Category Archives: 1956

Blu-Ray Review: World Without End (1956).

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Directed by Edward Bernds
Story & Screenplay by Edward Bernds
Cinematography: Ellsworth Fredericks
Film Editor: Eda Warren
Original Music Leith Stevens

Cast: Hugh Marlowe (John Bordon), Nancy Gates (Garnet), Nelson Leigh (Dr. Eldon Galbraithe), Rod Taylor (Herbert Ellis), Shawn Smith (Elaine), Lisa Montell (Deena), Christopher Dark (Hank Jaffe), Booth Colman (Mories), Everett Glass (Timmek)

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Allied Artists’ ads for World Without End (1956) bragged that it was the first sci-fi movie in CinemaScope and Technicolor. Its writer and director Edward Bernds called it “A-picture mounting for a B-budgeted picture.”*

And what a B picture it is! A team of intrepid U.S. astronauts — including Hugh Marlowe and a very young Rod Taylor — returns to Earth from their trip to Mars. Somehow they wind up in the 26th century, finding their home planet reduced to a hostile, post-Apocalyptic world teeming with mutants (that’s one to the left), giant spiders, underground cities, weird old men wearing kooky hats and beautiful girls in mini skirts. You’re starting to get a feel for how terrific this is, aren’t you?

You know how these things work. Before long, the astronauts are killing the spiders, duking it out with the mutants and romancing the ladies. And people wonder why I love these old things so much.

Allied Artists sprang for Technicolor and Scope for World Without End, but that doesn’t mean Bernds had a blank check. Not by a long shot. The spaceship footage — leaving Mars’ orbit and crash-landing back on Earth — was lifted from Monogram’s Flight To Mars (1951) and severely cropped for CinemaScope (from 1.33 down to 2.55). Of course, Allied Artists used to be Monogram, so it’s easy to understand why the footage was cheap.

Walter Mirisch of Allied Artists and Edward Bernds

Bernds: “It’s strange how some producers, at least at that time, got hooked on the idea of saving money by using stock film… You could duplicate those stock shots for a few thousand dollars — are you going to make a $400,000 picture on the basis of saving a few bucks?”*

Another sign of cost-consciousness (one that you see in a lot of these 50s sci-fi flicks): post-Apocalyptic Earth looks a whole lot like the Iverson Ranch.

Edward Bernds wanted Sterling Hayden for the lead, but Allied Artists went with the much cheaper Hugh Marlowe. He’s a little bland, maybe, but fine. Marlowe would have a pretty good run in 50s science fiction. He started out in The Day The Earth Stood Still (1951), and he’d follow World Without End with Earth Vs. The Flying Saucers (1956).

Lisa Montell plays Deena, one of the lovely women of our planet’s grim future. As she describes it, “That film was a lot of fun… Part of the fun was that my character was related to the ‘Mutates’ and I got to speak in Mutate talk, which I just made up as I went along.”*

Nancy Gates falls for Hugh Marlowe, and Rod Taylor winds up shirtless. Gates’ career was going a mile a minute at this time, working steadily in movies and TV. Taylor had only been in the States a couple years when he was cast in this; he’d appear in Giant (1956) the same year.

Pin-up artist Alberto Vargas (the pressbook called him an “internationally known painter of curvaceous femininity”) did sketches for the film, focusing on the women’s costumes. These were used to promote the picture, and I’m sure they were effective. A six-sheet was available with each of the ladies 5′ 6″ tall.

Director of photography Ellsworth Fredericks did a ton of stuff for Allied Artists around this time, everything from At Gunpoint (1955) to Friendly Persuasion (1956). Wow, from Gary Cooper as a Quaker to rubber spiders. He shot Don Siegel’s Invasion Of The Body Snatchers the same year.

Warner Archive has done us all a huge favor by bringing this glorious bit of nonsense to Blu-Ray, gloriously. Fredericks uses the Scope frame really well, and it’s great to have the CinemaScope presented in high definition. Every plastic rocket, every fake spider, every skimpy costume is as sharp as a tack. The color’s perfectly saturated, and the sound’s clear as a bell.

There are certainly better movies than this, but this has become one of my favorite Blu-Rays. It’s a marvel to look at and a real hoot of a movie. Highly, highly recommended.

Read somewhere that Joe Dante saw World Without End and Abbott & Costello Meet The Mummy (1955) as a double bill some Saturday afternoon when he was a kid. He loved it so much, he sat through it twice — and when he got home, his parents had called the police!

