Directed by William Castle
Starring Howard Duff, Shelley Winters, Dan Duryea, Tony Curtis, John McIntire, Gar Moore, Leif Erickson
Kino Lorber is continuing their terrific noir Blu-Ray series Film Noir: The Dark Side Of Cinema with Volumes VI and VII.
Volume VI contains John Brahm’s Singapore (1947), with Fred MacMurray, Ava Gardner and Roland Culver; George Sherman’s The Raging Tide (1951) with Shelley Winters, Richard Conte, Stephen McNally, Charles Bickford, Alex Nicol and John McIntire; and William Castle’s Johnny Stool Pigeon (1949).
In Castle’s picture, Federal agents need Johnny Evans (Dan Duryea), who’s doing time in Alcatraz, to rat on some drug dealers and hit men. Johnny’s not to hip to the idea. It’s a solid effort from Castle. Recommended.
Volume VII will contain Byron Haskin’s The Boss (1956) starring John Payne; Sidney Salkow’s Chicago Confidential (1957) with Brian Keith, Beverly Garland and Dick Foran; and Dana Andrews, Dick Foran and Marilee Earle in Jacques Tourneur’s The Fearmakers (1958).
Category Archives: 1956
Directed by William Castle
Some days, the world seems so rotten and godforsaken, it’s hard to get out of bed. Then along come four Sam Katzman movies on Blu-Ray.
If you look at my blogs with any regularity, you probably know that Sam Katzman is one of my all-time favorite humans. His cheap movies, from The Bowery Boys to Jungle Jim and from Jesse James Vs. The Daltons (1954) to Earth Vs. The Flying Saucers (1956) and from Hootenanny Hoot (1963) to Harum Scarum (1965), are a complete and utter joy. Arrow has gathered up four of his best 50s sci-fi/horror pictures for Blu-Ray, giving us a high-def version of Columbia’s Icons of Horror Collection: Sam Katzman DVD set — now loaded with extras.
Creature With The Atom Brain (1955)
Directed by Edward L. Cahn
Starring Richard Denning, Angela Stevens, S. John Launer, Michael Granger, Gregory Gaye, Linda Bennett
An ex-Nazi scientist has created a gang of radio-controlled zombies. Unfortunately, the experiments were funded by a gangster who wants to use the zombies for his own purposes. Cheesy and a bit creepy at times.
The Werewolf (1956)
Directed by Fred F. Sears
Starring Don Megowan, Joyce Holden, Eleanore Tanin, Kim Charney, Harry Lauter, Steven Ritch
An interesting rethinking of how the whole werewolf thing works, with solid direction from Fred F. Sears and excellent performances across the board, especially from Steven Ritch as the werewolf. One of the best werewolf movies ever made, if you ask me.
The Giant Claw (1957)
Directed by Fred F. Sears
Starring Jeff Morrow, Mara Corday
A perfectly respectable 50s sci-fi movie is destroyed by maybe the worst monster in cinema history. Katzman’s attempts to save a buck backfired on him with this one. Jeff Morrow and Mara Corday take on what looks like a marionette of a turkey with a skin condition.
Zombies Of Mora Tau (1957)
Directed by Edward L. Cahn
Starring Gregg Palmer, Allison Hayes, Autumn Russel
The best thing Zombies Of Mora Tau has going for it is the lovely Allison Hayes, which for most men with a pulse is more than worth 69 minutes of your precious time. Along with Ms. Hayes, there are diamonds, a sunken ship and — oh, yeah — some zombies.
Arrow’s making the world a better place with this terrific set in September. Absolutely essential!
Thanks to John Knight for the tip.
Directed by Melvin Frank
Starring Danny Kaye, Glynis Johns, Basil Rathbone, Angela Lansbury and Cecil Parker
Paramount is bringing the very funny Danny Kaye movie The Court Jester (1956) to Blu-Ray in January. A 6K (yes, 6!) should make for an eye-popping presentation of its Technicolor and VistaVision. This is one a lot of folks have been wanting to make its way to high-def, and it sounds like it’s gonna be worth the wait.
Richard Wayne Penniman
(December 5, 1932 – May 9, 2020)
The great Little Richard has passed away at 87.
