion over the last few months. (I just recently reviewed the old DVD release.)

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To me, this is a criminally overlooked little picture — the script, cast and direction take this way beyond its budget — and I’m so glad to learn that Scream Factory has it listed for a 2017 Blu-Ray release. It’s also great to see the work of someone like Landres get such high-quality treatment on video.

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Filed under Dabbs Greer, DVD/Blu-ray News, James H. Griffith, Kenneth Tobey, Paul Landres, Shout/Scream Factory

Happy Halloween.

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Halloween in Wisconsin in 1960 looks like it was a lot of fun, especially the Paul Landres double feature at the Neenah.

Here’s hoping your Halloween is every bit as terrific.

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Filed under 1960, Hammer Films, Paul Landres, Roger Corman, The Three Stooges

Blu-Ray Review: The Return Of Dracula (1958).

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Directed by Paul Landres
Story and Screenplay by Pat Fielder
Music by Gerald Fried
Director Of Photography: Jack MacKenzie, ASC
Film Editor: Sherman A. Rose, ACE

Cast: Francis Lederer (Count Dracula/Bellac Gordal), Norma Eberhardt (Rachel Mayberry), Greta Granstedt (Cora Mayberry), Gage Clark (Doctor/Reverend Whitfield), Ray Stricklyn (Tim Hansen), John Wengraf (Merriman), Virginia Vincent (Jenny Blake), Jimmie Baird (Mickey Mayberry), John McNamara (Sheriff Bicknell)

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The late 50s were a good time for movie vampires, thanks largely to the first of Hammer’s Dracula films, Horror Of Dracula (US title, 1958). But there was also The Vampire and Blood Of Dracula in 1957 and Blood Of The Vampire and The Return Of Dracula in 1958. Oh, and let’s not forget the vampire Western, Curse Of The Undead (1959).

What’s interesting about all these blood-guzzling movies is how each took a different approach to the traditional vampire lore. Hammer, with Christopher Lee in Dracula (1958), dialed up the sex and blood — all of it in alluring Technicolor. The Vampire made vampirism a medical condition. Blood Of Dracula fits right in with AIP’s I Was A Teenage Werewolf (1957), with a teenage vampire created by hypnotism, not a bite on the neck. The Return Of Dracula, which Olive Films has just released on DVD and Blu-Ray, goes in a different direction entirely — following in the steps of many of the Dracula movies that came before it, while moving the Lugosi-ish proceedings to modern-day California.

The Return Of Dracula comes from director Paul Landres and writer Pat Fielder. So did The Vampire. Landres worked mostly in TV, but his low-budget features from the 50s (Westerns and monster movies) are well worth seeking out. Pat Fielder also wrote the excellent The Monster That Challenged The World (1957) — and a number of episodes of The Rifleman.

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Fleeing Transylvania, Count Dracula (Francis Lederer) kills an artist and assumes his identity. Arriving in California, he moves in with the victim’s family, who only know him from letters. They eventually notice that their guest sleeps all day, goes out at night and doesn’t like mirrors or the local priest. Teenage Rachel (Norma Eberhardt) also becomes concerned when her friend Jenny (Virginia Vincent) starts wasting away.

Lederer makes a pretty good Dracula, aided by his Hungarian accent. Norma Eberhardt tries hard to convince us she’s a teenager, and almost pulls it off. And Jenny Blake has a great part as Rachel’s friend turned Dracula’s minion.

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But it’s the assured, creative direction of Paul Landres that keeps things interesting, and the cinematography of Jack MacKenzie that adds the atmosphere these movies rely on — both to create the right mood and conceal how cheap the sets are. MacKenzie shot Isle Of The Dead (1945) for producer Val Lewton, which should tell you something.

Olive Films has The Return Of Dracula polished up and shining like a brand new chrome-covered 1958 Impala. It’s a beautiful Blu-Ray, with contrast levels and aspect ratio (1.85) right where they need to be — and a cool color effect toward the end. Revisiting films like this, in this kind of quality, has been a real joy the last few years, and a number of them have come from Olive.