*Sources: The Edward Bernds quotes are from Tim Weaver interviews; Lisa Montell’s quote comes from the Treasures Of Wonderment website.

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Filed under 1956, DVD/Blu-ray Reviews, Edward Bernds, Hugh Marlowe, Monogram/Allied Artists, Rod Taylor, Warner Archive

Blu-Ray News #113: The Killer Is Loose (1955).

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Directed by Budd Boetticher
Starring Joseph Cotten, Rhonda Fleming, Wendell Corey, Alan Hale, Jr., Michael Pate, John Larch

Now we’re talking! Budd Boetticher’s The Killer Is Loose (1956) is coming to Blu-Ray from ClassicFlix. The release date evidently hasn’t been nailed down.

Ballard (beside the camera) and Boetticher (in front of Ballard) shooting a scene on a bus.

This terrific noir shows that Boetticher’s mastery of the movies wasn’t limited to Westerns or Randolph Scott. It’s tight, tense and terrific — with Wendell Corey giving a very creepy, career-best performance. Joseph Cotton and Rhonda Fleming are good, too. Lucien Ballard’s cinematography is top-notch with some great location work. The Killer Is Loose is a really good one.

Budd Boetticher (from his book When In Disgrace): “The Killer Is Loose was a good film with Joseph Cotton, Rhonda Fleming and Wendell Corey, who were wonderful to work with. But I don’t think they appreciated what Lucien and I did. We made that picture in 15 days on a 20-day schedule.”

This came out the same year as Budd’s Seven Men From Now (1956). Boy, was he on a roll! Way overlooked — and way overdue on Blu-Ray.

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Filed under 1956, Budd Boetticher, DVD/Blu-ray News, United Artists

Blu-Ray News #110: World Without End (1956).

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Directed by Edward Bernds
Starring Hugh Marlowe, Nancy Gates, Rod Taylor

Allied Artists bragged that with World Without End (1956), they’d given the world the first sci-fi movie in CinemaScope. And Warner Archive is about to give it to us on Blu-Ray.

So, these astronauts return to Earth from a trip to Mars. Somehow they end up in the 26th century, to find a post-Apocalyptic world (actually, the Iverson Ranch) of mutants, monsters and girls in mini skirts. I love this kinda stuff.

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Director Edward Bernds  had a most interesting career, going from The Three Stooges to The Bowery Boys to Westerns like The Storm Rider (1957) to a string of sci-fi movies — World Without End, Queen Of Outer Space (1958), Return Of The Fly (1959) and Valley Of The Dragons (1961). He wrote or co-wrote all of these. Oh, and Sam Peckinpah was the dialogue director. So far, there is no specific release date.

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Filed under 1956, DVD/Blu-ray News, Edward Bernds, Monogram/Allied Artists, Rod Taylor, Sam Peckinpah, Warner Archive

Happy Thanksgiving.

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Alfred Hitchcock certainly knew a thing or two about birds. Here’s hoping yours comes out as nice as Hitch’s did back in 1956.

This Thanksgiving, enjoy your meal, enjoy your family and friends, and enjoy a good movie (or a favorite bad one).

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Filed under 1956, Alfred Hitchcock

DVD/Blu-ray News #76: 23 Paces To Baker Street (1956).

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Directed by Henry Hathaway
Starring Van Johnson, Vera Miles, Cecil Parker

This hard-to-see Henry Hathaway picture came up on my other blog yesterday, since it’s being features in the 54th New York Film Festival’s Henry Hathaway retrospective.

The good news continues, as Kino Lorber has just announced its release on DVD and Blu-ray in early 2017. Hathaway was great with CinemaScope, so this new 4K transfer’s gonna be a real treat.

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Filed under 1956, DVD/Blu-ray News, Henry Hathaway, Kino Lorber

Blu-ray News #42: The Black Sleep (1956).

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Directed by Reginald Le Borg
Starring Basil Rathbone, Akim Tamiroff, Lon Chaney Jr., Bela Lugosi, John Carradine, Patricia Blair, Tor Johnson

Kino Lorber’s announced The Black Sleep (1956) for a Blu-ray release in early 2016. It’s been ages since I’ve seen this one, and I’m dying to revisit it. A lot of fans of cheesy 50s horror have a soft spot for this one.

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Here’s a terrific picture of Lon Chaney, Jr., Tor Johnson and Bela Lugosi have lunch during production.

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Filed under 1956, Basil Rathbone, Bel-Air, Bela Lugosi, DVD/Blu-ray News, Kino Lorber, Les Baxter, Lon Chaney Jr.