Maybe due to his over-the-top personality, lots of folks today don’t realize just how incredible Little Richard was. Take a look at his scenes in Frank Tashlin’s The Girl Can’t Help It (1956, above), and you’ll see what I mean.
Sherry Peatty (Marie Windsor): You don’t understand me, Johnny. You don’t know me very well.
Johnny Clay (Sterling Hayden): I know you like a book. You’re a no good, nosy little tramp. You’d sell out your own mother for a piece of fudge. But you’re smart along with it. Smart enough to know when to sail and when to sit tight, and you know you better sit tight in this case.
Sherry Peatty: I do?
Johnny Clay: You heard me. You like money. You got a great big dollar sign, there, where most women have a heart.
Directed by Don McDougall
Produced by Howard W. Koch
Screenplay by Don Martin & Richard Landau
Based on a novel by H. Haile Chace
Photography by William Margulies
Edited by George A. Gittens, ACE
Music by Les Baxter
John Bromfield (Nick Dunn), Joi Lansing (Karen Winter), Mark Dana (Smiley Ward), Carol Shannon (Jane Dunn), Markel (Arthur Markel), Dabbs Greer (Detective Davenport)
Every once in a while, you need a 50s crime picture. Nothing else will do. I recently landed on Hot Cars (1956), a Bel-Air picture produced by Howard W. Koch. Look at that poster — the title, the cast, Joi Lansing as a “stop-at-nothing blonde,” the guy falling off the rollercoaster. Consider that it was shot mostly on location around Santa Monica and it’s only 60 minutes long, and you just know it’s gonna be great.
Nick Dunn (John Bromfield) and his wife Jane (Carol Shannon) are in a bad way financially when their son gets sick and needs an operation, so against his better judgement (and to their quick regret), Nick takes a job at a used car lot run by Markel (Ralph Clanton), Karen (Joi Lansing) and their sinister flunky Smiley Ward (Mark Dana).
They turn out to be a pretty shifty bunch — they’re selling the hot cars of the title, and before you know it, a cop looking into the operation (Dabbs Greer) turns up dead. I probably don’t need to mention that Karen puts the moves on Nick — and that he’s suspecting of rubbing out the cop.
The big finish takes place on the rollercoaster at Pacific Ocean Park (POP) in Santa Monica, with some great POV stuff on the old attraction as Nick and Smiley duke it out. The picture’s location shooting is probably its strong suit, featuring a couple of cool Culver City car dealers (Big John’s and Johnny O’Toole’s) and Jack’s At The Beach, a Santa Monica restaurant near POP that you might recognize from The Rockford Files.
Koch and Bel-Air excelled at these low-budget, lurid little crime pictures — Shield For Murder (1954), Big House USA (1955), Three Bad Sisters (1956), Untamed Youth (1957, with Mamie Van Doren and Eddie Cochran!) and so on. A few of my favorite 50s movies came from Bel-Air.
John Bromfield made quite a few cool B movies, stuff like The Black Dakotas (1954) and Revenge Of The Creature (1955). He starred in the TV series The Sheriff Of Cochise, which was also called US Marshal. He retired in 1960 when the show was cancelled and became a commercial fisherman. He’s quite good in Hot Cars, appearing in about every scene. Joi Lansing does what’ she normally does in movies like this — stand around and look sultry. She’s really good at it.
Director Don McDougall stayed plenty busy doing TV, from the 50s well into the 80s. Lots of cool shows, from The Roy Rogers Show to Bonanza and from M Squad to The Night Stalker. He also did the Star Trek episode “The Squire Of Gothos.” Hot Cars is one of only a handful of features he directed, and while it’s nothing flashy, he and DP William Margulies avoid the studio-bound staginess of a lot of cheap movies from the period. They must’ve had a blast manning those cameras on the rollercoaster! Margulies spent the bulk of his career at Universal, where he shot tons of TV, Gunpoint (1966) with Audie Murphy and the great Ghost And Mr. Chicken (1966).
Hot Cars also boasts an ultra-cool jazzy score from Les Baxter. Baxter composed music for quite a few Bel-Air movies, and some Regalscope pictures, before hitting his stride at American International. Of course, at the same time, he was making great records like 1958’s Space Escapade. Wouldn’t you love a big fat CD boxed set of Baxter’s 50s an 60s movie work?