For fans of these things, or of the people who made them (I’m a big admirer of Landres’ work from this period), The Return Of Dracula comes highly recommended. And I’m hoping Olive gives The Vampire the same treatment.

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Filed under 1957, 1958, AIP, Christopher Lee, DVD/Blu-ray Reviews, Hammer Films, Olive Films, Paul Landres, United Artists

Blu-ray News #67: The Return Of Dracula (1958).

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Directed by Paul Landres
Starring Francis Lederer, Norman Eberhardt, Ray Strickland

Paul Landres directed three cool little horror pictures for Gramercy Pictures in 1957-58: The Vampire, The Return Of Dracula and The Flame Barrier. Each was done in week on a shoestring budget.

Olive Films has announced an October Blu-ray release for The Return Of Dracula (1958). Jack MacKenzie’s moody photography will be a real treat in high definition.

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Filed under 1958, DVD/Blu-ray News, Olive Films, Paul Landres

DVD Review: The Vampire (1957).

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Directed by Paul Landres
Screenplay by Pat Fielder
Director Of Photography: Jack MacKenzie
Film Editor: John Faure
Music: Gerald Fried

Cast: John Beal (Dr. Paul Beecher), Coleen Gray (Carol Butler), Kenneth Tobey (Sheriff Buck Donnelly), Lydia Reed (Betsy Beecher), Dabbs Greer (Dr. Will Beaumont), Herb Vigran (George Ryan), James H. Griffith (Henry Wilson)

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Made in six days for just $150,000, The Vampire (1957) shows the kind of miracles director Paul Landres could perform with no time and no money. The fact that it made it to the screen to begin with is quite a feat — then consider that it’s a pretty solid little monster movie.

Dr. Paul Beecher (John Beal) is a small-town physician who becomes a bloodthirsty monster after he mistakenly takes an experimental drug extracted from the blood of vampire bats. That the vampire here is the product of science, not the undead, is an interesting twist — and so 1950s. What’s more, it serves up a pretty good, and certainly early, depiction of the perils of drug addiction.

Landres began as an editor, cutting series Westerns and serials at Universal, and made the move to director in the very early 50s — both in features and TV. He retired after a 1972 episode of Adam-12. The late 50s were a particularly interesting period for Landres. He directed a few Regalscope pictures (including the terrific Frontier Gun in 1958) and a handful of cheap horror/sci-fi movies that transcend their budgets — The Vampire being one of them.

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Along with Landres’ direction, what helps elevate The Vampire are its thoughtful script by Pat Fielder — who wrote a number of good science fiction pictures, including this film’s co-feature, The Monster That Challenged The World (1957) — and the solid character actors who make up its cast. John Beal does a superb job of keeping Dr. Beecher sympathetic, even as he’s killing an old lady. Coleen Gray and Kenneth Tobey are always a treat. And Dabbs Greer and James H. Griffith steal the show was two guys from the university that sponsored the drug research. Then there’s Jack MacKenzie’s moody photography. He worked with Val Lewton at RKO on Isle Of The Dead (1945), so he’s no stranger to shadows and atmospherics, and he puts them to good use here.

With a cast and crew like this, how could The Vampire go wrong?

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The scene where John Beal stuffs James Griffith into the incinerator is one of those monster movie moments that has stuck with me since I was a kid. Part of a genre, and an era, I adore, this one comes highly recommended.

The Vampire is available on DVD as part of one of the old MGM Midnite Movies collection, paired with The Return Of Dracula (1958), another little gem from Paul Landres. The version I watched this week was the Movies 4 You: Horror set from Timeless Media Group — which also includes a pretty good transfer of The Screaming Skull (1958). The widescreen transfer of The Vampire is excellent, allowing for some artifacts coming from cramming four features onto one disc, and a real bargain at five or six bucks.

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Filed under 1957, Coleen Gray, Dabbs Greer, James H. Griffith, Kenneth Tobey, Paul Landres, Timeless Media Group