Truth be told, Hot Cars is cooler than it is good, and its appeal might be limited largely to fans of cheap noir. But if you fall into that group, you’ll find it quite a thing. You can get Hot Cars on DVD as part of MGM’s MOD program. It’s full-frame, but it looks pretty good. A Blu-Ray would be terrific.
* This map post-dates Hot Cars.
(July 7, 1901 – August 4, 1973)
Here’s producer Sam Katzman with Little Richard on the set of Don’t Knock The Rock (1956). It’s a Rock N Roll picture directed by Fred F. Sears. Little Richard does “Long Tall Sally” and “Tutti-Frutti” in it. You need to see it.
Sam Katzman was born on this day back in 1901. As a little kid, I noticed that his name turned up in the credits of a whole lot of movies I really liked. And for all the joy his cheap little pictures have given the world — everything from the Batman serial to the Jungle Jim movies to The Werewolf (1956) to Harum Scarum (1965) with Elvis, he should have a postage stamp, a national holiday, something. He sure made my world a better place.
Incidentally, today is Fred F. Sears’ birthday, too. Wonder if a great big birthday cake was ever shared on the Columbia lot?
The second volume of Kit Parker’s Noir Archive series showed up yesterday. In a year filled with really great stuff coming out on Blu-Ray, this might be my favorite so far.
Four of my favorite B directors are here: William Castle, Nathan Juran, Phil Karlson and Fred F. Sears. Some of my favorite actors, too — John Agar, Robert Blake, Mari Blanchard, Timothy Carey, Richard Denning, Faith Domergue, Vince Edwards, Beverly Garland, Brian Keith, Guy Madison, Kim Novack and more.
All nine pictures look terrific — the Columbia transfers are almost flawless. Proper reviews will follow, but I can’t recommend Noir Archives Volume 2: 1954-1956 highly enough.
I’ve been making my way through the first glorious volume of this terrific series from Kit Parker and Mill Creek Entertainment, and now they’ve announced the third. There’s another great lineup on the way (no pun intended).
The Shadow On The Window (1956)
Directed by William Asher
Starring Phil Carey, Betty Garrett, John Barrymore, Jr., Jerry Mathers
Jerry Mathers goes into shock after seeing his mom hassled by a group of thugs, then helps his dad (Phil Carey) and the cops rescue her. The Beaver is really good in this.
The Long Haul (1957)
Directed by Ken Hughes
Starring Victor Mature, Diana Dors
A British noir picture with Mature all tangled up in the shifty trucking industry — and a hood’s girlfriend.
Pickup Alley (1957, UK Title: Interpol)
Directed by John Gilling
Starring Victor Mature, Anita Ekberg, Trevor Howard
Victor Mature and Anita Ekberg in a B&W Scope picture about dope smugglers — directed by the guy who did The Plague Of The Zombies (1966)! Where’s this movie been all my life?
The Tijuana Story (1957)
Directed by Leslie Kardos
Starring Rodolfo Acosta, James Darren, Jean Willes
Another lurid geography lesson from the great Sam Katzman. I love Rodolfo Acosta — his tiny part in One-Eyed Jacks includes one of the coolest single shots in all of Cinema, if you ask me (which you didn’t). Here, he’s got the lead!
She Played With Fire (1957, UK Title: Fortune Is A Woman)
Directed by Sidney Gilliat
Starring Jack Hawkins, ArleneDahl, DennisPrice, ChristopherLee
More UK noir, this one about a painting and insurance fraud.
The Lineup (1958)
Directed by Don Siegel
Starring Eli Wallach, Robert Keith, Warner Anderson, Richard Jaeckel
The TV series is turned into a typically tough and tight Don Siegel film. Siegel’s San Francisco movies (this and Dirty Harry) really get in the way of the city’s whole peace and love/hippie vibe. This time, it’s a town crawling with dope, crooks and killers. This set’s worth it for this one alone!
The Case Against Brooklyn (1958)
Directed by Paul Wendkos
Starring Darren McGavin, Maggie Hayes, Warren Stevens, Nestor Paiva, Brian G. Hutton
A documentary-style, true-story crooked cop picture starring Darren McGaven. Paul Wendkos also did The Legend Of Lizzie Borden (1975). Produced by Charles H. Schneer in-between Harryhausen movies. Oh, and Nestor Paiva’s in it.
The Crimson Kimono (1959)
Directed by Samuel Fuller
Starring James Shigeta, Glenn Corbett, Victoria Shaw
On the surface, it’s a detective story, but that’s never how a Fuller movie works, is it? Fuller understood that the best way to tackle an issue/message in a picture was to wrap it up in something else like a cop story or a Western. He also knew that if you stuck to B movies, the suits didn’t pay much attention and left you alone to do what you wanted. This one’s terrific.
Man On A String (1960)
Directed by Andre De Toth
Starring Ernest Borgnine, Kerwin Mathews, Alexander Scourby, Colleen Dewhurst, Glenn Corbett, Ted Knight, Seymour Cassel
Ernest Borgnine stars in this 1960 spy picture based on the life (and autobiography, Ten Years A Counterspy) of Boris Morros, a Russian-born musical director in Hollywood (John Ford’s Stagecoach, 1939) who was first a Russian spy, then a counterspy for the FBI. Andre de Toth focuses on the double-crosses that stack up like cordwood.
The first nine-film, three-disc volume in Kit Parker’s awesome assemblage of hi-def Film Noir hasn’t hit the street yet, and now the second’s been announced. These are coming in July, and it’s another great lineup.
Directed by Hugo Haas
Starring Cleo Moore, Hugo Haas, John Agar
Hugo Haas directs himself, Cleo Moore and John Agar in a love triangle involving a lost gold mine.
The Crooked Web (1955)
Directed by Nathan Juran
Starring Frank Lovejoy, Mari Blanchard, Richard Denning
Nathan Juran directed lots of cool stuff, but this is the only one with Mari Blanchard as a waitress. This one involves gold, too, but it’s a stash of Nazi gold. Nathan Juran did some cool stuff — from The 7th Voyage Of Sinbad (1957) to Good Day For A Hanging (1958).
The Night Holds Terror (1955)
Directed by Andrew Stone
Starring Jack Kelly, Hildy Parks, Vince Edwards, John Cassavetes, David Cross, Jonathan Hale
Sort of a combination of The Hitch-Hiker and The Desperate Hours, with John Cassavetes one of the crooks.
Footsteps In The Fog (1955)
Directed by Arthur Lubin
Starring Stewart Granger, Jean Simmons, Bill Travers, Ronald Squire
The only picture in the set in color, this one has Stewart Granger as a killer who chooses the wrong victim, literally.
Cell 2455, Death Row (1955)
Directed by Fred F. Sears
Starring William Campbell, Marian Carr, Kathryn Grant, Harvey Stephens, Vince Edwards
Based on the true story by Caryl Chessman. Director Fred F. Sears is a real favorite of mine.
5 Against The House (1955)
Directed by Phil Karlson
Starring Kim Novack, Alvy Moore, William Conrad, Kerwin Mathews
A team of Army buddies snag a camper trailer and head to Reno to rob the casinos. Phil Karlson keeps things tough and tight. Terrific movie.
New Orleans Uncensored (1955)
Directed by William Castle
Starring Arthur Franz, Beverly Garland, Helene Stanton, Mike Mazurki
William Castle working for Sam Katzman. Beverly Garland. Black and white widescreen. Why haven’t you pre-ordered one already?
Spin A Dark Web (1955)
Directed by Vernon Sewell
Starring Faith Domergue, Lee Patterson, Rona Anderson, Martin Benson
A boxer gets sucked into the London mob, with a little help from Faith Domergue. Vernon Sewell directed lots of B movies in the UK, and this is a cool one.
Rumble On The Docks (1956)
Directed by Fred F. Sears
Starring James Darren, Laurie Carrol, Michael Granger, Robert Blake, Timothy Carey
Fred F. Sears, Robert Blake and Timothy Carey all working on a Sam Katzman movie — and the results are every bit as wonderful as you might be imagining.
To have these nine pictures, in their original aspect ration and high definition, is a real treat. I can’t wait.